Böcker utgivna av Oxford University Press, USA

The evolution and spread of Protestantism has been shaped largely by its focus on reading and interpreting the Bible. For evangelists in late-nineteenth-century Brazil, the promotion of literacy was key to spreading the gospel throughout the country, a fact that shaped the communities and cultures that grew up around the faith. In this book, Pedro Feitoza explores the intricacies of the early history of Brazilian Protestantism through an analysis of the production and circulation of evangelical texts. He examines the experiences, aspirations, and ideas of key missionaries, ministers, schoolteachers, and booksellers, whose proselytism was dependent on the distribution of religious texts and who went to great means to support the publication and circulation of this work. Through the pages of such texts, evangelical ministers and writers projected themselves and their religious communities into the public debates of their era. This book uncovers how foreign missionaries and local religious experts navigated among multiple conceptual and ideological landscapes and transmitted Protestant ideas and theology to the Brazilian public, while simultaneously promoting their religious and socio-political arguments. Considering an array of periodicals, tracts, books, missionary correspondence, conversion narratives, and autobiographies from the late 19th and early 20th centuries, Feitoza evaluates both these texts' ideas and ideologies and the practices that emerged in their wake. Propagandists of the Book provides a nuanced and comprehensive view of religious change during this time.

Increasingly, political parties have adopted not only different policies, but different sets of facts. As E.J. Fagan argues, partisan think tanks have helped create these alternate realities in their capacity as de facto formal party organizations. Through the analyses generated by aligned think tanks, political elites on both the left and right frequently offer radically different assessments of a policy's consequences, such as the effect of tax cuts on deficits or the impact of environmental regulations on economic growth. In The Thinkers, Fagan tells the story of how partisan think tanks--such as the Heritage Foundation and Center for American Progress--displaced non-partisan experts to become the closest policy advisors to the Republican and Democratic Parties. He explores their history, how they influence policymakers, and how their influence impacts the polarization of American politics. More broadly, Fagan shows that the rise of partisan think tanks tracks closely with the increase in political polarization since the 1970s. Because they are funded and staffed by strong ideologues, partisan think tanks seek to move their party's preferences to the left or right of center. When they are successful, parties take more extreme positions than if they had only drawn information from non-partisan sources, which increases polarization. A powerful account of the impact of partisan think tanks on American democracy, The Thinkers will reshape our understanding of the fundamental drivers of the US's polarized political system.

"Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s). Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also inventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.

In Buddhist cosmology, pretas make up one of several categories of rebirth. They are best known as "hungry ghosts," pitiful beings with miniscule mouths and bloated stomachs whose state of extreme starvation is a result of stinginess and immorality in a former life. But they were not always portrayed in this way. Of Ancestors and Ghosts traces the construction of the Buddhist realm of the pretas through narrative literature composed in Pali and Sanskrit in the first millennium of Buddhism's development in South Asia. By exploring issues such as where the departed go after they die, how the living can assist the dead in the next world, and how the departed fits into a karmic cosmology, Buddhist monks used these stories to construct the preta realm and, with it, Buddhist cosmology as we know it today. In the process they established themselves as religious experts concerning the dead. Of Ancestors and Ghosts illustrates the importance of narrative for the construction of religious cosmologies, showing that cosmologies come into formation over a long, cumulative process. Far from being simple morality tales, preta literature helped develop and articulate Buddhist understandings of actions and their fruits. In the process, these narratives portray ethical cultivation as inherently connected to the cultivation of bodies. As a result, stories about pretas speak to the vast range of embodied experiences in the Buddhist cosmos, including the intersection of human/non-human identity and class, caste, gender, and sexuality. These stories help model and elicit aesthetically informed embodied experiences that are themselves ethically formative. As a result, preta literature highlights the enduring importance of emotions and embodiment on the Buddhist path to awakening.

"It was the objection of David Hume," Kant says, "that first interrupted my dogmatic slumber;" "it was the fourfold Antinomy," he later says, "that first woke me from dogmatic slumber." The first statement has been taken to mean that the Critique of Pure Reason is a refutation of Hume's skepticism. The Antinomy, however, like ancient skepticism, uses skeptical method to attack dogmatism. Is the Critique a refutation of skepticism or its heir? In The Skeptical Roots of Critique, Abraham Anderson shows that Kant's Critique of Pure Reason is the heir to Hume's skepticism about metaphysics. In showing that the Antinomy flows from Hume's skepticism, this work connects Kant with the skeptical tradition reaching back to the ancients. In his Enquiry, Hume hints that both Samuel Clarke's theism and the dogmatic materialism he seeks to refute are underwritten by the rationalist causal principle that nothing comes from nothing, and that the clash between the two issues in a skeptical antithetic. In his Émile, Rousseau too saw Clarke's refutation as issuing in an antithetic. These works inspired the first version of Kant's Antinomy, the Dreams of a Spirit Seer; fifteen years later, Hume's Dialogues inspired the mature Antinomy of the Critique. Like Hume's Enquiry and Dialogues and Rousseau's Émile, the Critique is part of the battle for Enlightenment, the struggle against the 'despotic' reign of theological dogmatism.

Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures. The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror? Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.

An intricate portrayal of the early American settlers who came to be known as Scotch-Irish, who through collusion and bloody conflict acted as the tip of the spear for white colonial expansion into Indian lands, embodying what became the American pioneer spirit. Hard Neighbors highlights stories that have been subsumed by terms such as "English settlers" and "American expansion" and traces shifting relationships involving Scotch-Irish people living on the frontier, neighboring Indian peoples, and more distant governments. It follows the people who came to be known as Scotch-Irish from their genesis on a colonial borderland on one side of the Atlantic to their role in the borderlands of Indian country on the other. It traces their relations with Native Americans over time and across the continent, examines their experiences as marginalized and expendable people living between colonial powers and Indigenous peoples, and demonstrates their roles as protective and disruptive forces on the hard edge of colonialism. The Scotch-Irish fought Indian wars and shaped the frontier, and their experiences living near and fighting against Indians shaped their identity and their attitudes towards government. They influenced national attitudes and policies, and they transformed Indian people into racial others as they transformed themselves into Americans. The story this book tells is less about the Scotch-Irish as a distinct ethnic group than as a people in motion who, in collusion and conflict with colonial authorities, repeatedly inserted themselves on Native land. Instead of a tale of unified westward expansion, it recovers the experiences, encounters, and humanity of groups of people enmeshed in the violence of colonialism and reconstructs the roles of multiple peoples placed as buffers between competing powers. Expansion, and the accompanying expulsion and killing of Indian people, helped to create American unity and identity and, ultimately, made the Scotch-Irish Americans. Once marginalized as little better than Indians, they reaffirmed their reputation as Indian killers and made a place for themselves in America, as Americans.

Harold Arlen and His Songs is the first comprehensive book about the music of one of the great song composers of the twentieth century. Arlen wrote many standards of the American Songbook-including "Get Happy," "Over the Rainbow, "Stormy Weather," "Come Rain or Come Shine," and "The Man That Got Away" - that today rank among the best known and loved. Author Walter Frisch places these and other songs in the context of a long career that took Arlen from Buffalo, New York; to Harlem's Cotton Club; to Broadway stages; and to the film studios of Hollywood. Even with their complex melodies, harmonies, and formal structures, Arlen's tunes remain accessible and memorable. As Frisch shows, he blended influences from his father's Jewish cantorial tradition, his experience as a jazz arranger and performer, and peers like Gershwin, Kern, and Berlin. Arlen always emphasized the collaborative nature of songwriting, and he worked with the top lyricists of his day, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin. Harold Arlen and His Songs is structured around these and Arlen's other partnerships, analyzing individual songs as well as the shows or films in which they appear. The book also treats Arlen's performances of his own music as a vocalist and pianist, through numerous recordings and appearances on radio and television. A final chapter explores the interpretations of his songs by great singers, including many who worked with him, among them Ethel Waters, Lena Horne, Judy Garland, Frank Sinatra, and Ella Fitzgerald.

Evidence from two highly regarded three-decade NIMH follow-up studies of schizophrenia and other psychoses, conducted by Courtenay Harding and her research team, have revealed that one half to two-thirds of even the most disabled schizophrenia patients achieved significant improvement, and even recovery, over time. These findings are consistent with those from nine other decades'-long studies from across the world, as well as many shorter-term investigations as well. But the field of psychiatry has nevertheless largely failed to accept that recovery is possible for most psychotic patients. Recovery from Schizophrenia provides numerous examples of patients becoming productive citizens, overcoming difficult starts in early life, alongside exciting program strategies and additional research evidence - evidence that provides a blueprint for both how to build new and successful mental health systems, and how to significantly improve clinical training programs. Unfortunately, most service systems still provide primarily stabilization, maintenance, medications, and entitlements under the new guise of rehabilitation. Critical changes need to occur in public policy, funding mechanisms, program design, and new clinical expectations to improve patient care-all of which will promote much more significant improvement and recovery. Discussion of these critical issues is presented here in accessible prose, allowing readers from a range of backgrounds - families, clinicians, and researchers alike - to experience the ups and downs of an entire field trying to solve the puzzle of recovery from schizophrenia in the usual settings. Recovery from Schizophrenia is the remarkable story of these patients and the scientists and caring professionals who refused to let go of hope for better outcomes.

Adolescence is widely viewed as the most difficult stage of parenting. Yet despite its importance, we have a limited grasp of what it actually takes to help teens through adolescence. In Letting Go, Demie Kurz offers a deeper understanding of the demanding work of parenting teens and sheds new light on what it takes to produce a "successful child." Based on numerous interviews with a diverse group of mothers, Kurz details the negotiations with teens and young adults as well over control, trust, and letting go to offer an invaluable portrayal of the of the real dilemmas contemporary parents face day-to-day. At a time when the transition to adulthood has become longer and more challenging, Letting Go offers a nuanced, candid portrait of the deeply emotional dynamics involved in raising adolescents and young adults, and the ways social policy can play a key role in helping young people succeed.

What is hope? In the history of western philosophy to the present day, there is tremendous disagreement about the answer to this seemingly simple question. Contemporary philosophical literature on hope on the subject is robust, complex, and full of interesting debates. Whether hope is good or bad, and whether we should focus not on hope, but on hopes, hoping, or hopefulness, as some contemporary philosophers argue, are contested questions. This volume features eleven chapters by scholars from different disciplines, each providing a unique perspective on hope. It includes discussion and analysis of classical texts, Judeo-Christian traditions, non-religious contexts, epistemology, existentialism, Black oppression, Zen Buddhism, eschatology, theological anthropology, psychology and optimism, culture, education theory, and climate change. Hardly any stones are left unturned in this interdisciplinary collection of one of philosophy's most vexing virtues. The study of hope is ongoing in many fields. This volume will be useful to scholars in a variety of disciplines who wish to learn more about hope, and to contribute to the myriad discussions currently taking place.

The second edition of A Country Called Prison discusses how mass incarceration has led to a population of individuals inside the United States who have become legal aliens in their own land, and addresses the consequences. Besides discussing the evolution of the problem, it poses practical solutions to correct the path on which this country is set.

Free Exercise is an innovative contribution to both United States constitutional history and the history of religious toleration in the United States. It traces the routes by which Americans arrived at the First Amendment's religious clauses, the cultural currents that shaped their meaning, and the consequences that flowed from them.

Animal Behavior: Concepts, Methods, and Applications uses a conceptual approach that puts the process of science and applications front and center. Animal Behavior has garnered praise from reviewers for its accessibility, student engagement, and profound exploration of major concepts and empirical methods in animal behavior. The goals of this text are to allow students to learn how knowledge about animal behavior is generated and to promote an inquiry-based process. This approach helps students understand the research that illustrates major concepts in animal behavior. Each chapter is built around four to six broad organizing concepts, emphasizing an in-depth exploration of carefully selected ideas, and offering students a clear learning progression and a solid framework for scaffolding their knowledge. Each concept is illustrated using research from primary literature, emphasizing the methods of the featured studies.This edition prominently features research from a diverse set of scientists, paying attention to gender equity, geographic diversity, and researchers from underrepresented groups. Incorporating scientists from a broad set of backgrounds demonstrates to students that there are scientists conducting animal behavior research who may be just like them.

America's Military Biomedical Complex traces how laws and ethical codes have co-evolved with America's military science pursuits. It vividly illustrates how the drive for scientific and military superiority has led to transformational achievements in medicine and science, demonstrating how these endeavors have shifted the moral compass of government and society. Along with comprehensive historical analysis, the book introduces the concept of jus in praeparatione bellum (justice in war preparations) and recommends policies that balance national security priorities with fundamental principles of justice and human dignity.

A Danger Which We Do Not Know tells a story about how philosophy and anxiety are tangled up with each other. David Rondel explores how anxiety is one of the main human contexts in which the inclination to philosophize arises. The experience of anxiety sometimes prompts us to reflect and inquire, drawing us toward perennial philosophical questions about the nature of reality and knowledge, freedom and morality, the meaning of life and the prospect of death. Anxiety can give these questions fresh urgency, making them vivid and momentous in ways they otherwise might not be. Rondel also considers how turning to philosophy can sometimes offer relief for the anxious sufferer. In the face of the overwhelming force of anxiety, philosophy offers powerful tools. Philosophy helps us achieve precision and clarity of thinking that cuts through our anxiety-based stress. Highly abstract thought can also serve as a form of escapism--a happy diversion from the anxiety of everyday life. For these reasons, philosophy has a long and illustrious history as a form of therapy. The chapters in this book cover significant ground, historically and thematically, and together provide a philosophical guide to anxiety. Each chapter focusses on the work of a particular philosopher or philosophical tradition with an eye toward showing how their ideas help us better understand anxiety's nature and meaning. One of the main arguments on which the chapters converge is that anxiety is much more than simple, blood-pumping fear. The human experience of anxiety has a distinctively evaluative and interpretive element. It is bound up with our capacity to reflect on sensations of fear, to anticipate and interpret them, and to have such thoughts and feelings (themselves always mediated by language and culture) shape how we see the world and ourselves in it. Suffering with anxiety is never simply a colorless fact, but an experience that must be understood in light of what matters to us--in light of who we are and what we care about.

Whether due to Donald Trump, Brexit, or the rise of populism, many are increasingly questioning the value of democracy. Complaints of ignorant voters, irrational public debate, and disconnected politicians have led some to suggest that democracies are destined to make bad decisions, and to propose alternatives. In Intelligent Democracy, political theorist Jonathan Benson rejects this new democratic scepticism. He argues that democracies can make effective use of knowledge, engage in experimentation, utilise diversity, and motivate decisions towards the common good-and that they can do all these things better than their rivals. Benson pleads that we value democracy, not only because it treats us all equally, but because it is intelligent. At the core of the book is the first systemic account of democracy's epistemic value. While it is common to focus on the faults of any one democratic body, Benson argues that democracy represents a much broader network of institutions which work together to produce a system which is more intelligent than any of its parts. The book examines how elections, deliberative assemblies, random sortition, and the open public sphere can be best connected, and offers innovative new proposals for improving our democratic systems. Through this approach, Benson shows that democracy is superior to regimes of epistocracy and political meritocracy which aim to empower the knowledgeable and exclude the ignorant, as well as proposals for granting greater powers to free markets or private companies. Drawing on work from political science, philosophy, and economics, Intelligent Democracy produces a unique epistemic justification of democratic politics and a robust answer to its critics.

Leifer's assessment posts a warning sign for those who see no reason to worry about the stability of East Asia. He warns that "the ARF is embryonic, one-dimensional approach" to the major changes taking place in the security environment of the vital East Asian region.

The aim of the survey on which this book is based was to make a record of all buildings constructed in Palestine during the medieval and Ottoman periods. The survey area covers the modern state of Israel excluding West Jerusalem and Ramla (which are covered in separate publications). The West Bank and Gaza will be the subject of Volume II.

These two books form the final publication of a major excavation on the side of the famous Circular (or Naval) Harbour of Carthage. Volume II,1 publishes the main findings, including the remains of the dry docks for the Carthaginian navy. The focus is mainly on the Roman-Byzantine periods: for the first time ever, the probable remains of an imprerial clothworks or gynaeceum have been revealed. The book is also an exercise in achaeological method. Substantial space is devoted to discussions, including ambitious reconstructions of the use of space, attempts to set the discoveries in a wider context, and critical looks at the methodology and argumentation used in this type of urban archaeology, which has been charactersistic of British work over the last 25 years. Volume II,2 reports on the pottery from the well stratified urban sequence which spans the late Punic to the late Byzantine periods. Of particular importance is the early Roman pottery which includes a a wide range of fine wares including eastern and Italian sigillatas, lamps, amphorae and dometics wares. There is also a summary of quantitative data for all the ceramics. The information contained in Volume II,2 will enable further reconstruction of the patterns of commerce of the Roman Mediterranean. This is as comprehensive a publication of an urban excavation as has ever been attempted.

The Petra tombstones in Jordan are famed for their "baroque" architecture carved out of pink sandstone by the Nabataeans. This comprehensive survey, the first volume in the new British Academy Monographs in Archaeology series, dates many of the famous Petra monuments against similar rock-cut tombs at Medain Saleh in Saudi Arabia. Through close examination of the monuments as well as the little known remains of Ptolemaic Alexandria, the Hellenistic city founded by Alexander the Great, Murphy reveals that the earliest baroque architecture was that of Ptolemaic Alexandria. The style was then transmitted to Petra and Pompeii. Lavishly illustrated with over 700 photographs and figures, including a detailed catalog of the monuments, the volume uncovers Petra as a city, rather than merely a necropolis.

These two volumes form the final publication of a major excavation on the side of the famous Circular (or Naval) Harbour of Carthage. Volume II,1 publishes the main findings, including the remains of the dry docks for the Carthaginian navy and the probable remains of an imperial clothworks. Volume II,2 reports on the pottery from the well stratified urban sequence which spans the late Punic to the late Byzantine periods. As a whole, this collection is as comprehensive a publication of an urban excavation as has ever been attempted.

This catalogue is the first comprehensive study of medieval stained glass in South Yorkshire. Not only does it describe and illustrate the surviving glass, but it also gives detailed information on the subjects portrayed, the inscriptions, donors, and heraldry.

This is the first scholarly survey of the British constitution in the twentieth century. Indeed, it fills a very real gap in the history of Britain during the last hundred years. The book is a product of interdisciplinary collaboration by a distinguished group of constitutional lawyers, historians and political scientists, and draws where possible on primary sources. Its evaluation of the recent constitutional reforms will be of particular interest. This major interpretation of the constitution will remain authoritative for many years.

As the most comprehensive catalogue ever published of English Short Cross coins (1180-1247), this volume will be the standard reference work on this complex series for museum curators, archaeologists and collectors alike.