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The plot centers on Nina Leeds, the daughter of a classics professor at a college in New England, who is devastated when her adored fiancé is killed in World War I, before they have a chance to consummate their passion. Ignoring the unconditional love of the novelist Charles Marsden, Nina embarks on a series of sordid affairs before determining to marry an amiable fool, Sam Evans. While Nina is pregnant with Sam's child, she learns a horrifying secret known only to Sam's mother: insanity runs i

Many years ago, as a student in a foreign university, I remember attacking, with the complacency of youth, a German history of the English drama, in six volumes. I lost courage long before the author reached the age of Elizabeth, but I still recall the subject of the opening chapter: it was devoted to the physical geography of Great Britain. Writing, as the good German professor did, in the triumphant hour of Taine's theory as to the significance of place, period, and environment in determining the character of any literary production, what could be more logical than to begin at the beginning? Have not the chalk cliffs guarding the southern coast of England, have not the fatness of the midland counties and the soft rainy climate of a North Atlantic island, and the proud, tenacious, self-assertive folk that are bred there, all left their trace upon A Midsummer Night's Dream, and Every Man in his Humour and She Stoops to Conquer? Undoubtedly. Latitude and longitude, soil and rainfall and food-supply, racial origins and crossings, political and social and economic conditions, must assuredly leave their marks upon the mental and artistic productiveness of a people and upon the personality of individual writers.

Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601-1602 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with Duke Orsino, who in turn is in love with Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man.The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story ""Of Apollonius and Silla"" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded public performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio.

"The Years" is a mature novel but also a hybrid work straddling a family saga and a collection of robbed moments that would have vanished into the river of time. Capable of capturing the elusiveness of an atmosphere, of words left unsaid, of a particular landscape in any season, of the details that dress a room or the people that come in and go out of it scarcely leaving any trace, Woolf manages to give human quality to the passage of time, the real protagonist of this story. It's true that she uses the Pargiter, a bourgeois family in extinction at the beginning of the twentieth century, to flesh out something as ungraspable as the passage of time. We get to know the Pargiters in their childhood days and observe, in fragmentary manner, the evolution of their personalities as they grow up and become active actors in their lives. Oddly enough, the cumulative changes they suffer only strengthen their innate characters, boosting their childhood traits.

Totem and Taboo: Resemblances Between the Mental Lives of Savages and Neurotics, or Totem and Taboo: Some Points of Agreement between the Mental Lives of Savages and Neurotics, is a 1913 book by Sigmund Freud, the founder of psychoanalysis, in which the author applies his work to the fields of archaeology, anthropology, and the study of religion. It is a collection of four essays inspired by the work of Wilhelm Wundt and Carl Jung and first published in the journal Imago (1912-13): ""The Horror of Incest"", ""Taboo and Emotional Ambivalence"", ""Animism, Magic and the Omnipotence of Thoughts"", and ""The Return of Totemism in Childhood"".Though Totem and Taboo has been seen as one of the classics of anthropology, comparable to Edward Burnett Tylor's Primitive Culture (1871) and Sir James George Frazer's The Golden Bough (1890), the work is now hotly debated by anthropologists. The cultural anthropologist Alfred L. Kroeber was an early critic of Totem and Taboo, publishing a critique of the work in 1920. Some authors have seen redeeming value in the work.