Böcker utgivna av Palgrave MacMillan

This book chronologically analyzes fourteen key US Presidents, from Washington to Biden, to highlight how religion has informed or influenced their politics and policies. For years, leading scholars have largely neglected religion in presidential studies. Yet, religion has played a significant role in a number of critical presidencies in US history. This volume reveals the deep religious side to such presidents as Truman, Eisenhower, and Reagan, among others, and the impact that faith had on their administrations. Now in its fourth edition, this work includes analysis of Joe Biden as the second Catholic president in United States history and provides a timely update to a key text in the study of religion and the presidency.

This open access book brings together contributions from an internationally diverse group of scholars to celebrate Taner Akçam's role as the first Turkish intellectual to publicly recognize the Armenian Genocide. As a researcher, lecturer, and mentor to a new generation of scholars, Akçam has led the effort to utilize previously unknown, ignored, or under-studied sources, whether in Turkish, Armenian, German, or other languages, thus immeasurably expanding and deepening the scholarly project of documenting and analyzing the Armenian Genocide.

This book sets out to try to understand why segregated schooling still exists, especially in northern Italy in South Tyrol where they practice 'separate but equal' education. Supported by the UN, the Austrian and Italian governments, the province is considered a 'peace model' due to its consociational approach to dealing with the region's Nazi and Fascist past, which has led to a 'negative peace'. The autonomy statutes, which derived from this 'peace', resulted in an education system that is linguistically segregated for the purposes of protecting South Tyrol's ethnolinguistic minorities. Broken into two parts, the book begins with the background history of the province, before describing the region's geographical layout, demographics, local identity, and its three-part schooling system. By examining responses to South Tyrol's education system, and its impact on local group dynamics, this book explores the implications that segregated schooling may have on second language acquisition. This case study will be of interest to students and scholars of Italian studies, anthropology, linguistic ethnography, sociolinguistics, and second language education.

This open access book explores the deep connections between environment, language, and cultural integrity, with a focus on Indigenous peoples from early modern times to the present. It illustrates the close integration of nature and culture through historical processes of environmental change in North, Central, and South America and the nurturing of local knowledge through ancestral languages and oral traditions. This volume fills a unique space by bringing together the issues of environment, language and cultural integrity in Latin American historical and cultural spheres. It explores the reciprocal and necessary relations between language/culture and environment; how they can lead to sustainable practices; how environmental knowledge and sustainable practices toward the environment are reflected in local languages, local sources and local socio-cultural practices. The book combines interdisciplinary methods and initiates a dialogue among scientifically trained scholars and local communities to compare their perspectives on well-being in remote and recent historical periods and it will be of interest to students and scholars in fields including sociolinguistics, (ethno)history, linguistic anthropology, cultural studies and cultural anthropology, environmental studies and Indigenous/minority studies.

Drawing both on historical accounts of the emotions and on contemporary affect theory, this book explores the intersection of social constructions of sex and gender with the development of norms for emotive speech in literary texts from the classical to the early modern periods. More specifically, the book argues that the influential Stoic theory of the prepassions (as distinct from the passions proper) resonates richly with recent work on affect, emphasizing in similar ways the role of embodied feelings that may exceed available linguistic norms as well as challenging gendered emotion scripts. From the tragic Stoicism of Virgil's Aeneid to Chaucer's Stoic-Petrarchan Griselda and the Stoic-inflected attitudes reflected in the work of seventeenth century poet Mary Carey, the Stoic view of the emotions as test-cases for a moralized conception of masculine coherence conflicts with a fluid affective model of feeling that challenges the ideal of emotional self-containment.

This edited book gives an updated overview of methods of analysis of academic and non-academic genres in a digital era. The advent of digital and social media has deeply transformed academic and non-academic communication practices in the past two decades. The linguistic landscape is now a multilayered one; multicultural issues and cross-linguistic aspects are addressed in a way to understand how linguistically and culturally diverse identities try to find pathways. The communicative immediacy of digital media and the spectrum of genres/hybridized forms now available has inevitably influenced the way we communicate and the way we create meaning-making in a multimodal environment. The book contains nine chapters divided into two main sections corresponding to academic and non-academic texts where written, spoken and digital genres are examined from different perspectives. Cross-linguistic studies, multilingual approaches or disciplinary variations are analyzed in detail. This book provides and up-to-date and innovative view of Metadiscourse research and develops new research methodologies, drawing on visual research methods and combinations of qualitative and quantitative approaches from fields including Discourse Analysis, Corpus Linguistics, and Genre Analysis.

This book explores (mis)representations of two female claimants to the Tudor throne, Lady Jane Grey and Mary I of England. It places Jane's attempted accession and Mary I's successful accession and reign in comparative perspective, and illustrates how the two are fundamentally linked to one another, and to broader questions of female kingship, precedent, and legitimacy. Through ten original essays, this book considers the nature and meaning of mid-Tudor queenship as it took shape, functioned, and was construed in the sixteenth century as well as its memory down to the twenty-first, in literary, musical, artistic, theatrical, and other cultural forms. Offering unique comparative insights into Jane and Mary, this volume is a key resource for researchers and students interested in the Tudor period, queenship, and historical memory.

The Testing of Barbara Pym, a companion volume to The Making of Barbara Pym (Palgrave Macmillan, 2021), completes a comprehensive analysis of Pym's novels and her life, focusing on her complex view of the necessity of change at both the individual and cultural levels. Newly published archival material supports this treatment of Pym's vision of a changing world - a vision premised upon the principle of continuity, a linking together of past, present, and future. In her novels published from 1955-1980, beginning with Britain's emergence from post-war austerity, Pym portrays, in an optimistic fashion, several changing aspects of British culture: expansion of the suburbs, acceptance of homosexual men, erosion of the class system, inclusivity in the Anglican Church. But with these changes, new strains emerge as well; the principle of continuity undergoes radical testing and is then emphatically reasserted. Likewise, despite upheavals to established patterns in her life, chiefly the inability to publish her work, Pym persisted in cultivating such elements of continuity as she could, an effort rewarded, while she was in rural retirement, by a return to the publishing world. Thus, in both Pym's novels and her life, continuity survives the duress of testing circumstances.

This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical'scultural significance in Britain.

Deaf Walls Speak presents an insider's view of artmaking in Guantánamo, the world's most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi's testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guantánamo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.

This book introduces English-speaking audiences to tsūji, who were interpreters in different contexts in Japan and then the Ryukyu Kingdom from the late 16th to the mid-19th century. It comprises seven historical case studies on tsūji in which contributors adopt a context-oriented approach. They aim to explore the function of these interpreters in communication with other cultures in different languages, including Japanese, Dutch, Chinese, Korean, Ryukyuan, English, Russian and Ainu. Each chapter elucidates the tsūji and the surrounding social, political and economic conditions. The book will be of interest to students and scholars of translation and interpreting, but also readers interested in the early modern history of interpreting and cultural exchange. It will similarly appeal to those interested in the Japanese language, but with limited access to books written in Japanese.

This book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns.

This book examines how proverbs can carry ethnonyms and contradictory oppositions in everyday speech, and interrogates the belief that such nuances are national in nature by comparing across languages and cultures. The authors bring together linguistic terms and typologies from Slavonic, Germanic, Romance, Finno-Ugric and Somali proverbs (with their English parallels) to enrich contrastive paremiology. The book pushes the thematic boundaries of the paremiological minima of languages by drawing on fields including sociolinguistics, and it will be of interest to students and scholars of cultural linguistics, comparative cultural studies, sociolinguistics, social identity, anthropology, cognitive semiotics, and the history of words and concepts.

Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed.

This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers' The Mysteries of Myra (1916) is identified as cinema's original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula's death (1920), the first ever filmic female vampire in Erich Kober's Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda's Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there.

This book uncovers the elusive phenomenon of football fan identities by using a combination of comparative analysis and triangulation of data obtained through discourse analysis of online message boards and survey research in four European country/league contexts and in-depth interviews conducted in eight select fan scenes. The book illustrates that politically relevant developments are often set in motion in supposedly peripheral social fields, and that identities are adapted and transboundary linkages can be established and nurtured through the game of football. The book will be of interest to researchers, scholars and students of Sociology, Political Science, Sport Studies, European Studies and International Relations.

This book project unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen

¿The Palgrave Handbook of Religion and State Volume II: Global Perpectives addresses issues of Religion and State from a multitude of disciplines. The volume begins with the philosophical discussion of perennial issues that have to do with the origin and nature of rights. One question centers on the right to use one¿s religious beliefs to enact laws. This discussion alone sets this handbook apart from other handbooks of its type. While addressing these perennial questions, this volume includes authors who interact with the work of John Rawls, Hobbes, Rousseau, and a host of contemporary philosophers. The subsequent sections address the American Constitutional Experiment, religion, state, and law in the Americas.

This book examines the rising global prominence of China's art market throughout the twentieth and twenty-first centuries. To understand the far-reaching impact of Chinese art on global consumption, this book traces the shift from regional markets to global markets. It asks how the Chinese art market re-emerged from its politicized past, innovated within the private economy boom, remained resilient despite the global financial crisis, and flourished on the global stage despite the COVID-19 pandemic. Ultimately, it argues that cultural entrepreneurship enabled Chinese art professionals to reinvent their space and to participate in the global artworld.

This volume explores the reception, development and construction of Eastern practices in the Nordic countries. The focus is on spirituality, medicine and healing from a lived religion perspective. Besides a geographical focus on the Nordic countries and their characteristics, this collection examines the embodied practices aligned with different expressions of religiosity, alternative medicine, spirituality and healing practices. By addressing questions about how so-called Eastern practices are embodied, spread and materialized, the contributors shed light on a cultural change in Nordic societies regarding religious, spiritual and alternative health practices, that are sometimes at odds with the dominant medical discourse about life-threatening diseases and other types of conditions.

This book investigates how work ethics in Europe were conceptualised from the Middle Ages to the nineteenth century. Through analysis of a range of discourses, it focuses on the roles played by intellectuals in formulating, communicating, and contesting ideas about work and its ethical value. The book moves away from the idea of a singular Weberian work ethic as fundamental to modern notions of work and instead emphasises how different languages of work were harnessed for a variety of social, intellectual, religious, economic, political, and ideological objectives. Rather than a singular work ethic that left a decisive mark on the development of Western culture and economy, the volume stresses plurality. The essays draw on approaches from intellectual, social, and cultural history. They explore how, why, and in what contexts labour became an important and openly promoted value; who promoted or opposed hard work and for what reasons; and whether there was an early modern break with ancient and medieval discourses on work. These historicized visions of work ethics help enrich our understanding of present-day changing attitudes to work.

Queering W. B. Yeats and Gabriele D'Annunzio: Modernist Playwrights challenges the general resistance in scholarship and queer studies to approach Yeats and D'Annunzio through a queer lens because of their controversial affiliations with fascism and elitism, their heterosexuality and their venerated canonical status. This book provides the first fully theorised queer and comparative reading of Yeats's and D'Annunzio's drama. It offers the novel contention that due to their increasing involvement in queer and feminist subcultures, their plays feature feelings that are associated with queer historiography and generate ideas that began to be theorised by queer studies more than half a century after the composition of the plays. Moreover, it uncovers an alert, subversive and often coded social commentary in eight key dramatic texts by each playwright and at the same time highlights the thus far neglected commonalities between the plays and the queer historical as well as cultural contexts of these two prominent modernists.

This handbook critically analyzes cross‐border news production and "transnational journalism cultures" in the evolving field of cross-border journalism. As the era of the internet hasfurther expanded the border‐transcending production, dissemination andreception of news, and with transnational co‐operations like the European Broadcasting Union and BBC World News demonstrating different kinds of cross‐border journalism, the handbook considers the field with a range of international contributions. It explores cross-border journalism from conceptual and empirical angles and includes perspectives on the the systemic contexts of cross‐border journalism, its structures and routines, changes in production processes, and the shifting roles of actors in digital environments. It examines cross-border journalism across regions and concludes with discussions on the future of cross-border journalism, including the influence of automation, algorithmisation, virtual reality and AI.

This book looks at contemporary autobiographical works by writers with African backgrounds in relation to the idea of 'place'. It examines eight authors' works - Helen Cooper's The House at Sugar Beach, Sisonke Msimang's Always Another Country, Leila Ahmed's A Border Passage, Noo Saro-Wiwa's Looking for Transwonderland, Douglas Rogers's The Last Resort, Elamin Abdelmahmoud's Son of Elsewhere, Clemantine Wamariya and Elizabeth Weil's The Girl Who Smiled Beads and Aminatta Forna's autobiographical writing - to argue that place is particularly central to personal narrative in texts whose authors have migrated multiple times. Spanning Liberia, Nigeria, Sierra Leone, Egypt, Rwanda, Zambia, and Zimbabwe, this book interrogates the label 'African' writing which has been criticized for ignoring local contexts. It demonstrates how in their works these writers seek to reconnect with a bygone 'Africa', often after complex experiences of political upheavals and personal loss. The chapters also provide in-depth analyses of key concepts related to place and autobiography: place and privilege, place and trauma, and the relationship between place and nation.

​This book offers a platform for the analysis of commemorative and archiving practices as they were shaped, expanded, and developed during the Covid-19 lockdown periods in 2020 and the years that followed. By offering an extensive global view of these changes as well as of the continuities that went with them, the book enters a dialogue with what has emerged as an initial response to the pandemic and the ways in which it has affected memory and commemoration.The book aims to critically and empirically engage with this abundance of memory to understand both memorialization of the pandemic and commemoration during the pandemic: what happened then to commemorative practices and rituals around the world? How has the Covid-19 pandemic been archived and remembered? What will remembering it actually entail, and what will it mean in the future? Where did the Covid memory boom come from? Who was behind it, how did it emerge, and in what socialconfigurations did it evolve?

This book develops a queer methodology to analyse a queer archive for the impact of normativity on subjecthood and the ways in which it shapes and curtails gender and sexuality. Chapters demonstrate how normativity functions to mask its own operation, is internalised by subjects, and is continually reproduced through discourse and in material ways. In seeking to make visible the functioning of normativity, the book performs a task of queering normativity by querying that which appears as natural in South Asian public culture. The book engages with both the consolidation and the unsettling of normativity through artefacts of South Asian public culture including canonical figures such as Rabindranath Tagore, literary and cinematic texts, Bollywood films, advertisements, social media posts, and ubiquitous ephemera in South Asia and beyond. Through these texts, the author unpacks the construct of canon, the nation, woman as a post-colonial subject, the home and the child, marriage, same-sex sexuality and identity.This book will be of interest to scholars and students studying and researching Queer Studies, Gender and Sexuality Studies, South Asian Studies, Cultural Studies, Literary Studies, Film Studies, and Media Studies.

Tracing the history of four English case studies, this book explores how, from outward appearance to interior furnishings, the material worlds of reform institutions for 'fallen' women reflected their moral purpose and shaped the lived experience of their inmates. Variously known as asylums, refuges, magdalens, penitentiaries, Houses or Homes of Mercy, the goal of such institutions was the moral 'rehabilitation' of unmarried but sexually experienced 'fallen' women. Largely from the working-classes, such women - some of whom had been sex workers - were represented in contradictory terms. Morally tainted and a potential threat to respectable family life, they were also worthy of pity and in need of 'saving' from further sin. Fuelled by rising prostitution rates, from the early decades of the nineteenth century the number of moral reform institutions for 'fallen' women expanded across Britain and Ireland. Through a programme of laundry, sewing work and regular religious instruction, the period of institutionalisation and moral re-education of around two years was designed to bring about a change in behaviour, readying inmates for economic self-sufficiency and re-entry into society in respectable domestic service. To achieve their goal, institutional authorities deployed an array of ritual, material, religious and disciplinary tools, with mixed results.

The long nineteenth century (1789-1914) has been described as an axial age in the history of both bees and literature. It was the period in which the ecological and agronomic values that are still attributed to bees by modern industrial society were first established, and it was the period in which one bee species (the European honeybee) completed its dispersal to every habitable continent on Earth. At the same time, literature - which would enable, represent and in some cases repress or disavow this radical transformation of bees' fortunes -- was undergoing its own set of transformations. Bees, Science, and Sex in the Literature of the Long Nineteenth Century navigates the various developments that occurred in the scientific study of bees and in beekeeping during this period of remarkable change, focusing on the bees themselves, those with whom they lived, and how old and new ideas about bees found expression in an ever-diversifying range of literary media. Ranging across literary forms and genres, the studies in this volume show the ubiquity of bees in nineteenth-century culture, demonstrate the queer specificity of writing about and with bees, and foreground new avenues for research into an animal profoundly implicated in the political, economic, ecological, emotional and aesthetic conditions of the modern world.