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How splendid and impressive to have a complete, clear, and unobstructed view of Denise Levertov. Covering more than six decades and including, chronologically, every poem she ever published, Levertov's Collected Poems presents her marvelous, groundbreaking work in full.Born in England, Denise Levertov emigrated in 1948 to the United States, where she was acclaimed by Kenneth Rexroth in The New York Times as "the most subtly skillful poet of her generation, the most profound, the most modest, the most moving." A staunch anti-war activist and environmentalist, and the winner of the Robert Frost Medal, the Shelley Memorial Award, and the Lannan Prize, Denise Levertov inspired generations of writers. New Directions is proud to publish this landmark collected poems of one of the twentieth century's greatest poets.

After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf Anna, who obsessively devours online news and compulsively orders clothes she can't afford. To avoid sinking deeper into her depression, she forces herself to read and write.My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms-fiction, essay, poetry, memoir, and letters-to explore the relationship between motherhood, work, individuality, and literature."Olga Ravn writes dazzlingly about the work of motherhood and the work of writing. Reading Ravn's book, you run through the whole gamut of human emotion, as though you too were a new mother: tears, laughter, anger, fear, pain, frustration. This is powerful writing that's hard to put down."-Politiken

"Only when a man becomes all naked do you know the shades of his life as an existential being," writes Tatsuhiko Ishii in his sensuous, exhilarating new collection of poetry Bathhouse and Other Tanka. For many decades now, Ishii has turned the classical poetic form of the tanka into its own innovative contemporary tradition. What was originally a five line 5-7-5-7-7-syllable verse form Ishii writes in one line, constructing his poems out of sequential one-line tankas, as if Basho and Lorca bathed together under the moon. In moving elegies to Yukio Mishima and Genji (the Shining Prince), tributes to Ezra Pound and Claude Lorrain, as well as to the volcanoes Popocatépetl and Mount Fuji, Ishii's poetry resonates with a mix of philosophical lyricism, inquisitive exuberance and homoerotic desire. "The ocean plane shines in the sun," he writes in one poem in the aftermath of 9/11. "From now on every place will be a battlefield, sure." In one sequence, we glimpse Proust through a photograph by Paul Nadar, in another clipping pubic hair and washing a horse become a rumination about real poetry. Ishii pens songs of momentary love and flames of lust, of mankind's self-destruction and the self mirrored in the seven deadly sins. No other poet today can write about sniffing a young man in Tokyo or Tasmanian oysters like Ishii does with such majesty. Hiroaki Sato, the bestselling author of On Haiku, has been translating Ishii for over thirty years and captures the rhythmic pulse and turn of his "Poetry ... harmful, a dream. Even the world, finally, due to poetry, liquefies ..."

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRYSHORTLISTED FOR THE 2024 LUCIEN STRYK ASIAN TRANSLATION PRIZEAn iconic figure in the emergence of feminist poetry in South Korea and now internationally renowned, Kim Hyesoon pushes the poetic envelope into the farthest reaches of the lyric universe. In her new collection, Kim depicts the memory of war trauma and the collective grief of parting through what she calls an "I-do-bird-sequence," where "Bird-human is the 'I.'" Her remarkable essay "Bird Rider" explains: "I came to write Phantom Pain Wings after Daddy passed away. I called out for birds endlessly. I wanted to become a translator of bird language. Bird language that flies to places I've never been." What unfolds is an epic sequence of bird ventriloquy exploring the relentless physical and existential struggles against power and gendered violence in "the eternal void of grief" (Victoria Chang, The New York Times Magazine). Through intensely rhythmic lines marked by visual puns and words that crash together and then fly away as one, Kim mixes traditional folklore and mythology with contemporary psychodramatic realities as she taps into a cremation ceremony, the legacies of Rimbaud and Yi Sang, a film by Agnes Varda, Francis Bacon's portrait of Pope Innocent X, cyclones, a princess trapped in a hospital, and more. A simultaneity of voices and identities rises and falls, existing and exiting on their delayed wings of pain.

Inside a luxury housing complex, two misfit teenagers sneak around and get drunk. Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor-an attractive married woman and mother-while Polo dreams about quitting his grueling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme. Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society-with its racist, classist, hyper violent tendencies-and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

The young artist and writer Yevgenia Belorusets was in her hometown of Kyiv when Putin's "special military operation" against Ukraine began on the morning of February 24, 2022. With the shelling of Kyiv, Kharkiv, Odessa, and Kherson, the war with Russia had clearly, irreversibly begun: "I thought, this has been allowed to happen, it is a crime against everything human, against a great common space where we live and hope for a future." With power and clarity, the War Diary of Yevgenia Belorusets documents the long beginning of the devastation and its effects on the ordinary residents of Ukraine; what it feels like to interact with the strangers who suddenly become your "countrymen"; the struggle to make sense of a good mood on a spring day; the new danger of a routine coffee run. First published in the German newspaper Der Spiegel and then translated and released each day on the site ISOLARII (and on Artforum), the War Diary had an immediate impact worldwide: it was translated by an anonymous collective of writers on Weibo; read live by Margaret Atwood on International Women's Day; adapted for an episode of This American Life on NPR; and brought to the 2022 Venice Biennale by President Zelensky as part of the pavilion "This is Ukraine: Defending Freedom."

WINNER OF THE 2024 GRIFFIN POETRY PRIZESelf-Portrait in the Zone of Silence, by the renowned Mexican writer Homero Aridjis, is a brilliant collection of poems written in and for the new century. Aridjis seeks spiritual transformation through encounters with mythical animals, family ghosts, migrant workers, Mexico's oppressed, female saints, other writers (such as Jorge Luis Borges and Philip Lamantia), and naked angels in the metro. We find tributes to Goya and Heraclitus, denunciations of drug traffickers and political figureheads, and unforgettable imaginary landscapes. As Aridjis himself writes: "a poem is like a door / we've never passed through..." And now past eighty, Aridjis reflects on the past and ponders the future. "Surrounded by light and the warbling of birds," he writes, "I live in a state of poetry, because for me, being and making poetry are the same."

The Woman on the Bridge over the Chicago River is Allen Grossman's first collection with New Directions. His voice is astonishingly contemporary, his often dissociated imagery bordering on the surreal--yet one hears in his verse classical and Biblical echoes and, on occasion, darker medieval undertones. The brilliance of his imagination works against a measured eloquence, setting up a fine-edged tension not unlike the prophetic verse of William Blake, the wild dithyrambs of David, or the more controlled metrics of Catullus and Villon.

John Allman's Clio's Children is a book of twenty-three narrative poems that, taken together, form a compelling history of modern times, seen through the eyes of exceptional people at key moments of their lives--moments of "historical epiphany" that serve to define an era. Fyodor Dostoevsky, in 1849, standing helpless and hopeless before the firing squad of Tzar Nicholas I; J. Robert Oppenheimer at Alamogordo, New Mexico, in 1945, about to witness the first nuclear explosion--these two turning points in personal consciousness are chosen by the poet to mark the century that preceded, and prefigured, our troubled postindustrial world. In all the poems, Allman's dramatic settings point to the tension between the strength of the individual and the ever-encroaching power of the state. The personae he uses--from Dostoevsky to Oppenheimer, Frederick Douglass to Marcus Garvey, George Sand to Emma Goldman, to name just a few--are men and women of amazing gifts, whose greatness challenges our obsessions with the small and trivial, and whose human character is the reality of our history made flesh. These are the children of Clio, the muse of history, goddess of renown.

The publication in 1972 of Invisibility Is the Art of Survival, the author's own selection of poems from earlier books brought out in England, introduced Edwin Brock to American readers. This new collection, The Portraits & The Poses, will further the acquaintance with a fresh and forceful voice, one which David Ignatow has called "the best in English contemporary poetry." These are highly personal poems: the "poses," the postures and bafflements of everyday life as Brock sees it; the "portraits," pithy vignettes of everyday people and their relationships as he knows them. Yet what is personal to the poet is made highly accessible by his art, and by his particular qualities of profound earthiness, honesty, humor, and concern.

Since 1947, when his work first began to appear, Philippe Jaccottet has published six volumes of poetry, two of criticism, three of prose-poetry, and several translations from the German. Seedtime (''La Semaison'')--the title he has given to his notebook journals written from 1954 through 1967--is an especially good introduction to this leading post-war French author, containing as it does passages in both prose and verse. In explaining the word semaison, Jaccottet has drawn a parallel between his sense of the yearly scattering of seed--the sacredness of the act, the uncertainty of its results--and the sense he has of poetry and the written word. Him, his own description on the jacket of the original French edition (Gallimard, 1971): "The despairing happiness of words, the despairing defense of the impossible, everything which contradicts, denies, mimicks or blasts. At each instant it is like the first and last word, the first and last poem, embarrassed, solemn, without probability and without force, stubborn fragility, an enduring fountain; and again, in the evening, its sound against death, flabbiness, stupidity; again, its freshness, its limpidity against drivel. Again, the star out of the scabbard."

Virginia Woolf, in a mixture of distaste and admiration, called them "the literary underworld," although their names were in the mainstream in the England of World War I and the 1920s. Today for the most part unfamiliar, then they connected variously, and not unimportantly, with Shaw and H. G. Wells, Aldous Huxley and D.H. Lawrence, not to overlook Pound, Eliot, E. M. Forster, and Edwin Muir, among countless others. The pages of A. R. Orage's The New Age and John Middleton Murry's numerous periodicals (Rhythm, The Blue Review, The Athenaeum, Adelphi) were the intellectual forums of their day, the mirrors of the trends in taste and social concerns. The five principals in John Carswell's gracious, perceptive reminiscence were not of a single coterie. Rather, they shared in a particular kind of literary life: professional without being academic, dedicated without being regimented, all were devoted to careers which were often the only source of their livelihoods. In the final analysis, none were creative giants: Katherine Mansfield now remembered less for her stories, and Murry for his criticism, than as Lawrence's Gudrun and Gerald (Women in Love); "Kot's" role in introducing Russian literature becomes a dim footnote; the wild Beatrice Hastings perhaps glimpsed in a biography of Modigliani in Bohemian Paris; the fine imprint of Orage's editorial genius, faded. Yet they were intrinsic to their time, and their serious and passionate lives and letters are quickened in these glowing pages.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

Like Montaigne before him, Mandel examines the antic mind of his fellowmen, vain, various, and ever-changing, and its peculiar manifestations in an age that embraces ugliness and irrationality. The sixteen pieces in the collection are, literally, 'elaborations'-discursive, associative, meditative-of the author's earlier lyric poems and epigrams, arranged by him to move in an easy way from the autobiographical to matters more general and abstract.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

This anthology series draws on authors fromcountries across the world and features selections of the finest new prose and poetry.

Ranging from the humorous and scathing to the evocative and strange, this 9th century collection of list poems by the late Tang dynasty poet Li Shangyin documents one poet's scrutiny of his riotous times. Li gives a glimpse into the mundane experiences of the waning years of Chinese poetry's golden age, while providing an uncanny reflection of the minutiae of our own contemporary lives, loves, and irritations.Besieged by a drunk person, no escape.Beautiful concubine, jealous wife.

The Green Child is the only novel by Herbert Read - the famous English poet, anarchist, and literary critic. First published by New Directions in 1948, it remains a singular work of bewildering imagination and radiance. The author considered it a philosophical myth akin to Plato's cave.Olivero, the former dictator of a South American country, has returned to his native England after faking his own assassination. On a walk he sees, through a cottage window, a green-skinned young girl tied to a chair. He watches in horror as the kidnapper forces the girl to drink lamb's blood from a cup. Olivero rescues the child, and she leads him into unknown realms.

A bestseller in France and winner of Japan's Kiyama Shohei Literary Award, The Guest Cat, by the acclaimed poet Takashi Hiraide, is a subtly moving and exceptionally beautiful novel about the transient nature of life and idiosyncratic but deeply felt ways of living. A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife - the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens....As Kenzaburo Oe has remarked, Takashi Hiraide's work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

A Little Ramble: In the Spirit of Robert Walser is a project initiated by the gallerist Donald Young, who saw in Walser an exemplary figure through whom connections between art and literature could be discussed anew. He invited a group of artists to respond to Walser's writing. A Little Ramble is a result of that collaboration.The artists have chosen stories by Robert Walser as well as excerpts from Walks with Robert Walser, conversations with the writer recorded by his guardian Carl Seelig. Much of this material appears in English for the first time.Accompanying these pieces are over fifty color artworks created specifically for this project, a preface by Donald Young, and an afterword by Lynne Cooke.

Time of Grief is an anthology of poems divided into forty-nine days of mourning: "forty-nine days of mourning: reflecting a period of grieving as observed in Buddhist and Judaic traditions. Each day's reading consists of one or more poems by some of the world's most celebrated poets from diverse cultures and centuries, from classical times to today. Seventy-five writers from over twenty countries confront illness, loss, love lost, death and mortality, through moving requiems and lamentations, elegies and eulogies. Reaffirming poetry's ancient and intimate link with ritual, this collection opens up a calendrical, spiritual space for readers to experience bereavement as a means toward transformation.

One night, a renowned and now retired literary publisher has a vivid dream that takes place in Dublin, a city he's never visited. The central scene of the dream is a funeral in the era of Ulysses. The publisher would give anything to know if an unidentified character in his dream is the great author he always wanted to meet, or the ghostly angel who abandoned him during childhood. As the days go by, he will come to understand that his vision of the end of an era was prophetic.Enrique Vila-Matas traces a journey that connects the worlds of Joyce and Beckett, revealing the difficulties faced by literary authors, publishers, and good readers in a society where literature is losing influence. A robust work, Dublinesque is a masterwork of irony, humor, and erudition by one of Spain's most celebrated living authors.