A true Hollywood survivor, Barry Livingston is one of the few child stars who turned early success into a lifelong career. As “Ernie” on the 1960s sit-com My Three Sons—which also featured his real-life brother Stanley as “Chip”—Barry become instantly recognizable for his horn-rimmed glasses and goofy charm. Five decades later, after working on TV shows like Mad Men and Desperate Housewives, and in feature films like Zodiac and The Social Network, Barry Livingston is one actor who knows The Importance of Being Ernie . . . In this fascinating and funny memoir, Barry reveals his most unforgettable anecdotes: Working on set with Fred McMurray, Ozzie and Harriet, Lucille Ball and Dick Van Dyke. Riding a limousine with Elvis Presley. Trying to upstage Ron “Opie” Howard. Even shooting a Superbowl beer commercial with Brad Pitt. At first, Barry’s lazy eye and horn-rimmed glasses nearly derailed his career, getting him kicked off his first major film starring Paul Newman. Eventually, his “nerdy” look became his biggest asset, landing Barry a recurring role on Ozzie & Harriet and a regular part on My Three Sons. Fifty years later, Barry is still going strong—from the stage and small screen to to featured film roles opposite Adam Sandler and Robert Downey, Jr.. Like most Hollywood actors, Barry experienced some incredible highs and lows along the way, but he never gave up. “I’ve been around for more than six decades,” he affirms. “And I’m not going away.” This is how one child star beat the odds and survived the dark side of the Hollywood dream factory—with charm, wit, determination . . . and big horn-rimmed glasses. This is The Importance of Being Ernie.
Their brief marriage was a disaster everywhere but in the bedroom. Baron Edward Christie was the most proper widower in the ton, and marrying the scandalous beauty was his one impulsive act. Yet before he puts Caroline out of his life, he must get her out of his blood... Caroline was prepared to hear that her husband wanted to divorce her, spare them both the torture of passion they can neither tame nor escape. Life as his wife is suffocating... but she cannot resist becoming his mistress...
Two Wheels Good examines the bicycle's past and peers into its future, challenging myths and clicéhs while uncovering cycling's connection to colonial conquest and the gentrification of cities. But the book is also a love letter: a reflection on the sensual and spiritual pleasures of bike riding and an ode to an engineering marvel--a wondrous vehicle whose passenger is also its engine.
"Two-time world champion debater and former coach of the Harvard debate team, Bo Seo tells the inspiring story of his life in competitive debating and reveals the timeless secrets of effective communication and persuasion"--
"In the middle of Budapest, there is a river. Csilla knows the river is magic. During WWII, the river kept her family safe when they needed it most--safe from the Holocaust. But that was before the Communists seized power. Before her parents were murdered by the Soviet police. Before Csilla knew things about her father's legacy that she wishes she could forget. Now Csilla keeps her head down, planning her escape from this country that has never loved her the way she loves it. But her carefully laid plans fall to pieces when her parents are unexpectedly, publicly exonerated. As the protests in other countries spur talk of a larger revolution in Hungary, Csilla must decide if she believes in the promise and magic of her deeply flawed country enough to risk her life to help save it, or if she should let it burn to the ground"--
"Taking the form of a self-directed research project, Sycamore recounts the legacy of her fraught relationship with her late grandmother, an abstract artist from Baltimore who encouraged Mattilda as a young artist, then disparaged Mattilda's work as "vulgar" and a "waste of talent" once it became unapologetically queer. As she sorts through her grandmother Gladys's paintings and handmade paperworks, Sycamore examines the creative impulse itself. In fragments evoking the movements of memory, she searches for Gladys's place within the trajectories of midcentury modernism and Abstract Expressionism, Jewish assimilation and white flight, intergenerational trauma and class striving"--
DISCOVER THE WONDERS OF SOUTHEAST ASIA THROUGH ART Exploring Southeast Asia with Chuah Thean Teng takes the reader through the Malaysian batik painter's life in Penang, Malaysia, where Chuah opened a batik factory following WWII. Focusing on his life after the closure of his batik factory, we see how Chuah persevered to make art with batik, becoming the father of batik painting. Through Chuah's paintings, readers will learn about the importance of batik in Malaysia's art world as well as the techniques of batik and batik painting. Chuah's artworks were featured in UNESCO's greeting cards in 1989. Readers will also get a glimpse of a Malaysian kampung and a Malaysian way of life.
"ONE: The Bible's Big Story in Tiny Poems retells multiple Bible stories in tiny but mighty poems. From Creation to The Fall, the stories of God's faithfulness in the Old Testament to the birth of the Savior, the miracles of Jesus to the spread of the Gospel, and ultimately God's promise for our redemption and restoration, young readers will have a better understanding of the full story of the Bible and God's plan for each of us.... one poem at a time"--
"This book is a personal, practical, and inspirational guide for scientists and other technically trained professionals who seek to be more effective and empathetic in their writings for professional and nontechnical audiences"--
A richly illustrated first monograph of artist Caragh Thuring, whose unique and layered paintings invite a boundless reimagining of her subjects.Very Fantastically Arranged is a richly illustrated first monograph of artist Caragh Thuring, whose unique and layered paintings invite a boundless reimagining of her subjects.This dedicated volume is the first to comprehensively document the work of Caragh Thuring, the London-based painter and artist. With over 200 images of Thuring's work, as well as written contributions by Laura Smith and Helen Marten, and a conversation with Ralph Rugoff, Very Fantastically Arranged offers an in-depth look into the themes, obsessions, and slippery subjects the artist investigates in her vibrant, multi-layered, paintings. The collision of natural and manufactured worlds runs throughout her practice, with recurring motifs of volcanoes, submarines, bricks, flora, tartan and human silhouettes. Thuring paints fluidly and intuitively, without preparatory drawings, and arranges imagery in opposition to familiar hierarchies. Her fractured yet deft compositions of people and places create intriguingly disjunctive images that interweave technology, humans, and nature. Thuring’s distillation of these subjects, reveals what lies beneath, destabilising the viewer, and forcing them to reconsider their experience and what they have been conditioned to overlook.This volume reveals, as Laura Smith writes, Thuring's endeavour “to assemble, repeat and reconstruct details from her environment, biography and history into a new and ever-evolving narrative that is as much ours as it is hers to complete.”
Shortlisted for the 2023 Lumen Prize, a hybrid digital artistic and literary project in the form of an augmented reality book, which retells Dante’s Inferno as if it were set in pandemic-ravaged New York City.Voidopolis is a digital performance about loss and memory presented as an augmented reality (AR) book with a limited lifespan. The book loosely retells the story of Dante’s Inferno as if it were the dystopic experience of wandering through New York City during the pandemic; instead of Virgil, however, the narrator is guided through this modern hellscape by a caustic hobo named Nikita.Voidopolis is meant to culminate in loss. It features images that are created by digitally “wiping” humans from stock photography and text that is generated without the letter “e”—in homage to Oulipo author Georges Perec’s A Void, a 300-page novel written entirely without the letter—by using a modified GPT-2 text generator. The book, adapted from a series of Instagram posts that were ultimately deleted, is likewise designed to disappear: its garbled pages can only be deciphered with an AR app, and they decay at the same rate over a period of one year, after which the decay process restarts and begins again. At the end of this decay cycle, only the printed book, with its unintelligible pages, remains. Each July 1, the date the project first started on Instagram, the book resets again, beginning anew the cycle of its own vanishing.A first-of-its-kind augmented reality book from a major university press, Voidopolis is a unique and deeply affecting artwork that speaks as much to our existential moment as it does to the fragility of experience, reality, and our connection to one another.
"A National Poetry Series winner selected by Victoria Chang, Sweet Movie confronts romantic and religious masochism to interrogate spiritual, sexual, and moral agency"--
Practice your line work while tracing your way through these whimsical and intricate pages--and then color them in!This unique addition to the adult coloring book space is a true 2-in-1 book. First, budding creatives and those seeking a serene, meditative escape will find joy in tracing the detailed linework of different creature-run shops, like the goat postal service, cat cafe, or polar bear sushi stand. Practice with different pen types, line weights, and more. And when you're done, you have a whole book to color in as well!A true artistic escape, Creature Corners will both quiet your mind and spark your creativity.
When Harper Proulx and her newfound sibiling travel to Hawaii to track down their sperm donor father, Harper finds a deep-sea diver obsessed with solving the mystery of a shipwreck and the experience forces her to face even bigger questions.
"From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there. Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tounged, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger. Ava wants to love her son differently, better. But when Toussaint's father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living. Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents--families whose lives have been rooted in this stretch of land for generations--and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance. As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him--his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there.
"Unfazed by the authority of psychiatry and a conventional wisdom discouraging their recovery, ex-patients created a social justice movement insisting on opportunities for recovery for people with a psychiatric diagnosis"--
Reuniting for a holiday adventure at a fabulous ski lodge, longtime friends Amy, Frankie, Rachael and Nina find it's the season for new beginnings when an unexpected turn of events leads them to confront their pasts.
An engrossing novel inspired by the mysterious true story of Irmgard Keun, a female novelist who defied all the rules during Berlin’s volcanic post-WWI years, as a young German writer exiled for her ideas flees her country and her Nazi-supporting husband, fighting for her art, her life, and her child.1920s Germany: Though the world has changed in the wake of the Great War, it is still ruled by men. Even a woman as resourceful and intelligent as Niki Rittenhaus needs alliances in order to survive. Her marriage to Rickard Länger, a movie producer for Berlin’s Passport Pictures, seems convenient for them both. When Rickard succumbs to increasing pressure from the Nazis to make propaganda movies, a horrified Niki turns away from her own film aspirations and instead, begins to write.Niki’s first novel, The Berlin Woman, is published under a pseudonym to great success. But Niki knows she cannot stay anonymous for long. The Nazis are cementing their power over Germany—and over her husband. Though she succeeds in escaping Rickard, he directs Hitler’s Brownshirts to do the unthinkable: kidnap their daughter. With her books blacklisted, her life in danger, and Europe descending into war, Niki travels to Amsterdam, joins the Dutch Resistance, and then returns to war-torn Berlin determined to claim freedom for herself and her child, and to write her own story at last.
"There is a war on masculinity, and everywhere we look-on every front we hold sacred-we can see the painful reminders of this collapsing order. The chaos and crisis we are experiencing today should be a signal for men everywhere to rise up; to fight to preserve our way of life by once again walking the ancient paths. But this isn't a journey that need be taken alone. This is a call to all men to be what they truly are. Both dangerous and good. Lovers and fighters. Lions and lambs. Both philosophical and practical, this guide dispenses essential advice on how to be a whole man, from tyranny-proofing your home to wooing the right woman. Through anecdotes of his time in the military, interviews with other men, and practicums at the end of each chapter, Lovell teaches the virtue of balance-navigating the tension between violent warrior and romantic poet-and guides men through each mental and physical change they must make to embody the ancient spirit of a real man."--
"Over a hundred page-long comics from around the world, documenting humanity's retreat into COVID-19 lockdown and imagining our eventual, boisterous reemergence, from the founder of the Brooklyn Comic Arts festival and owner of beloved indie comic shop Desert Island. On April 1, 2020, the Instagram account of Desert Island, Brooklyn's celebrated alternative comics shop, put out a call. By then, the shop had shuttered indefinitely, and the world's major cities had locked down as the first wave of the COVID-19 pandemic took hold: 'We all need something positive to think about, and a lot of us have time on our hands, ' the post read. 'Who wants to make something?' Hundreds of short comics from over fifty countries poured into Desert Island's inbox. Some came from notable cartoonists. Most, astonishingly, came from amateur artists just looking for an outlet to create in the midst of tragedy--for a chance to join the rescue party that leads us out of isolation. Collected here are one hundred fifty notable entries from the Rescue Party project, capturing the loneliness and the surprising comforts of early lockdown; the mania of its middle days as the mind begins to fray; and the branching paths of humanity's future, as we re-enter a world wracked with injustice. Bracing, beautiful, and conspicuously optimistic, Rescue Party is part graphic diary, part time capsule, and part field guide: a grassroots project that tells the collective story of lockdown from a chorus of global voices, and charts a course to a more just future"--
"The first definitive exploration of the role of the twenty-first century First Lady, painting a comprehensive portrait of Jill Biden and the evolution of the First Lady's role from ceremonial figurehead to political operative-from a White House correspondent for The New York Times. Since the Clinton era, tectonic shifts in media, politics, and pop culture have all redefined expectations of First Ladies, even as the boundaries set upon them have at times remained frustratingly anachronistic. With sharp insights and dozens of firsthand interviews with major players in the Biden, Obama, Trump, Bush, and Clinton orbits, including Jill Biden and Hillary Clinton, New York Times White House correspondent Katie Rogers traces, from the dawn of the twenty-first century, the evolution of the role of First Lady into a modern power broker with the potential to deliver on behalf of the president, while also painting a full portrait of Jill Biden. Dr. Jill Biden began her journey toward public life in 1975 as a separated twenty-three-year-old who caught the eye of a widowed Senator Joe Biden. Recovering from her own heartbreak after a failed marriage, she found a man who was still grieving. He drew her into his close-knit family, and, in return, she knitted his life together after unspeakable tragedy, raised his children as her own, and stood by his side through three presidential campaigns. Along the way, they weathered shared tragedies of their own. Over the past four decades, Jill Biden has nurtured her husband's ambitions and emerged as a prime guardian of one of the most insular operations in modern politics. But she has also struggled with low approval ratings, critical headlines, and a changing Washington much different from the one that she and her husband first encountered together in the late 1970s. She is a disciplined First Lady by design, mirroring her family's guarded approach to the public and the media. She is also the only First Lady in history to work outside of the White House in a paid role as a teacher, a choice that was received with a mix of acclaim and misogyny. It was a decision that will inevitably clear a path for future first spouses to keep their chosen careers. Through deep reporting and new correspondence, American Woman is the first book to paint a comprehensive portrait of Jill Biden and grapple with the idea of what the role of a modern First Lady should be"--
"A distinct, incisive look at an important figure in African literature and politics that will be welcomed by scholars in African studies and philosophy. Lâeopold Sâedar Senghor (1906-2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne takes a unique approach to reading Senghor's influential works, taking as the starting point for his analysis Henri Bergson's idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy. To further this point, Diagne looks at what Senghor called the "1889 Revolution," and the influential writers and publications of that time-specifically, Nietzsche and Rimbaud, as well as Bergson's Essay on the Immediate Data of Consciousness. The 1889 Revolution, Senghor claims, is what led him to the understanding of the "Vitalism" at the core of African religions and beliefs that found expression in the arts"--
"Voelker offers a powerful, inclusive practice that is appropriate for new students or long-time practitioners-and can easily be adopted by yoga instructors, educators, medical professionals, exercise professionals, caretakers, or community workers for work with their clients, students, and patients. This book highlights 40 active and restorative poses, including individual and partner poses, breathing techniques, and meditation practices, all adapted so that students never have to leave their chairs. For every pose, Voelker offers at least three different ways of experiencing it, depending on an individual's level of flexibility and suggests ways to incorporate breath work and chanting. Voelker includes healthy lifestyle, practices and teaching tips, along with yoga philosophy 'lessons' throughout. Voelker believes that yoga is only yoga when you make it your own; otherwise it's just exercise. It becomes therapeutic, and even transformational, when the poses, breathing techniques, and meditation practices morph and change to fit your unique body, mind, and heart. The yoga she presents is designed to encourage you to experience the joy in every pose; to celebrate your unique qualities; and to stretch your imagination and creativity, as well as your body and your mind, in ways that feel just right for you"--]cProvided by publisher.
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