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A professional TV writer's real-world guide to getting paid to write great television"No need for me to ever write a book on TV writing. Alex Epstein has covered it all . . . along with a few things I wouldn't have thought of. Save yourself five years of rookie mistakes. Crafty TV Writing and talent are pretty much all you'll need to make it."-Ken Levine, writer/producer, MASH, Cheers, Frasier, The Simpsons, Wings, BeckerEveryone watches television, and everyone has an opinion on what makes good TV. But, as Alex Epstein shows in this invaluable guide, writing for television is a highly specific craft that requires knowledge, skill, and more than a few insider's tricks.Epstein, a veteran TV writer and show creator himself, provides essential knowledge about the entire process of television writing, both for beginners and for professionals who want to go to the next level. Crafty TV Writing explains how to decode the hidden structure of a TV series. It describes the best ways to generate a hook, write an episode, create characters the audience will never tire of, construct entertaining dialogue, and use humor. It shows how to navigate the tough but rewarding television industry, from writing your first "spec" script, to getting hired to work on a show, to surviving-even thriving-if you get fired. And it illuminates how television writers think about the shows they're writing, whether they're working in comedy, drama, or "reality."Fresh, funny, and informed, Crafty TV Writing is the essential guide to writing for and flourishing in the world of television.

"An insightful, dramatic and emotional tale that deserves a place alongside Dennis Smith's classic firefighting memoir, Report from Engine Co. 82." -Terry Golway, New York PostBrooklyn's Rescue 2 has long been known as one of the country's top firehouses, a model for departments nationwide. Recognized for their expertise and commitment, Rescue 2's men handle only big blazes where civilians and their fellow firemen are in danger. Beginning in 1996 with legendary Captain Ray Downey's promotion, the story follows the trials of his replacement, Phil Ruvolo, as he works to win over his headstrong men. A new Rescue 2 is forged through changes in firefighting methods and blazes that quickly become legend. Through the crisis of 9/11 and the subsequent rebuilding, Ruvolo triumphantly fills the late Downey's boots, heading Rescue 2 toward a future worthy of its past, its heroes, its city.Filled with firefighting detail, raucous humor, and gritty real-life scenes, The Last Men Out is a new classic for an era in firefighting that is more risky, complicated, and dramatic than any before.

The Milagro Beanfield War is the first book in John Nichols's New Mexico Trilogy ("Gentle, funny, transcendent." -The New York Times Book Review) Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

His book is a romance, a story of first love between Americans and a thing they call "wilderness." For it was in the Adirondacks that masses of non-Native Americans first learned to cherish the wilderness as a place of recreation and solace.In this lyrical narrative history, the author reveals that the affair between Americans and the Adirondacks was by no means one of love at first sight. And even now, Schneider shows that Americans' relationship with the glorious mountains and rivers of the Adirondacks continues to change. As in every good romance, nothing is as simple as it appears.