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  • - Healing the Father-Daughter Relationship
    av Linda Schierse Leonard
    259,-

    An invaluable key to self-understanding, The Wounded Woman shows that by understanding the father-daughter wound, it is possible to achieve a fruitful, caring relationship between men and women, between fathers and daughters, a relationship that honors both the mutuality and the uniqueness of the sexes.

  • - The Unexpurgated Diary of Anais Nin, 1939-1947
    av Anais Nin & Kim Krizan
    299,-

    Mirages opens at the dawn of World War II, when Anais Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be "the One," the lover who would satisfy her insatiable hunger for connection.

  • av Anais Nin
    195,-

    Although Anais Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic "distillations" of her secret diaries.

  • av Nikos Kazantzakis
    249 - 259,-

  • av Anais Nin
    179,-

    Although Under a Glass Bell is now considered one of Anais Nin's finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler.

  • - Contemporary Art in Glass, Wood, and Ceramics from the Wolf Collection
    av Amy Miller Dehan
    355,-

    One of the premier private collections of contemporary craft, the Nancy and David Wolf Collection features outstanding creations by the foremost artists working in craft media. This book introduces audiences to sixty-seven masterworks selected from this collection.

  • av Anais Nin
    195,-

    This "is the fifth and final volume of Anaèis Nin's continuous novel known as Cities of the Interior. First published by Swallow Press in 1961, the story follows the travels of the protagonist Lillian through the tropics to a Mexican city loosely based on Acapulco, which Nin herself visited in 1947 and described in the fifth volume of her Diary. As Lillian seeks the warmth and sensuality of this lush and intriguing city, she travels inward as well, learning that to free herself she must free the 'monster' that has been confined in a labyrinth of her subconscious. This new Swallow Press edition includes an introduction by Anita Jarczok"--

  • - The Unexpurgated Diary of Anais Nin, 1947-1955
    av Anais Nin
    475

    Anais Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented.

  • - A Search For The Limits Of Consciousness
    av Gary Brent Madison
    389

  •  
    889,-

  • av James Rick
    529,-

  • av Maeve Adams
    889,-

  • av Ric S. Sheffield
    305,-

  • av Mansel G. Blackford
    305 - 889,-

  • av John Burton Kegel
    409 - 1 289,-

  • av Devin Smart
    405 - 1 239,-

  •  
    1 225,-

  • av Robert Ross
    395 - 1 239,-

  • av Sandra Swart
    319,-

  •  
    305,-

    This perspective on the creation of West Virginia during the Civil War challenges the conventional historiographical emphasis on military battles by highlighting the significance of transportation networks and citizen allegiances.

  • av Niq Mhlongo
    279

  • av Christoph Gradmann
    405 - 1 229,-

  • av Toyin Falola
    445 - 1 289,-

  • av Han VanderHart
    235,-

  • - (Re)Imagining Urban Senegal Through Cinema
     
    889,-

    Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers' practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

  • - (Re)Imagining Urban Senegal Through Cinema
     
    395,-

    Projections of Dakar studies the audiovisual creations and practices of twenty-first-century Senegalese filmmakers living, working, and distributing their films in urban Senegal. Although some observers have described contemporary Senegalese cinema as a dying industry, this book shows that it retains great potential. Senegalese cinematic practitioners are forging unique, dynamic responses to social challenges and producing content in innovative forms. Like contemporary Senegalese cinema, African urban centers are often perceived as sites of despair and social decay. In each chapter of this book, Devin Bryson and Molly Krueger Enz focus on a particular urban issue and analyze how Senegalese filmmakers document and reimagine it from diverse perspectives and contexts. The authors draw from interviews and ethnographic observations to center filmmakers' practices and conceptualizations of contemporary cinema in Dakar. Bryson and Enz trace developments in production, distribution, viewership, and audience response since 2012 to study how these films and their production both reveal and contribute to how people live in the city, relate to one another, build their lives, advocate for change, find joy and meaning, and build community. They also document and articulate more equitable and inclusive forms of these activities. Ultimately, the book illustrates how Senegalese filmmakers reimagine Africa as a place that will lead to a better future for its inhabitants.

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