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Even when there is no direct contact, artists and writers develop many comparable techniques for coping with problems specific to their time. In Modernist Patterns, Murray Roston explores the relationships between modernist artists and writers and their responses to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. By placing the literary works of such writers as T.S. Eliot, Virginia Woolf, James Joyce, and Ernest Hemingway within the context of the changes that occurred in the visual arts, Modernist Patterns expands our understanding of literature and identifies the cultural shifts that generated stylistic innovations within the visual arts.

At the turn of the century, a spate of sensational trials kept French and English readers spellbound and ignited bitter tugs of war over marriage and divorce laws, women's rights, temperance, gay prostitution, and lesbian literature. The chapters in Disorder in the Court each focus on a specific high-profile trial, and the public debates surrounding it, in order to address the role of the state in regulating sexual morality. The authors draw on police archives, records of coroners' inquests, magistrates' courts, and news coverage to bring to life social conflicts sparked by differing ideologies of class, gender, and sexuality. Also explored is the role of the police and 'scientific' methods of criminology in an era when working class marital conflicts were resolved by an axe blow, unwanted middle class spouses were dispatched with an arsenic diet, and government agents scanned sensational novels or loitered in Paris urinals in search of vice.

The experiences of American soldiers in World War I differed enormously from those of European combatants. With the U. S. emerging from its previous isolation, soldiers arrived in the European theater late, fought briefly, and soon found themselves among the victors. Exposed for the first time to a foreign culture and bombarded by the messages of America's first concerted propaganda campaign, doughboys and other American participants struggled to make sense of their role and participation in the war. Mark Meigs here juxtaposes more official views--as expressed in speeches and in The Stars and Stripes, army handbooks, and unit histories--with informal, widely disseminated sources, such as popular songs, jokes, and postwar fiction, together with the soldiers' own letters and journals. Optimism at Armageddon begins with an exploration of how Americans rationalized their involvement and goes on to examine the effects of veterans' experiences during the war, focusing on combat, cultural and sexual contact with their European hosts, and death and concludes with the doughboys' account of their return to American society.

Arising from Bondage is an epic story of the struggle of the Indo-Caribbean people. From the 1830's through World War I hundreds of thousands of indentured laborers were shipped from India to the Caribbean and settled in the former British, Dutch, French and Spanish colonies. Like their predecessors, the African slaves, they labored on the sugar estates. Unlike the Africans their status was ambiguous--not actually enslaved yet not entirely free--they fought mightily to achieve power in their new home. Today in the English-speaking Caribbean alone there are one million people of Indian descent and they form the majority in Guyana and Trinidad and Tobago. This study, based on official documents and archives, as well as previously unpublished material from British, Indian and Caribbean sources, fills a major gap in the history of the Caribbean, India, Britain and European colonialism. It also contributes powerfully to the history of diaspora and migration.

In Selected Letters of William Makepeace Thackeray, Edgar F. Harden provides a lively and accessible framework for selected letters, diaries, and comical illustrations of Thackeray. Harden has carefully selected documents which convey the essential biographical developments of a very interesting life and pictorial expressions of a great man of letters. He traces Thackeray's growth and development as a writer, from his school days in Southhampton to Cambridge University, which he left without a degree, to his ascendence as a writer. In spite of his personal struggles Thackeray articulates in his letters a great exuberance for life. Harden has included seventy five of Thackeray's comical illustrations, which support and enhance the letters they accompany.

Had B.G. MacCarthy's criticism been available, Showalter's A Literature of Their Own would have been a very different kind of book...In some ways, contemporary could be ten years ahead if we had started the climb from MacCarthy's groundwork." --Maggie Humm, University of East London Back in print for the first time since the 1940's, this classic work of pre-feminist literary criticism is a challenging and authoritative assessment of women's contributions to English literature. B. G. MacCarthy, widely praised for the originality of her scholarship, challenges the dominant picture of mascaline literary history created by T. S. Eliot and F. R. Leavis. Written with crisp humor and irony, her exploration of women's writing. Focusing on a wide range of authors including Lady Mary Wroath, Eliza Hayward, Aphra Behn, Maria Edgeworth, Mary Wollstonecraft, Elizabeth Inchbald, Margaret Cavendish and Jane Austen- illustrates that these women attempted almost every genre of fiction, enriched many, and initiated some of the most important. Often savagely witty, The Female Pen discusses a vast array of fictional forms, including picturesque, moralistic, oriental, domestic, and gothic novels.

In recent years, much attention has been lavished on the New Women of rap and rock. From rap stars such as Queen Latifah to bands such as Velocity Girls, popular music has been aggressively redefined by a new generation of women, with a startling range of musical styles. Yet, women's role in contemporary music, and in music history, extends far beyond MTV or the latest riot grrrl troupe. In Girls! Girls! Girls!, Sarah Cooper has assembled a broad- ranging collection of essays to provide an entertaining and impressionistic portrait of women and music. Whether in the form of Helen Kolawole's discussion of the bitch- bashing misogyny of gangsta rap or Caroline Sullivan's exuberant assessment of women rock critics, the volume raises, and addresses, some of the most provocative and challenging issues concerning women's active involvement in and relationship to music. From indie labels to opera queens, from symphony orchestra to salsa queen, from swing to women's music in South Asia to the confessions of a British country music fan, Girls! Girls! Girls! has something for everyone, music critics, feminists, and fans alike.