Böcker utgivna av Ohio University Press

Provides a a treasury of American traditional music. It presents lively portraits of the major contributors with photographs; lyrics and extensive notes on the songs; and a CD sampler that includes performances by her contributors, most of whom had not been previously recorded.

Groundbreaking anthologies of this kind come along once in a generation and, in time, define that generation. The Swallow Anthology of New American Poets identifies a group of poets who have recently begun to make an important mark on contemporary poetry, and their accomplishment and influence will only grow with time.

In this endearing picture book, a baby river otter learns to swim, dive, and play in her natural habitat. From children's author Artie Knapp and wildlife artist Guy Hobbs, Little Otter Learns to Swim is an entertaining and colorful tale for ages four and up. The book includes fun facts and information from the River Otter Ecology Project.

After months of wandering homeless through the landscape of Appalachia, a young woman named Rain finds herself part of a desperate family driven by exploitation and abuse. A harrowing story of choice and sacrifice, In the House of Wilderness is a novel about the modern South and how we fight through hardship and grief to find a way home.

In a fascinating work of religious history and cultural inquiry, Hatfield brings to life the true story of a nineteenth-century farmer-spiritualist, Jonathan Koons, whom thousands traveled to Ohio to see. As heirs to the second Great Awakening, he and his followers were part of a larger, uniquely American moment that still marks the culture today.

Haunted by her past and the deaths that marked it, Sandy Holston wields her fly rod with uncanny accuracy as her life plays out along a tight line between herself and a fish on the other end. In this rare fly fishing novel with a female protagonist, Tim Poland weaves suspense and introspection into an unforgettable read.

Many challenges facing the African continent today are rooted in colonial practices, Cold War alliances, and outsiders' attempts to influence its political and economic systems. Interdisciplinary and intended for nonspecialists, this book provides a new framework for thinking about foreign political and military intervention in Africa.

World War II soldier Bill Wynne met Smoky while serving in New Guinea, where the dog, who was smaller than Wynne's army boot, was found trying to scratch her way out of a foxhole. After he adopted her, she served as the squadron mascot and is credited as being the first therapy dog for the emotional support she provided the soldiers.

When Desire Mensah, a disgraced school teacher in her thirties, meets Wolfgang "Wolf" Ofori, an eleven-year-old genius, a strange friendship develops between them. Set in 1990s Ghana, The Wolf at Number 4 is a chilling and funny gothic tale that forces us to confront whether the wolves around us are born or made.

In Converging on Cannibals, Jared Staller demonstrates that one of the most terrifying discourses used during the era of transatlantic slaving-cannibalism-was coproduced by Europeans and Africans. When these people from vastly different cultures first came into contact, they shared a fear of potential cannibals.

Going beyond the headlines, including the group's 2014 abduction of 276 girls in Chibok and the ensuing international outrage, Boko Haram provides readers new to the conflict with a clearly written and comprehensive history of how the group came to be, the Nigerian government's failed efforts to end it, and its impact on ordinary citizens.

This book adds a novel and provocative element to the library of art museum collection catalogs, featuring selected works from the museum's collection and concise essays by scholars of art who reflect on respond to the distinctive aspects of each work.

In the accessible and concise A Short History of Chinua Achebe's Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.

In locating her arguments at the intersection of visual culture and literary and performance studies, Giorgis details how innovations in visual art intersected with shifts in narratives of modernity. The result is a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.

Through close readings of several Polish American and Polish Canadian novels and short stories published over the last seven decades, Kozaczka demonstrates how Polish American women writers have shown a strong awareness of their patriarchal oppression, which followed them from Poland into America.

Drawn from a wide range of historical expertise and approaching the topic from a variety of angles, these essays explore the changes in life at home during the Civil War that led to a revolution in American society and set the stage for the making of modern America.

In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare's plays on film, assessing what filmmakers and TV directors have made of the spells, haunts, and apparitions- Puck and the fairies, ghosts and witches, or Prospero's island-in his plays. A bold step forward in Shakespeare and film studies.

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

David Rawson draws on declassified documents and his own experiences as the initial US observer of the 1993 Rwandan peace talks at Arusha to seek out what led to the Rwandan genocide. The result is a commanding blend of diplomatic history and analysis of the crisis and of what happens generally when conflict resolution and diplomacy fall short.

Each of the crystalline worlds Cary Holladay brings us in the short stories and novella that make up Brides in the Sky has sisterhood, in all its urgency and peril, at its heart. She crafts these stories with subtle humor, a stunning sense of place, and an unerring eye for character.

There is currently in Madagascar a rich literary production (short stories, poetry, novels, plays) that has not yet reached the United States for lack of diffusion outside the country. Until recently, Madagascar suffered from political isolation resulting from its breakup with France in the 1970s and the eighteen years of Marxism that followed.Wit

Jacksonian democracy; sectionalism; secession; history of Congress; American history

Heretical Hellenism examines sources such as theater history and popular journals to uncover the ways women acquired knowledge of Greek literature, history, and philosophy and challenged traditional humanist assumptions about the uniformity of classical knowledge and about women's place in literary history.

Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents' own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.

Nigerian video films-dramatic features shot on video and sold as cassettes-are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.

Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the country's first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s.

Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.