Böcker utgivna av Museum Tusculanum Press

Danish Yearbook of Philosophy is an international journal that publishes contributions in English, German and French, and particularly relating to Danish philosophy, or by authors with ties to Danish philosophy.

In many Mediterranean countries we observe newcomers to the political arena: new forms of social networking, growing opposition, and protest articulated by local communities or locally active social movements. In this special issue we present fresh research on localized practices of resistance by protest groups, solidarity initiatives, and cultural projects, which have arisen in the wake of the 2008 crisis. Based on ethnological fieldwork, the volume offers insights into the media-based protest against the commodification of the historic Marseille district Panier (Philip Cartelli); urban gardening in Ljubljana as a practice opposing the growing neoliberal market economy (Saa Poljak Istenic); and the movement Genuino Clandestino, a solidarity network of small-scale farmers in Italy (Alexander Koensler). Three case studies deal with social movement in Greece: a solidarity network in Volos, where citizens developed an alternative exchange and trading system (Andreas Streinzer); grassroots mobilizations as resistant practices in the inner urban neighbourhood of Exarchia in Athens (Monia Cappuccini); and finally rural solidarity networks on the Peloponnese peninsula (James Verinis). A comparative discussion of Mediterranean protest movements (Jutta Lauth Bacas and Marion Näser-Lather) identifies underlying common features in these clearly different, yet relatable practices of protest: among others, the major role of face-to-face interaction and mutual trust.

This issue opens with Katarzyna Wolanik Bostroem and Magnus OEhlander's inquiry into mobile physicians and their pragmatic use of proto-ethnographic insights so as to facilitate their day to day work with culturally diverse patients. Gabriella Nilsson uncovers how school nurses, too, habitually draw on their knowledge of class and family background while implementing normative medical guidelines on childhood obesity. Maria Zackariasson seeks to show how members in a faith-based youth organization experience and handle the pull and push of faith and peer group sociability. Ewa Klekot examines different traces and registers of memorialization of recent Polish history in two districts of Warsaw. Disciplinary memory is augmented through Konrad J. Kuhn's analysis of Swiss scholars' participation in the Europeanization of Volkskunde. With Laura Hirvi's observations among young Finnish artists in Berlin, the issue concludes with another set of transnationally mobile actors.

Classica et Mediaevalia is an international, peer reviewed journal covering the field of the Greek and Latin languages and literature from classical antiquity until the late Middle Ages as well as the Greco-Roman history and traditions as manifested in the general history, history of law, history of philosophy and ecclesiastic history. Articles are published mainly in English, but also in French and German. Some of the many contributions to the present issue include Rhetoric in Classical Athens: The Recognition Scene in Aeschylus' Choephoroi and in Sophocles' and Euripides'Electra " and Aphrodite and Inanna: The Homeric Hymn to Aphrodite and Sumerian Poetry on Inanna"

The volume contains the following: Aux origines de la version slave de l'hirmologion (by Christian Hannick); Fragments du Sticerarion de Chilandar á Prague (by Frantiek Václav Mare); Index alphabétique des hymnes du Sticherarium Chiliandaricum (by Arne Bugge); The Belgrade Leaf from the Hilandar Musical Fragments (by Djordje Spiridon Radojicic); Grigorovic Hirmologion: Index and concordances (by Milo M. Velimirovic); The Earliest Slavic Melismatic Chants (by Kenneth Levy); The Evidence for Metrical Adaptation in Early Slavic translated Hymns (by Antonia F. Gove); Indices of manuscripts, hymns, and names.

Danish Studio Ceramics 1950-2010 is the prosaic title of this catalogue of Designmuseum Danmark's collection of unique ceramic works from the sixty-year period covering the post-war years and leading up to the present. The catalogue describes 632 works by 133 ceramicists and artists, and in doing so gives an overview of the diversity and high quality of Danish ceramics. This process documents and throws into relief the paradigmatic shift which has taken place since the 1980s, when handmade functional ceramic articles for domestic use began to be overtaken by free sculptural forms of expression, and at the same time the centre of gravity in this field began to move from a nationally rooted central basis towards extended interaction with the international ceramic scene. The aim of this catalogue is to provide a nuanced depiction of a remarkable epoch in the history of Danish ceramics, as represented in Designmuseum Danmark's collections, which have not previously been documented in a comprehensive form and which have only been exhibited on a limited scale. Lavishly illustrated with more than three hundred ceramic items, this volume is a treasure trove for scholars and collectors.