Böcker utgivna av New York Review Books

The first-ever collection of comics and assorted artwork by Michael McMillan—not only a legendary underground cartoonist, but also a sculptor, painter, printmaker, filmmaker, animator, poster designer, and an avid rock climber.Michael McMillan has said he’s “not really a cartoonist,” but the evidence suggests otherwise. Born and raised in California, he studied architecture and design before a visit in 1969 to an exhibition of Chicago’s Hairy Who and encounters with the bourgeoning San Francisco underground comix scene convinced McMillan to make his own comics.He plunged in, drawing for legendary publications like Weirdo, Young Lust, Lemme Out Here, Arcade, and eventually his own one-issue wonder, Terminal. Over the following decades, McMillian kept playing with the form of comics. He reimagined the kind of stories single-panel, two-panel, and many-panel strips could tell, blending favorite genres from his childhood (horror, swords and sandals, science fiction) with more mature themes (autobiography, dating, sex) into new and striking forms.In Terminal Exposure, McMillan’s comics are collected for the first time, alongside a selection of his electrifying sculptures, eye-popping paintings, and stunning pages from the journals he kept during his years rock climbing in California’s Sierra Nevada. With an introduction by Dan Nadel, this volume offers a first-time portrait of the great “not really a cartoonist” cartoonist.

"Love, faith, and the political mingle in these two short novels by a Nobel Prize-winning Danish author. One about a young couple making a new life in Rome, the other about a priest who goes to live among native peoples in Greenland, both books explore the reaches of the human heart through their complex and unforgettable characters. The White Bear and The Rearguard are two of Nobel laureate Henrik Pontoppidan's most acclaimed novellas: tales of personal, political, and religious strife, full of keen psychological insight, set amid the sweeping changes of late nineteenth-century Danish society. Pontoppidan's prose is spellbinding in its taut, unvarnished grace, a quality translator Paul Larkin masterfully captures in this stunning new translation. The White Bear is the odyssey of the priest Thorkild Mèuller, who becomes minister to a remote Inuit tribe in Greenland and is slowly integrated within the community. After spending much of his adult life in Greenland, he returns to Denmark, where his popularity among his parishioners brings the ire of the Church upon his head. Newlyweds J²rgen Hallager and Ursula Branth are as different as night and day. The brash son of a poor village teacher, J²rgen is an avowed socialist whose revolutionary beliefs translate into his work as a painter of social realism. Ursula, on the other hand, comes from an upper-middle-class family and is politically conservative. Though each strives to change the other's worldview as they start their new life in Rome, tensions rise, and misunderstandings abound. A searching examination of art and individuality, this version of The Rearguard is the never-before-translated 1905 edition, which elucidates with greater complexity Jorgen's character as well as Ursula's resolve to temper him with love"--

"In Misery of Love, a spiritual sequel to the acclaimed Yellow Negroes and Other Imaginary Creatures, Yvan Alagbâe continues his interrogation of race and family in modern France. The book focuses on the dream-like memories of a woman named Clare, who is spending time with her family for her grandfather's funeral. Alagbâe shifts between narratives of the family, all haunted by the legacy of France's colonial subjugation of Africa. Alagbâe works in stormy grayscale washes, using comics, as he puts it, as "a sacred dimension which celebrates, questions and perpetuates life.... I believe that life is not damnation but grace.""--

"Roberta Leem a lovely Berkeley student of unusual promise, went running one November Sunday in 1984 with her lover, Bradley Page. He came back alone. Roberta, sometimes volatile and moody, had run off on her own, he said. When she failed to return, one of the largest missing-person searches in California history was launched. Five weeks later, her battered body was found on a bed of branches in a shallow grave. Within hours, Page had confessed to the murder of Roberta Lee- and then recanted. The story of the dead girl had begun. Melanie Thernstrom, a brilliant young writer and poet, was Roberta's closest friend. IN this stunning debut, she has written a heartbreaking tribute, both elegy and celebration, to her lost friend. IN a haunting, many-layered work of striking originality, we experience the horrifying crime at its center, the agonizing search for the body, the trial and its wrenching, explosive climax, the sinister and deceptively bland defendant. Through the filter of memory, Roberta herself- gifted, fiercly intelligent, yearning for love- is intensely alive. Even in a time of numbing violence, every reader will mourn the loss of this one spirited young girl"--

"Stephen Rodefer was one of the most innovative and singular of American poets, a student of Charles Olson's often associated with the Language poets but whose eclectic, energetic verse defies categorization and embraces a worldly lyricism uniquely his own. Four Lectures is widely considered to be his masterpiece, a book of four long poems that explore the radical possibilities of language through a generous, intimate collage of the sights and sounds, the words and images that form the poet's world. Making freewheeling reference to Shakespeare and Sappho, Looney Tunes and Ethel Waters, among others, Rodefer boldly reimagines the modern philosophical poem, exemplified by Four Quartets and Self Portrait in a Convex Mirror, for a new and fragmentary age. First published in 1982 by Geoffrey Young's legendary press The Figures and long beloved by readers, these witty, playful poems have been unavailable in a single volume for nearly half a century. This new edition will reproduce the layout of the original, in which the material presentation of words on the page is integral to the meaning of the poem. Of Four Lectures, Ron Silliman writes: "Philosopher-harlequin, the poet speaks plainly, having just now invented the line. What other writer can give us this much of the real.""--

"Best known as a master novelist, Henry James was also an incisive critic whose essays on the novel had as profound an influence on its development as did his fiction. Here, Pulitzer-finalist Michael Gorra, author of Portrait of a Novel: Henry James and the Making of an American Masterpiece, gathers some of the most virtuosic essays from across fifty years of James's career. From his landmark essay "The Art of Fiction," an exhilarating treatise on the complexity of literary form, to "The Lesson of Balzac," a tender portrait of one of James's greatest touchstones, to career-defining assessments of writers such as George Eliot and Ivan Turgenev, James reveals himself as a passionate and sensitive reader, one whose unerring ability to locate the currents within Anglophone literature was matched only by his uncommon prescience regarding its future. Slyly humorous and unabashedly opinionated, On Writers and Writing is a compelling artistic biography of a writer at his cogent and stylish best"--