Böcker utgivna av Onomatopee

In the White Smoke project by Hexaplex man and machine engage: the audience engages a world of color codes and names. On the eve of the information era, White Smoke lays down poetic and semantic tensions between man and machine! White Smoke encourages the audience to enter the information society with human, poetical effort!The publication contains a text by Audrey Samson (new-media theorist) explaining the evolution of colour experiences from the perspective of new media. Freek Lomme (Onomatopee) describes the cultural poetry of White Smoke. To finish the sum, there's also a conversation between Hexaplex and Steven Pemberton (W3C) about the history of web colours + much White Smoke!u

To visualize a brainstorm through diagrams is a proven strategy to generate

Par l'auteur du best-seller Le forex pour les débutants ambitieux et le fondateur de CryptoAcademy, Trading de cryptomonnaies pour les débutants ambitieux est un guide très pratique sur la façon de réussir vous-même dans le trading de cryptomonnaies. Les auteurs vous montrent ce qu'est la cryptomonnaie, comment fonctionne le marché des cryptomonnaies et comment réussir à trader vous-même des crypto. Ils vous montreront également comment aller au-delà le battage médiatique et sélectionner les pièces ayant un véritable potentiel. Devenir un trader de cryptomonnaies constamment rentable est plus difficile qu'il n'y paraît. Pourquoi ? D'une part, parce que le marché des cryptomonnaies est notoirement volatil. Il est courant d'observer des pics de plusieurs dizaines de pourcent, et lorsque cela se produit, vous pouvez subir de lourdes pertes si vous n'avez pas une stratégie de trading solide.>Trading de cryptomonnaies pour les débutants ambitieux vous apprendra donc comment: Identifier les monnaies prometteusesDéterminer les bons moments pour entrer et sortirProtéger vos positions contre la volatilitéTrouver une stratégie de trading adaptée à vos besoinsAugmenter le rendement de vos actifs en cryptomonnaiesÉviter de nombreuses erreurs de débutantsEt beaucoup plusEn bref: Trading de cryptomonnaies pour les débutants ambitieux vous donnera tous les outils nécessaires pour prendre de l'avance sur le marché des cryptomonnaies et devenir un trader de cryptomonnaies réussi ! Si vous recherchez le meilleur guide pour vous lancer dans la crypto, vous venez de le trouver. À propos des auteurs: Jelle Peters est l'auteur du livre populaire sur le trading forex, Le forex pour les débutants ambitieux, qui a été traduit dans plusieurs langues. Il publie également fréquemment sur les évolutions du marché des cryptomonnaies. Jan Robert Schutte est un trader actif depuis plus de vingt-cinq ans. Il est également le fondateur de CryptoAcademy et a coaché des milliers d'investisseurs. Grâce à son expertise en tant que trader de cryptomonnaies, Schutte est un intervenant recherché lors des événements internationaux sur les cryptomonnaies.

A group of artists and musicians bridge the gap between the visual and the auditoryA dialogue with musicians initiated by Italian artist Raffaella Crispino (born 1979) and Belgian artist Hans Demeulenaere (born 1974) led to the creation of the works featured here. Incomplete Neighbor explores how visual art and music activate our mind and trigger it to create ideas and feelings.

Durable Discussions brings together seventeen essays written by designers and artists from the Disarming Design Department of Sandberg Instituut in Amsterdam. Engaged in social, material, and political struggles, they generously retell their personal histories, writing across objects, events, places, and habits. In research through writing, they sense and transform the poetics and politics of the everyday. This publication presents life-making practices through language, typography, weaving, aesthetics, cooking, land, speculation, and pedagogies. Offering perspectives in thinking about art and design as emancipatory politics, and as a practice of hope, the essays speak of making what is deemed impossible possible. The authors of this book are:Lama Aloul, Saja Amro, Julina Vanille Bezold, Rasha Dakkak, Farah Fayyad, Mohamed Gaber, Anna Garcia Gómez, Ayman Hassan, Siwar Kraitem, Ott Metusala, Naira Nigrelli, Karmel Sabri, Qusai Al Saify, Sarah Saleh, Mohammed Tatour, Jara van Teeffelen, Samira VogelEssay tutors: Rana Ghavami, Sherida Kuffour

Czech sculptor Nina Fránková (born 1987) maintains a fascination with basic forms, found shapes and residual materials collected throughout the making process. Her practice reflects upon the beauty of primary procedures in working with clay. This is her first major monograph.

Over the past few years, design has been learned and unlearned, done and undone, patriarchised and depatriarchised, colonized and decolonized, centralized and decentralized, and so forth. Meanwhile, (departments of) schools appear to be wandering, un-stable, not-yet, unsettling, or impermanent, making way for anything other than sturdiness. The question must then be asked, if all within design is being undone, unmade, and unlearned, what is it exactly that is being done, being made, and being learned?'Unununimimimdededesign - the hesitant state of design' wishes to delve into this question by offering divergent views from within and upon design discourse and education. It does not aim to 'fix' this hesitant state or offer solutionist approaches, but instead reflectively pause and build upon the knowledge, thoughts, hesitations and discomforts that accompany it. special thanks toThe participants and alumni of The Critical Inquiry Lab: Viktoria Kaslik, Cecilia Casabona, Lara Chapman, Maxime Benvenuto, Josh Plough, Fernand Bretillot, Ram. n Jimenez Cardenas, Janfer Chung, Tiiu Meiner and Sofia Irene Marmolejo Bijnsdorp for their contribution to Saskia & Nadine's contribution;Rana Ghavami and her students for sharing thoughts, ideas and feedback; Anja Kaiser and Rebecca Stephany for an insightful conversation; and all the other engaged individuals involved in the process of developing this publication.

Belgrade collective Škart has been operating within and around existing hierarchies of the art world and everyday life, working in collaboration with marginalized groups, NGOs, and anti-war movements. Škart 's understanding of the artwork is fluid and relationship based. No matter the medium -poetry, embroidery, graphic design, choir, or radio broadcast- its artistic explorations are characterised by self-organisation, rooted in creating an open, accessible infrastructure for being together. This approach has been incorporated into a different scale of activities ranging from the street level to participation in the Venice Biennale of Architecture. Different social experiences create different forms of relativity. Through conversations with Škart`s members, a collection of images, poems, drawings as well as newly commissioned texts by Zdenka Badovinac, Branislav Dimitrijevi? and Milica Peki?, this book captures traces of Škart`s practice from the 1990s to present.

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices assembles curatorial, artistic and pedagogical practices inspired by a. pass: an inter- national artistic and educational research environment focusing on performativity and scenography. This book discloses a history of the methods of artistic research in the context of the academisation of art education, and an abrasion of the once unbridled scene of artist-run organisations in Northern Europe. There are 35 contributions, many of them collaborative, ranging from concrete projects to inter- rogative speculations about artistic research. It aims to demonstrate how artistic research operates institutionally through a complex intertwinement of practices and how a. pass, over the past 14 years, has carved out a space for artistic research to imbricate in fields of both art and education, and stir the sedimentsof disciplinary enclosures.

A delightful romp through the surprising subcultures of an obsolete formatThis volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square?By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.Interviewees include: Jason Scott, the founder of archive.org; Tom Persky, founder of floppydisk.com, often dubbed the "last man standing in the floppy disk business"; Florian Cramer; Jason Curtis, founder of the Museum of Obsolete Media; Adam Frankiewicz, founder of Pionierska Records; Foone Turing; Clint Basinger, creator of a YouTube channel called Lazy Game Reviews; Nick Gentry; Joerg Droege and AJ Heller, cofounders of the popular diskmag Scene World; and Bart van den Akker, founder of the Helmond Computer Museum.

Celebrating 15 years of a unique artist-run gallery in GalwayUsing 126, an artist-run gallery in Galway, Ireland, as an exemplar of an artist-run democracy, this book celebrates 15 years of 126 and explores the grounds for its unique mode of organization.