Böcker utgivna av Paul Holberton Publishing Ltd

There has never been a display like it. This is the catalogue to an ambitious exhibition at the Goldsmiths' Hall, London, which will comprise 250 gold and silver objects and sets of objects spanning the history of the Church from the earliest possible times to the present day.

Collecting Gauguin is the first of a new series of special Summer displays which will showcase aspects of The Courtauld's outstanding permanent collection.

Isabella Stewart Gardner routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. This book shows another side of Isabella that readers may not expect: her love of dogs.

Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But, rather like Giorgione, who had died young in Venice 100 years earlier, Elsheimer was influential on the coming century to a degree out of all proportion to his brief career and small oeuvre.

This catalogue accompanied an exhibition at the Groeninge Museum, Bruges, which celebrated one of the greatest European artists of the late fourteenth century, Andre Beauneveu, apparently born in Valenciennes c. 1335.

The Harold Samuel Collection Art Collection of Dutch and Flemish seventeenth-century pictures is one of the finest groups of Old Master paintings assembled in Britain over the past hundred years, but one of the least known.

Accompanying an exhibition at the Staatliche Kunstsammlungen Dresden, this publication presents the glass swallow works Perched, created by the artist Feleksan Onar.

Accompanying the first ever exhibition devoted to the Dutch painter and draughtsman Adriaen van de Velde (1636-1672), this is also the first monograph on the landscape artist - one of the finest of the Dutch Golden Age.

"First published to accompany 'Into the Twentieth Century, New Displays at the Courtauld', October 2002"--T.p. verso.

Recounts the exciting rediscovery of Giorgio Vasari's painting Allegory of Patience, painted in 1551-52 for the Bishop of Arezzo.

The Virgin Mary rises up like a giant Tower of Babel in a close-up view, separated from us by a slender railing along which runs the painter's signature. The Virgin appears to be sitting on a marble slab, slightly raised, and her right shoulder is thrust forward to show us her nude son.

The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection's 150th anniversary.

A lavishly illustrated volume of Pakistani textiles of extraordinary colour and vibrancy from one of the most arid areas on Earth.

Accompanying an exhibition of drawings by Guercino from the collection of the Morgan Library & Museum, Guercino: Virtuoso Draftsman offers an overview of the artist's graphic work.

Patricia Wengraf is one of the world¿s leading dealers in bronzes, sculpture and works of art. In her particular speciality, bronzes of the 15th-18th centuries, her knowledge and connoisseurship are of world repute. This exquisite catalogue - the first sales catalogue ever published by the dealer - presents a selection of exceptional works. Accompanies an exhibition in New York City.

Published to coincide with two major exhibitions at Compton Verney Art Gallery& Park, Warwickshire, this publication will address key works and themes from both exhibitions, exploring the subject of children in art through a series of essays written by the exhibition curators and external academics.

Eliot Hodgkin (1905-1987) is best known as a painter of still life subjects beautifully executed in tempera. Less well known are his haunting views of bomb-sites in London after World War II. This revealing, fully illustrated catalogue accompanies the first survey exhibition on the artist since 1990.

This publication is the latest in the Close Up series of books accompanying Gardner Museum exhibitions which showcase aspects of the museum's outstanding permanent collection.

Stanley Spencer's patrons have never before been studied collectively. Drawing on archival research and conversations with Spencer's family and descendants of patrons, this exciting new publication looks at how collecting habits were affected by war and economic change.

An in-depth examination of one of the most important ancient works in America, the exquisite Farnese Sarcophagus.

Accompanying an exhibition at the Morgan Library & Museum, New York, Thomas Gainsborough: Experiments in Drawing off ers an overview of his work as a draftsman, with a particular look at his technical innovations and his mastery of material.

Fra Angelico transformed painting in Florence with his pioneering images. Reuniting for the first time his four ingenious reliquaries for Santa Maria Novella, this publication explores his celebrated talents as a storyteller and the artistic contributions that shaped a new ideal of painting.

This catalogue accompanies the first exhibition dedicated to Antoine Caron's graphic work and explores the role the Queen Mother Regent Catherine de' Medici played in a key series of drawings, some reunited here for the first time.

Written with a sparkle matching Townley's own enthusiasm, this beautiful and engaging publication tells the story of 14 Queen Anne's Gate and examines the extraordinary life of Charles Townley and his remarkable collection of over 150 Roman marble statues.

This exceptional collection of Islamic textiles published here ranges widely in region, material and technique. There are exquisite textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent, mainly from the 19th and early 20th centuries, which continue the traditions established in the medieval Islamic world.

Chaim Soutine (1893¿1943) produced some of the most powerful and expressive portraits of modern times. His ability to capture in paint the character, humanity and emotion of his sitters is the hallmark of Soutine¿s greatest work. The major exhibition at the Courtauld Gallery, London, focuses upon one of his most important series of portraits; his paintings of cooks, waiters and bellboys who sat for him inParis and the South of France during the 1920s. These works helped to establish Soutine¿s reputation as a major avant-garde painter, seen by many as the twentieth centuryheir to van Gogh. This will be the fi rst time that this outstanding group of masterpieces has ever been brought together and it will be the fi rst exhibition of Soutine¿s work in London for over thirty years. Soutine arrived in Paris as an ¿gr¿rom Russia in 1913 and began a precarious existence as a penniless artist in Montparnasse living among fellow painters, such as Marc Chagall and Amedeo Modigliani. As part of this avant-garde coterie of artists, Soutine developed a highly original style that combined an expressive handling of paint with deep reverence for the Old Masters that he studied in the Louvre.His portraits often appear both timeless and vividly modern. These qualities are exemplifi ed by the series of paintings of cooks, waiters and bellhops that he produced during the 1920s. These lowly and often-overlooked fi gures from Paris¿s fashionable hotels and restaurants, including the famous Maxim¿s, appealed to Soutine¿s sense that profound emotion and a deep sense of humanity could be found in such humble sitters. The contrast between their working uniforms and the individuality of their faces adds to the emotional charge of these extraordinary portraits. Soutine strived to achieve the most powerful eff ects of colour from the bold whites, reds and blues of their diff erent uniforms. When he started the series, Soutine was living in near-poverty as a struggling artist. These portraits helped to lift him out of these desperate circumstances as they were soon admired by friends and become prized by collectors. Today, they are considered among his greatest achievements. This publication will bring together the most comprehensive group of these portraits. It will be a unique opportunity to experience the power and profound emotion of Soutine¿s art.