Böcker utgivna av Ohio University Press

This study focuses on modernism in the visual arts in Morocco, particularly on the artists of the Casablanca school. Their activism, engagement, and interventions in the discourse of postcolonial national culture defined and energized the Moroccan modernist movement. The book follows the artists associated with the group, highlighting Farid Belkahia, Mohammed Chebaa, and Mohammed Melehi, among others. Of particular interest is the long-term collaboration between these artists and the cultural journal Souffles, founded by Abdellatif Laabi. Holiday Powers argues that the pedagogy, structural engagements, and transnational solidarities of this generation of artists are intrinsic to their broader artistic projects and are grounded in the same ideology and stakes. The actual art objects compose only one part of larger multifaceted, consistent, and wide-ranging artistic projects and must be analyzed in relation to these other activities. Powers argues for a reading of Moroccan modernism rooted in a contemporaneous national context yet also arising from a cosmopolitan foundation in dialogue with transnational anticolonial, pan-African, and pan-Arab intellectual movements. This reading does not suggest the existence of a center of global modernism that was being copied in a national context; it instead shows how global discourses were played out and experienced within specific historical, political, and cultural circumstances. Rather than explaining away these transnational connections, Powers posits that they are at the crux of modernism itself--particularly Moroccan modernism. To force a solely national narrative onto Moroccan modernism is to ignore the rich intersections and explorations fomented by the globalism of these artists and their training.

At the heart of Elusive Histories is a long-neglected story of the clandestine journeys of Mozambican migrant laborers and their families to Rhodesia. Drawing from oral histories, court records, archives, newspapers, and popular magazines, the authors chronicle Mozambican migration, work experiences, and settlement in Rhodesia. Thousands of men, women, and children traveled long distances, often on foot, to reach Rhodesia. Starting with a trickle of workers seeking to avoid chibharo, a Mozambican agricultural forced-labor system, the number of migrants peaked in the 1950s. In 1958, the Rhodesian government passed legislation to bar new Mozambican migrants from entering large cities, redirecting them toward agriculture and mining. When Black Rhodesian laborers began to complain about losing jobs to Mozambicans, the restrictions became an outright ban to prevent further migrants from entering the country. Contrary to previous assumptions, Mozambican labor in Rhodesia was not contract labor derived from bilateral negotiations between the Mozambican colonial and Rhodesian governments. In fact, many Mozambicans who came to work and live in Rhodesia arrived as illegal migrants. The book also demystifies the widely held notion that all foreign migrant workers in Rhodesia who spoke Nyanja were Nyasalanders. Because Nyanja is widely spoken at the confluence of Malawi, Zambia, and Mozambique, many Mozambicans who came to work in Rhodesia were fluent. Despite the national, racial, and cultural differences and the discrimination in job placement, promotion, and housing, Mozambican migrant laborers creatively adapted and made Rhodesia home for the duration of their lives.

Virus Research in Twentieth-Century Uganda presents the stories of scientists at the Uganda Virus Research Institute (UVRI), a biomedical center founded in 1936. The book analyzes the strategies and conditions that allowed the institute to endure and thrive through successive political and scientific regimes of the interwar period, the postwar period, the transition to independence, the conflicts of the 1970s and 1980s, and the Museveni presidency. Julia Ross Cummiskey combines methods and themes from the history of medicine and public health, science and technology studies, and African studies to show that the story of the UVRI and the people who worked there transforms our understanding of the nature of local and international expertise and the evolution of global health research over the course of the twentieth century. Global health is one of the chief areas in which African and foreign institutions interact today. Billions of dollars are invested in global health projects on the continent, many involving strategically selected "local partners." In the discourse of these projects, local and global are often framed as complementary but distinct categories of people, institutions, traditions, and practices. But the history of biomedical research at the UVRI shows that these distinctions are unstable and mutable and that people and institutions have mobilized both categories to attract funding, professional prestige, and research opportunities. The book complicates the local/global binary that is implicit (and sometimes explicit) in many studies of colonial, international, and global health and medical research, especially in Africa. Moreover, it challenges assumptions about global health as an enterprise dominated by researchers based in the Global North and recenters the history of biomedicine in Africa.

The son of a coal miner from a small Illinois town, Cleveland Indians shortstop Ray Chapman lived the American dream until his untimely death at age twenty-nine. In his brief life, he reached the pinnacle of baseball success as the best shortstop in the American League. While many professional ballplayers struggled with meager salaries, the handsome Chapman had married heiress Kathleen Daly, one of Cleveland's wealthiest women. With a child on the way and an executive job in the offseason, Chapman was moving toward a privileged place in society until an errant fastball fractured his skull and ended his life the next day. Late in the 1920 pennant race, the Indians were in New York for a key series against the Yankees. New York pitcher Carl Mays threw a high hard one that Chapman could not evade. He was taken to a nearby hospital, where doctors tried in vain to save his life. The tragedy did not end there. His widow took her own life eight years later, and their daughter, Rae, subsequently died from meningitis. Today, people visit Chapman's impressive grave in Cleveland's Lake View Cemetery, leaving baseballs and gloves in his memory. Though gone over a hundred years, he is well remembered as a Cleveland icon. This book goes far beyond the well-worn accounts of Chapman's untimely death to illustrate the fullness of his short life.

The Brontës and the Fairy Tale is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Jessica Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity. Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the "traditional" tale (pure, straight, patriarchal, and didactic) to the "postmodern" tale (playful, sophisticated, feminist, and radical). Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes. The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period.

Available Light tells the story of an activist, an artist, a uniquely South African individual, and his community and family across the second half of the twentieth century. Omar Badsha was born in Durban, on the country's southeastern coast in 1945. His was the third generation of his Gujarati family to call South Africa home. Before he turned five, the country's white electorate had voted to institute apartheid to strip the rights and privileges of citizenship from most of the population, including Badsha's Indian community and especially the country's Black majority. By the time he turned fifteen, nonviolent protest against apartheid had been quashed; by the time he turned twenty, so too had the armed struggle to dislodge white supremacy within the country. The ongoing, resilient, and oft-rebuffed struggle against apartheid was a definitive factor in Badsha's life. Furthermore, Badsha was raised in a community where art--painting, carving, music, poetry, theater--was inseparable from other values, whether Islamic and conservative or radical and urgently committed. When Badsha struggled in school, he, like his father, turned to art to express what he otherwise had difficulty conveying. Art brought him into contact with people of disparate backgrounds from far beyond Durban. In time, his friendships with other artists helped him refine his voice, first in drawing and eventually in photography, and capture the political ethic by which he strove to live his life and which he shared with similarly committed artist-activists. Daniel Magaziner chronicles how art and politics became intertwined in South Africa and explains what it takes to maintain a critical aesthetic approach to political crises in the past and present. The book tracks the personal and social costs that commitment can incur, while also appreciating how Badsha and others like him have maintained their vision of an equitable, transformed society even today, when the ideals that once animated the South African struggle are on the back foot worldwide.

This valuable resource for public health students and professionals examines COVID-19’s impact on underserved and resource-limited communities, sheds light on important social justice issues, and provides insight into the challenges and opportunities associated with vaccine distribution and the pandemic’s environmental impact.

Many of the greatest love poems in English date from the Victorian period, yet this is the first scholarly book in decades to consider the whole range of Victorian love poetry by authors such as Christina Rossetti, Gerard Manley Hopkins, Augusta Webster, Thomas Hardy, and William Butler Yeats. It includes contributions by many of the leading scholars of Victorian poetry.

There has long been a need for a new textbook on West Africa's history. In Themes in West Africa's History, editor Emmanuel Kwaku Akyeampong and his contributors meet this need, examining key themes in West Africa's prehistory to the present through the lenses of their different disciplines. The contents of the book comprise an introduction and thirteen chapters divided into three parts. Each chapter provides an overview of existing literature on major topics, as well as a short list of recommended reading, and breaks new ground through the incorporation of original research. The first part of the book examines paths to a West African past, including perspectives from archaeology, ecology and culture, linguistics, and oral traditions. Part two probes environment, society, and agency and historical change through essays on the slave trade, social inequality, religious interaction, poverty, disease, and urbanization. Part three sheds light on contemporary West Africa in exploring how economic and political developments have shaped religious expression and identity in significant ways. Themes in West Africa's History represents a range of intellectual views and interpretations from leading scholars on West Africa's history. It will appeal to college undergraduates, graduate students, and scholars in the way it draws on different disciplines and expertise to bring together key themes in West Africa's history, from prehistory to the present.

The Hocking Valley Railway was once Ohio's longest intrastate rail line, filled with a seemingly endless string of coal trains. Although coal was the main business, the railroad also carried iron and salt. Despite the fact that the Hocking Valley was such a large railroad, with a huge economic and social impact, very little is known about it. The Hocking Valley Railway traces the journey of a company that began in 1867 as the Columbus & Hocking Valley, built to haul coal from Athens to Columbus. Extensions of the line and consolidation of several branches ultimately created the Columbus, Hocking Valley & Toledo. This was a 345-mile railway, extending from the Lake Erie port of Toledo through Columbus and on to the Ohio River port of Pomeroy. The history of the Hocking Valley, like that of other railroads, is one of boom times and depression. By the 1920s, the Hocking coalfields were largely depleted, and the mass of track south of Columbus became a backwater, while the Toledo Division boomed. The corporate name has been gone for more than three-quarters of a century, but the Hocking Valley lives on as an integral part of railroad successor CSX. The Hocking Valley Railway, complete with 150 photographs and illustrations, also documents a historic transformation in midwestern transportation from slow canalboats to fast passenger trains. Historians and railroad enthusiasts will find much to savor in the story of this ever-changing company and the managers who ran it.

Featuring contributions by new and established Africanist scholars, this volume is the first book-length treatment of "martial race" in Africa.

In recent decades, the vast and culturally diverse Indian Ocean region has increasingly attracted the attention of anthropologists, historians, political scientists, sociologists, and other researchers. Largely missing from this growing body of scholarship, however, are significant contributions by archaeologists and consciously interdisciplinary approaches to studying the region¿s past and present. Connecting Continents addresses two important issues: how best to promote collaborative research on the Indian Ocean world, and how to shape the research agenda for a region that has only recently begun to attract serious interest from historical archaeologists. The archaeologists, historians, and other scholars who have contributed to this volume tackle important topics such as the nature and dynamics of migration, colonization, and cultural syncretism that are central to understanding the human experience in the Indian Ocean basin. This groundbreaking work also deepens our understanding of topics of increasing scholarly and popular interest, such as the ways in which people construct and understand their heritage and can make use of exciting new technologies like DNA and environmental analysis. Because it adopts such an explicitly comparative approach to the Indian Ocean, Connecting Continents provides a compelling model for multidisciplinary approaches to studying other parts of the globe.Contributors: Richard B. Allen, Edward A. Alpers, Atholl Anderson, Nicole Boivin, Diego Calaon, Aaron Camens, Saša ¿aval, Geoffrey Clark, Alison Crowther, Corinne Forest, Simon Haberle, Diana Heise, Mark Horton, Paul Lane, Martin Mhando, and Alistair Patterson.

Grounded in literary studies and spanning the Americas, India, England, and Scotland, this book explores the relationship between economic concepts and culture in the period, focusing on how economic tropes were abstracted into other discourses in fields as diverse as evolutionary science, business, and literary narrative.

Scholars working in the fields of archaeology, education, history, geography, and politics tell a nuanced story about the people and dynamics that reshaped this region and determined who would control it.

Scholars working in archaeology, education, history, geography, and politics tell a nuanced story about the people and dynamics that reshaped this region and determined who would control it. This volume retells a worn story as one of contested spaces, competing visions of nationhood, and complicated relations with Native American peoples.

This collection offers the first systematic, comparative analysis of Wilfrid Sellars's Pittsburgh school of thought and Husserlian phenomenology. Beginning with an introduction to contemporary philosophical debates about the mind and pragmatism, the essays examine and clarify the discursive divide between analytic and Continental philosophy.

This collection of first-person accounts by doctors, nurses, and others at the front lines in Appalachia explains how rural communities have responded to COVID-19, addresses stereotypical assumptions about and challenges within rural medical care, and describes burnout and other long-term effects of the pandemic on health-care workers.