Böcker utgivna av Monacelli Press

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

" A fascinating look at an extraordinary collection of ceramic masterpieces by celebrated French ceramicist Ernest Chaplet. Over the last forty years, architect and collector Peter Marino has acquired a remarkable collection of pieces by French ceramicist, Ernest Chaplet. This collection is a precious testimony of a rare production - a new line of ceramics created by Chaplet in 1883 for the Limoges-based factory Haviland & Co. Ernest Chaplet sheds deserved light on this great artist, whose career exemplifies the evolution of artistic ceramics at the turn of the 20th century, and whose work entered the collections of many museums during his lifetime."

Reimagining: New Perspectives features more than 120 of the latest acquisitions by the UBS Art Collection, one of the largest and most important corporate collections in the world.Inspired by a recent UBS Art Gallery exhibition of the same name, this book features works by acclaimed artists who offer new and diverse perspectives based on their distinct backgrounds and experiences, inviting us to reimagine our world. With an accompanying essay by Global Head of the UBS Art Collection, Mary Rozell, this unique survey of works acquired in the past years provides a rare insight into the acquisition direction of the preeminent global collection.Reimagining: New Perspectives will be exclusively launched to the art world at the Art Basel Miami Beach exhibition in December 2022 and will be featured at forthcoming prestigious art events in 2023.

Surrealist artist, muse of Man Ray, photographer, fashion model and Vogue war correspondent - Lee Miller defies categorization. Beginning her career as a Condé Nast model in 1920s New York, she made the unprecedented transition from one side of the lens to the other, creating stunning photos that imbued fashion with surrealist wit and whimsy.

Elegantly luxurious presentation of the residential work of Thomas Kligerman, an architect renowned for skillful integration of contemporary flair into traditional designs.As a full career monograph, the book will feature iconic Kligerman houses built over the past twenty years and current projects that demonstrate the evolution of his architectural thinking. This will be a 'deep dive' into the design process, illustrated by sketches and renderings as well as finished photography.An introduction by Architectural Digest design editor Mitchell Owens will provide an overview of the trajectory while Kligerman's own essay will focus on his interest in developing a truly American style that reflects both the Puebloan style of the Southwest and the shingle style that has prevailed in along the East Coast since the late nineteenth century.Kligerman designs only single-family houses, and his clients have beautiful sites in the Hamptons and throughout New England with a few on the West Coast and in Texas. He is deeply steeped in the history of European and American domestic architecture and wonders whether there is (or can be) an American house paradigm. He grew up in Connecticut and New Mexico so the two strands that he draws on most art the solid adobe forms of Puebloan style and the lighter, more open shingle style. He also considers West Coast architects like Bernard Maybeck and English arts and crafts designers like Vosey and Lutyens. Rather than looking at single, specific precedents and adapting them for contemporary life, Kligerman tries to incorporate multiple strands to come up with something new 'to move the needle forward' as he says.

Long known as an enclave for the wealthy and glamorous, today the Hamptons and nearby coastal communities have become a haven of seaside modernism. New Hamptons Houses showcases houses that reflect the area's design history and strong affinity for its landscape.There are few places in the United States that have experienced as many waves of American modernism as Long Island's East End. In New Hamptons Houses, author David Sokol explores the latest architectural experiments taking place in New York's legendary summer retreat. With contemporary design increasingly mainstream in the region, the seventeen residences featured here reflect modernism's spread across not just the Hamptons but up-and-coming destinations like Bellport and Montauk, Greenport and Mattituck. Yet perhaps more important, the houses featured here represent a shift away from the image of conspicuously sprawling properties for the elite; these projects return to modernism's founding principles, shun Instagrammable spectacle, and steward the East End's increasingly fragile landscape.These houses interface with the seaside landscape in ways that that reference the Hamptons' rich design history and sensitively highlight Long Island's famed natural beauty. Some are renovations and additions to houses by famed twentieth century modernists like Andrew Geller, Charles Gwathmey, and Norman Jaffe, and leading offices such as Bates + Masi, Young Projects, and Ryall Sheridan Architects represent the contemporary approach to twenty-first century regionalism. New Hamptons Houses presents these and numerous other examples of design-forward residences that are responsive to terrain, building vernacular, and cultural legacy.

Fifth Avenue encapsulates the architectural and social history of New York's most elegant and glamorous street in six walks that guide readers from the Washington Square Arch in Greenwich Village to Marcus Garvey Park in Harlem.Fifth Avenue offers readers an architectural tour of Fifth Avenue, stopping at the city's major monuments - the Empire State Building, Rockefeller Center, Saint Patrick's Cathedral - as well as the luxurious glamour of Tiffany's, Cartier, and the Plaza Hotel and the art treasures of Museum Mile. Through six structured walks, the book not only presents the history of New York's most famous avenue, but also explores its architecture in depth, block by block, building by building. This is a book about what can be seen and experienced on Fifth Avenue today. Buildings are chosen for discussion first and foremost because they are interesting to look at. In a relaxed and engaging style, the author presents the building's story, explores the reasons why it is there, and explains why it looks the way it does. Along the way, the reader not only has the chance to discover fascinating and unusual buildings, but also gains a comprehensive understanding of the historic, social, economic, and political forces which shaped Fifth Avenue's growth and character.

Rocky Mountain Modern is a collection of the most inspiring modern residences in the Rockies, a region with a surprising but deep history of modernist designRocky Mountain Modern presents the most inspiring modern residences set within the stunning landscapes of the Rockies. Perched on cliffsides or nestled into verdant valleys, with expansive picture windows framing breathtaking vistas and natural materials such as wood and stone interpreted in new ways, these striking homes reveal modern living at its best in the mountains. Indeed, modern design has a deep connection to the region: in the 1940s, Aspen, a former mining town in the Colorado Rockies, became an unlikely bastion of modernism, hosting some of the world’s leading designers, including Herbert Bayer, Eero Saarinen, Buckminster Fuller, and Victor Lundy. Over the ensuing decades, a regional modernism developed that blended clean lines, open volumes, and glass walls with the natural features of the rocky landscape and a vernacular that had adapted to the extreme environmental conditions.  Rocky Mountain Modern celebrates this enduring tradition of modernism through the most remarkable residences in the region, designed by such architecture studios as Selldorf Architects, Olson Kundig, and Allied Works in Aspen, Telluride, Vail, Sun Valley, Jackson Hole, and other picturesque locales across the Rocky Mountains, from New Mexico to British Columbia. 

The first book to tell the stories of the most revered living Japanese ceramists of the century in their own words, tracing the evolution of modern and contemporary craft and art in Japan, and the artists' considerable influence, which far transcends national borders. This groundbreaking volume is the first to present conversations with the most important living Japanese ceramic artists of the last century, figures whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition, these sixteen artists have customarily been subsumed by their work. Ranging in age from sixty-two to ninety-two, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time, they not only describe their unique processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but highly exclusionary potting traditions opened to new practitioners and kinds of practices; significantly, the book includes both conversations with artists born into pottery-making families, and the first women admitted to the Tokyo University of the Arts. In the process, Listening to Clay tells a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world.

This first monograph from New York-based Young Projects explores a new approach to spatial design that combines digital and analog methods at the intersection of exploration and architecture. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice's most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects' broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio's interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients like Heidi Klum or a new resort in St Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of "allure" is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects' process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.

The first monograph of highly sought-after interior designer Shawn Henderson, who is renowned for his serene and sophisticated interiors.Collecting fourteen stunning projects by acclaimed interior designer Shawn Henderson, this monograph illustrates how the designer crafts spaces that reflect the lifestyles of his clients, while embodying the serenity and sophistication that have become Henderson''s signature. Presenting his designs for city townhouses and lofts, historic farmhouses and country estates, and modern mountain and beach retreats—including his own West Village apartment and upstate New York country home—Henderson shares the warm, intimate, and harmonious interiors he creates through layered compositions of sculptural lighting and furniture--both custom and vintage--elegant finishes and textures, and exceptional art, all against a refined palette of clean neutrals and moody grays, with clever pops of color.

A priviledged tour of a lavish estate in Greenwich featuring an abundance of garden experiences--formal boxwood and undulating hornbeam hedges, dense woodland, reflecting pools, arbors and follies--and a "ferme ornée" offering organic produce to the community.Sleepy Cat Farm is the vision of one man, Fred Landman, who acquired the handsome Georgian Revival house and grounds in 1994. Deeply committed to the concept of harmony between house and garden, he has dedicated himself to the landscape to create "a garden of which the house could be proud."Collaborating with Greenwich architect Charles Hilton and noted landscape architect Charles J. Stick and drawing inspiration from travels in Europe and Asia, Landman has done just that. The landscape unfolds in a series of garden rooms and pavilions, pathways and pools, statuary and staircases, trees, shrubs and flowerbeds, hillsides and vistas that change daily, monthly, almost minute by minute, as the visitor explores this undulating landscape of surprises, intrigue and unexpected beauty. Names were given to the various aspects: The Golden Path, the Grotto, The Iris Garden, the Spirit Walk, the Perennial Long Border Garden, the Pebble Terrace, the Woodland Walk. Buildings and follies were added, also with storybook names--the Celestial Pavilion, the Barn, the Limonaia, the Chinese Pavilion, the Cat Maze and Arbor. Down the hill from the main house is an working organic farm that supplies produce to the community, a project of Landman''s wife, Seen Lippert, a professional chef who worked with Alice Waters in California before moving East.Landman and Lippert are committed to sharing the beauty that they have created. They are generous in opening the property for charitable events and tours of gardeners and horticultural enthusiasts, particularly through the Open Days program of the Garden Conservancy. As Landman says, "One of my greatest joys is when other people come here and get to experience what I experience every day. The most important thing is that they leave happy."

In her 9th book, best-selling author J.C. Amberlyn takes readers of all ages who aspire to draw or already love to draw wild animals step by step through the entire process of creating drawings of animals from around the world with her easy-to-use drawing method. Artist''s Guide to World Wildlife continues a rich tradition of animals in art and gives readers the basic information on art materials, fundamental mechanics of drawing, species and locale-specific details, and process instructions so that even beginners will feel confident and succcessful as they learn to produce highly detailed, lifelike drawings of these beautiful animals.There''s a huge and amazing variety of wildlife in the world and this book will help readers get to know and draw it. First, there''s a section on basic techniques and concepts any artist should know when drawing animals, such as information on anatomy, body types, how to draw fur and feathers, and other useful tips. The book then explores many of the best-known or notable species of wildlife around the world, looking at carnivores, omnivores, and herbivores. Most well-known mammals can be found here, plus some lesser-known ones. There''s also a look at some birds and reptiles. Each section focuses on a type of animal, compares similar species, and contains step-by-step drawings and other instruction to heighten the reader''s skills in drawing wild animals.

Breuer's Bohemia explores a vibrant period of midcentury modern design and culture as seen through the influential New England houses designed by Marcel Breuer for his circle of clients and friends.The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. Breuer's Bohemia surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the '70s, many of which were commissioned by a few culturally progressive clients-chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin-who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder,Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters.The publication of Breuer's Bohemia coincides with the feature-length documentary of the same name by author and filmmaker James Crump, exploring Breuer's explosive residential practice on the East Coast. Through original research and interviews, the voices of principal characters from Breuer's circle and notable figures from the field of architecture help tell the story of Breuer's collaborations with his friends and clients, breathing new life into the history of the rich cultural atmosphere of which they all played a vital part.Heavily illustrated with vintage and contemporary photographs as well as rarely seen archival materials, Breuer's Bohemia is a unique glimpse of a twentieth-century milieu that produced an aesthetic, intellectual, and sometimes sybaritic community during a fertile period of American design and culture.

Master of the Midcentury: The Architecture of William F. Cody is the first, long-overdue book on this key Palm Springs architect, abundantly illustrated and detailed.Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art.Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.Master of the Midcentury is the first monograph devoted to Cody, authored by the team that curated the acclaimed exhibition Fast Forward: The Architecture of William F. Cody at the Architecture and Design Museum in Los Angeles: his daughter, Cathy Cody, design historian Jo Lauria, and architectural historian Don Choi. Replete with photographs of extant and now-lost structures, as well as masterful color renderings and drawings for architectural commissions and plans for vanguard building systems, this book will be the authoritative resource on Cody. Copublished with the venerable Palm Springs Preservation Foundation and timed to coincide with the hugely popular Palm Springs Modernism Week, Master of the Midcentury gives this peerless architect his long-awaited due.

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha's Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains' mansions, and colonial farmhouses that comprise the island's cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design.Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

Connection is a monograph of ten residences that articulate the office's design process and exploration of creating architectural solutions rooted in natural place.Connection provides insight into how Colorado-based CCY Architects investigates and formulates the connection between people and place. By way of ten recently completed residential projects located throughout the Rocky Mountain region, CCY Architects shares its process and the specific ideas, discoveries, and challenges that emerge with each project. The featured award-winning projects are diverse in scale, location, and intention, including residences in pristine nature, in dense neighborhoods, in an avalanche path, and a house wrapped in music. The interaction among design and place begins with questions. How to conduct an "interview" with the land to discover qualities which contribute to more powerful design solutions? What should a changing habitat live like, feel like, look like? As CCY uncovers the potential elements of each project, they reflect on and respond to the genuine qualities of the land, light, and seasons to devise the building blocks of a meaningful environment. Common to all is a respect for the land and an intention to forge connections.

A book of deeply personal and lush photographs, drawings, and writing, Blue Violet is Cig Harvey's celebration of the natural world and the senses.Blue Violet is a vibrant meditation on the procession of seasons, sensory abundance, and the magic in everyday life. Part art book, botanical guide, historical encyclopedia, and poetry collection, Blue Violet is a compendium of beauty, color, and the senses. Plants, flowers, and our experience of the natural world are the threads that tie this unique book together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions. As with her previous three titles--You Look At Me Like An Emergency, Gardening at Night, and You an Orchestra You a Bomb--this book invites the reader to pause, laugh, cry, create, and become more aware of the natural world. Images and text in a variety of forms (prose poetry, recipes, lists, research pieces, diagrams) focus on immediate experience to understand the vibrancy of the senses on memory and feelings.

First monograph to present the work of Laguardia Design Group, a highly regarded landscape architecture firm specializing in contemporary residential design in the Hamptons.With offices in Water Mill, LaGuardia Design Group is immersed in the fragile landscape of the Hamptons, both its woods and meadows and the dramatic shoreline along the Atlantic. Notable projects include the rebuilding of the dunescape surrounding a landmark Norman Jaffe house damaged by storms, collaborations with well-known contemporary architects, iand the setting for a distinguished collection of contemporary sculpture in Bridgehampton.Founded in 1994 by Christopher LaGuardia, this firm is committed to expressing the character of each site and recognized for its environmental stewardship, historic references, and meticulously designed outdoor spaces. Rather than attempting to mimic nature, LDG''s goal with every design is to interpret natural processes as an artistic expression in their work. In 2013, LDG received the American Society of Landscape Architects (ASLA) award of excellence in residential design, the highest residential award in the profession.

A rich presentation of the sensual and scenographic effects created by the legendary Stanford White, whose designs extend beyond architecture to encompass lavish interiors, jewelry, furniture, gilded frames, and ceremonial events.Once proposed as the "Commissioner of Beauty" for New York City, Stanford White was a master of architecture, interior design, and ornament, fearlessly juxtaposing materials and objects from myriad cultures and times. Drawing on precedents from antiquity and the Renaissance, from Asia, the Middle East, and Europe as well as Colonial America, White created complex surfaces inside and out. Stanford White in Detail examines this innovative and intricate web through lush, tightly framed vignettes of carved wood and marble, metalwork, mosaic, and tile as well as generous overall room views to demonstrate how these are woven together for a unique effect.

Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined and elevated American craft.In 1969, an exhibition opened at the Smithsonian Institution that defined the American studio craft movement. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle.Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, artists, and auction houses--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art.Coinciding with an exhibition of the same title, and featuring essays by some of the foremost authorities on craft, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

A photographic portrait of 16 private gardens in New York and Connecticut through the seasons, weathers, and times of day.For his third book of landscape photographs with Monacelli, following Magnificent Trees of the New York Botanical Garden and The Rockefeller Family Gardens, Larry Lederman has selected 16 private gardens in New York State and Connecticut and studied them in depth, presenting views through the seasons and weathers to capture their essential spirit.As Gregory Long, President Emeritus of the New York Botanical Garden, observes: "After selecting the gardens, Lederman sets out to learn and understand them. He visits in all seasons, in all weather, at many times of day, in many light conditions. He wants to analyze their design and study their character. He wants to know their plants and see their environmental conditions and visual elements from many points of view. He wanders. He walks the paths, forward and backward, and stops frequently so that his camera can memorize views and details. As a result of this time spent and such intense scrutiny, he sometimes discovers aspects of a place that the residents themselves have never seen or fully appreciated. I think the owners of the gardens in this book will see vistas, patterns, designs on the land they did not know they possess. They will love their even gardens more, and their commitments will grow."

David Opdyke's massive collage This Land (as elucidated in this book by award-winning author Lawrence Weschler) presents a slow-burning satire of the American Dream as it blunders into the reality of climate change.This Land is an epic mural fashioned by New York artist David Opdyke out of vintage American postcards which he then treated with disconcerting painted interventions. What at first reads as a panoramic bird's-eye view of an idyllic alpine valley reveals itself, upon closer examination, to be an array of connected scenes and vignettes. Across more than five hundred postcards, each one portraying a distinct slice of idealized Americana (town squares, mountain highways, main streets and county seats), Opdyke's acerbic, emotionally jarring alterations gradually become evident.In this prophetic refashioning, forests are aflame, tornadoes torque from one card into the next, a steamboat gets swallowed up whole by some sort of new megafauna, frogs fall like Biblical hail from the sky. The human responses form a cacophony of desires and demands, panic and denial. Biplanes trail banners urging Repent Now!, others insist Legislative Action Would Be Premature, while still others advertise seats on an actual Ark.The book This Land affords readers a closer and closer viewing of Opdyke's devastatingly sardonic take on our impending ecological future, one in turn enlivened by Lawrence Weschler's vividly sly blend of artist profile and critical interpretation. Featuring introductory essays providing background on the artist and the project as a whole, This Land also divides the sprawling mural into eight sections to allow for a more intimate viewing. Interspersed among the detailed visual sections are insightful thematic essays by Lawrence Weschler and an afterword that serves as a stirring call to action by civil rights attorney Maya Wiley. Additionally, the book's jacket is printed on both sides, folding out to reveal the work in its full grandeur.

The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other.A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom's photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era.Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC.As Emily Bills critically assess Thom's career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

Fusion: The Performance of Architecture explores the work of award-winning, Boston-based architecture firm Payette, a leader in the design of complex settings for science and healthcare.Payette's work embodies the integration of design and performance that is essential to the creation of humane and sustainable buildings of any type. To achieve this integration amidst the programmatic intricacy, technological complexity, and intense energy use of hospitals and laboratories, the firm draws on its almost ninety-year history of progressive innovation. It draws, as well, on an inclusive, collaborative, research-oriented culture that is a model for the profession. Fusion presents Payette's philosophy and traces the firm's contributions through concise histories of laboratory and hospital design. It explores the core principles that underlie its work-Identity and Transformation, Materiality and Craft, Taming Complexity and Measuring Performance-and digs deeply into seven of the firm's most recent projects. Other chapters describe the process of nurturing the design excellence and practice culture that earned Payette the 2019 AIA Architecture Firm Award.The monograph's 400 diagrams, drawings, and photographs reveal the firm's principles and methods, along with the open-source tools it has developed to enable it to design, not "by the numbers," but with the numbers. A gallery of architectural "fingerprints" presents plan views of more than 100 of Payette's projects, drawn to a common scale.With a preface by Z Smith, Director of Sustainability and Building Performance at EskewDumezRipple, and an introduction from Kevin Sullivan, President of Payette, Fusion includes essays by Sullivan and partners James Collins, George Marsh, Leon Drachman, Andrea Love and Peter Vieira, as well as a critical reflection by Mark Lee, Chair of the Department of Architecture at the Harvard Graduate School of Design.

An in-depth look at the design process of James Huniford, who is renowned for his skill in juxtaposing oppostites--contemporary with traditional, rustic with refined--to create a timeless whole.James Huniford, universally known as Ford, explores his design process thematically, with chapters on approaching a room, considering scale and proportion, selecting materials and art, using color effectively, and marrying form and function. His goal is to create "a modern sensibility of calm." Of special interest is his ability to create artworks out of found objects, compositions of tools, baskets, or metalwork that become compelling wall sculptures or freestanding pieces.Examples are drawn from a rich variety of projects--elegant Upper East Side apartments to raw lofts on the Lower East Side to contemporary condominums in new "supertall" towers in Manhattan, country houses in Connecticut, Upstate New York, and Martha's Vineyard, and across the country in Nashville and Marin Country, California. Special insight into his process can be gleaned from his own homes, a loft in Tribeca and a historic house in Bridgehampton that he readily admits are laboratories for his ideas.