Maureen is a pensioner in search of passion. Since her heart was broken by David from Aberdeen - who happened to be a millionaire as well as the world's best lover - she is finding it difficult to meet anyone who can satisfy her. This book was developed using the author's verbatim theatre technique.
In a trendy wine bar - Bella, 29, is celebrating her birthday with her best friend, Emily, two of her exes, and another, rather loud friend, Sandy. Intercut with their bantering conversation are edgy scenes between Bella and her father, with whom she has a classically difficult relationship, not helped by his having an inoperable brain tumour.
An almost unbearably moving story of veiled emotions running deep, based on the true life situation of Rex Harrison's wife, Kay Kendall, and her early death from cancer.
The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. In The Alchemist Face, Subtle and Dol Common are three rogues intent on conning the gullible out of their money. Setting up a quack-doctor's practice in Lovewit's house they promise miraculous services that cost their customers dear. Everything goes swimmingly, until Lovewit returns and the three turn against each other. Edited by Simon Trussler, with an introduction by Colin Counsell.
Plays only release their true meaning on stage. After an introduction to the historical background of Ibsen's play, the reader is conducted scene by scene through the Action of the play, followed by a discussion of the Characters, the Setting, Staging, Lighting, Costumes Props and Furniture.
A biting, heart-warming comedy of love and fate in contemporary Montreal, in a version by Rona Munro.
An irreverent and provocative drama questioning the basis of Christianity, by the author of The Romans in Britain.
An enthralling drama about the man who killed Hendrik Verwoerd, the architect of South African apartheid.
A gripping play exploring Western guilt towards the Third World, from an author well-known for her award-winning adaptations for Shared Experience and the National Theatre.
An adaptation for the stage of this modern children's classic by the best-selling author and 2005 Children's Laureate.
An energetic, fast-moving adaptation for the stage of this modern children's classic, by the best-selling author and 2005 Children's Laureate.
An adaptation for the stage of this modern children's classic by the best-selling author and 2005 Children's Laureate.
A hands-on guide to directing plays. Stephen Unwin takes a step-by-step approach, covering: choosing the play; casting; design; rehearsal (establishing facts, improvisation, language, character, blocking, using specialists); running the play; putting it on the stage; and finally, opening night!
The book and lyrics of the first musical for which Sondheim composed the score as well. "Forum" opened in 1962 and is Sondheim's longest running play. Other plays for which he has written both the music and lyrics are "A Little Night Music", "Into the Woods" and "Assassins".
Sheridan's most successful play, often considered the apex of English comedy.
A collection of shorter plays from stage and television by one of the UK's foremost political playwrights.
Why does Shakespeare write in the way he does? And how can actors and directors get the most out of his incomparable plays? In Speaking the Speech, Giles Block - 'Master of the Words' at Shakespeare's Globe - sets out to answer these two simple questions. The result is the most authoritative, most comprehensive book yet written on speaking Shakespeare's words. Throughout the book, the author subjects Shakespeare's language to rigorous examination, illuminating his extraordinary ability to bring his characters to life by a simple turn of phrase, a breath or even a pause. Block shows how we can only fully understand these characters, and the meaning of the plays, by speaking the words out loud. Drawing on characters from across all of Shakespeare's plays - and looking in detail at Macbeth, The Winter's Tale, Hamlet, The Merchant of Venice and Much Ado About Nothing - Block covers everything the actor needs to know, including: the essential distinctions between prose, rhymed verse and unrhymed verse, and the different strategies to be used when speaking them; the difference between 'you' and 'thou'; Shakespeare's use of silence; and the vital importance of paying attention to Shakespeare's 'original' punctuation. Speaking the Speech is a book for actors and directors who want to improve their understanding of Shakespeare's language in order to speak it better. It is also a fascinating read for anyone who wants to deepen their appreciation of Shakespeare's language and the way it comes to life when spoken aloud. 'We call Giles our 'Text Guru' at the Globe, partly in jest, and partly out of respect for the depth of his knowledge, the gentleness of his teaching, and the sudden illuminations he can throw across a play. If this book can afford even a small part of the pleasure and insight Giles can provide in person, then it will be a great asset.' Dominic Dromgoole, Artistic Director, Shakespeare's Globe 'Giles deepened my love for Shakespeare and for the way we all speak. I trust you will have a similar experience reading his book.' Mark Rylance, from his Foreword
A woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life. Years have passed since political prisoner, Paulina, suffered at the hands of her captor: a man whose face she never saw, but whom she can still recall with terrifying clarity. Tonight, by chance, a stranger arrives at the secluded beach house she shares with her husband Gerardo, a human rights lawyer. A stranger Paulina is convinced was her tormentor and must now be held to account... Ariel Dorfman's play premiered at the Royal Court in 1991, and is now recognised as a modern classic. It ran for a year in the West End, was a hit on Broadway and was filmed by Roman Polanski starring Ben Kingsley and Sigourney Weaver. 'A play that audiences will carry out of the theatre and into life' New York Times
John Webster's glittering masterpiece published alongside a major 2014 revival by the Royal Shakespeare Company.
A unique collection of performance pieces and improvisation exercises in the Commedia style, a companion volume to the author's best-selling Playing Commedia.
An inspiring new approach to acting from a respected drama teacher - concise, succinct and full of practical exercises.
A guide to Psycho-Physical Acting, complete with games and exercises.
A comedy drama about an all-female theatre company touring Britain during the darkest days of World War Two, written by the well-known actress and premiered in the West End. While the men are fighting Hitler and the bombs are falling on London, a 'girls only' theatre company sets out in a battered 1920s Rolls-Royce to bring Shakespeare to a culture-starved Britain. Inspired by the real-life Osiris Players, whose travelling productions during the War inspired many to take up the profession - Judi Dench to name but one. We Happy Few premiered at the Gielgud Theatre, London, in June 2004. 'there isn't a sweeter, warmer, more likeable play in London' The Times 'very funny. A fascinating slice of social history' Time Out 'by far and away the funniest and saddest backstage play for half a century' Daily Express
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