Böcker utgivna av Michigan State University Press

Askin's life's work speaks to the collusive nature of the British Empire - its vital need for the North American merchants, officials, and Indigenous communities to establish effective accommodating relationships, transgress boundaries, and reject certain regulations in order to achieve the empire's goals.

Offers a diverse array of innovative teaching and research strategies from engaged universities - from Australia, Egypt, Malaysia, Mexico, Scotland, South Africa, and the United States - that demonstrates how learning by doing elevates students' consciousness and develops their civic capabilities.

This collection presents a transnational examination of North American gaming and considers the role Indigenous artists and scholars play in producing depictions of Indigenous gambling.

This interdisciplinary study focuses on the development of dog breeds in the eighteenth and nineteenth centuries. It asks if we can engage with dogs in ways that allow them to remain dogs.

This historical study examines the political landscape of that crucial moment when African American, Caribbean, and Tanzanian histories overlapped, shedding light on the challenges of creating a new nation and the nature of African American and Caribbean participation in Tanzania's nationalist project.

To understand the history of Slovene immigration in the Great Lakes is to better understand Michigan history.

Provides a richly detailed documentation of Albert Pena's life and career, from blue collar worker to judge and essay writer, spanning nearly ninety years. Readers will find that at the heart of his story is a focus on grassroots organizing and politics, sharing leadership, and a commitment to social justice.

As the public purposes of higher education are being challenged by the increasing pressures of commodification and market-driven principles, this book argues for colleges and universities to be critical spaces for democratic engagement.

Examining the liberal movements of the era as well as those that opposed them, this volume offers analyses of the rhetoric of leaders, including those of the civil rights movement, the Chicano movement, the gay rights movement, second-wave feminism, and conservative resistance groups.

Creative non-fiction writers wrestle constantly with the boundaries of creative license - what to reveal, when to reveal it, and how best to do it. The essays included in this book each contain a secret, lie, or half-truth - some of these are revealed by the author, but others remain buried.

Heid E. Erdrich writes from the present into the future where human anxiety lives. Many of her poems engage ekphrasis around the visual work of contemporary artists who, like Erdrich, are Anishinaabe. Poems in this collection also curate unmountable exhibits in not-yet-existent museums devoted to the ephemera of communication and technology. A central trope is the mixtape, an ephemeral form that Erdrich explores in its role of carrying the romantic angst of American couples. These poems recognize how our love of technology and how the extraction industries on indigenous lands that technology requires threaten our future and obscure the realities of indigenous peoples who know what it is to survive apocalypse. Deeply eco-poetic poems extend beyond the page in poemeos, collaboratively made poem films accessible in the text through the new but already archaic use of QR codes. Collaborative poems highlighting lessons in Anishinaabemowin also broaden the context of Erdrich's work. Despite how little communications technology has helped to bring people toward understanding one another, these poems speak to the keen human yearning to connect as they urge engagement of the image, the moment, the sensual, and the real.

The Invisible World portrays how a remarkable family is indelibly marred by one of the darkest conspiracy theories in American history: the gunman on the grassy knoll. Boston journalist Sam Adams suspects that his father may have been the unidentified gunman in the JFK assassination. True or not, Sam is certain that his father, the elusive John Adams, is responsible for his sister Abigail's tortured life of drugs, prostitution, and the conviction that she is a descendant of Salem witches, as well as the strange circumstances that surround his mother's final hours. After Sam's mother dies and is cremated, her ashes are stolen. Believing that his father is responsible, Sam pursues the man he has not seen in years. He discovers that he is not the only one searching for his father-federal agents, a disgraced politician, a retired Boston cop, and several journalists join the chase. "e;The Invisible World is more than a first-rate political thriller,"e; says The Boston Globe. "e;It's an absorbing tale of alienation and loss, and the ramifications of a rootless, troubled family."e; What Sam Adams ultimately discovers is that the shadowy realm of conspiracies conjures a world of hidden truths and intrigue in which the familiar is the most mysterious force of all.

The summer before going into high school, Fiona receives a mysterious box in the mail, one that she hopes will answer her questions about her Anishinaabe Indian heritage. It contains stories written by the grandfather she never knew, an Anishinaabe man her mother refuses to talk about. As she reads his stories about blackbirds and bigfoot, as well as tales about Indians in space and homeless Native men camping by the river in Minneapolis, Fiona finds other questions arising-questions about her grandfather and the experiences that shaped his stories, questions about her mother's silence regarding the grandfather she never knew. Fiona's desire to know more and her mother's reluctance to share stir up bitter feelings of anger and disappointment that slowly transform as she reads the stories into a warmer understanding of the difficulties of family, love, and the weight of the past.

At nineteen, Hannah LeClaire already has a reputation in the village of Whitefish Harbor, in Michigan's Upper Peninsula. She is given to solitary walks along the shore of Lake Superior, and on a cold April day she meets Martin Reed, who has just moved north from Chicago to renovate a dilapidated house he has inherited. Hannah immediately realizes that Martin, who is ten years her senior, is also an outcast and quite unlike anyone she has ever met. A story of love, vengeance, and renewal, Fire Point depicts the young couple's attempt to rebuild their lives. But when Hannah's former boyfriend Sean Colby returns home after a mysterious early discharge from the army, he cannot accept the fact that she has a new lover and commits a series of increasingly violent acts against Hannah, Martin, and the house that has come to represent their future.

Internationally acclaimed, Cold takes us deep into a harsh, frozen world, where love, greed, and the promise of a second chance compel six people toward a chilling and inevitable reckoning. In the frozen reaches of Michigan's Upper Peninsula, fierce winter storms hit without warning. The white opacity of one such blizzard allows Norman Haas to walk away from his prison work detail. Dangerously close to freezing to death, Norman is given shelter by Liesl Tiomenen, a middle-aged woman who lives in a house she and her late husband built in the woods. Armed with a rifle, she tries to turn him in, but when they set out on snowshoes, she suffers a fall, allowing him to flee again. Thus begins Norman's journey back to his past, back to the woman he loved who betrayed him, back to the brother who helped put him away, back to a dangerous web of family allegiances, deceptions, and intrigue. After finding Liesl injured and abandoned in the woods, Yellow Dog Township's sole full-time law enforcement officer Del Maki pursues Norman through a storm of mythic proportions.

Featuring a variety of sources as well as accessible essays putting those sources into context, this book provides a remarkable portrait of food in a singular era in American history, giving a glimpse into the kinds of meals eaten everywhere from high society banquets to the meanest tenements and sharecropping cabins.

This volume comprises French versions and English translations of seven short stories written by Marie-Magdeleine Carbet, Martinique's most prolific woman writer. Four of these stories are previously unpublished, culled from documents obtained from Carbet's niece.

How do humans stop fighting? Where do the gods of myth come from? What does it mean to go mad? Mark R. Anspach tackles these and other conundrums as he draws on ethnography, literature, psychotherapy, and the theory of Rene Girard to explore some of the fundamental mechanisms of human interaction. Likening gift exchange to vengeance in reverse, the first part of the book outlines a fresh approach to reciprocity, while the second part traces the emergence of transcendence in collective myths and individual delusions. From the peacemaking rituals of prestate societies to the paradoxical structure of consciousness, Anspach takes the reader on an intellectual journey that begins with the problem of how to deceive violence and ends with the riddle of how one can deceive oneself.

Michigan is the only state in the country that has a death penalty prohibition in its constitution-Eugene G. Wanger's compelling arguments against capital punishment is a large reason it is there. The forty pieces in this volume are writings created or used by the author, who penned the prohibition clause, during his fifty years as a death penalty abolitionist. His extraordinary background in forensics, law, and political activity as constitutional convention delegate and co-chairman of the Michigan Committee Against Capital Punishment has produced a remarkable collection. It is not only a fifty-year history of the anti-death penalty argument in America, it also is a detailed and challenging example of how the argument against capital punishment may be successfully made.

A thematic analysis of the career of Bronterre O'Brien, one of the most influential leaders of Chartism, this book relates his activities-and the Chartist movement-to broader themes in the history of Britain, Europe, and America during the nineteenth century. O'Brien (1804-64) came to be known as the "e;schoolmaster"e; of Chartism because of his efforts to describe and explain its intellectual foundations. The campaign for the People's Charter (with its promise of political democratization) was a highpoint in O'Brien's career as writer and orator, but he was already well known before the campaign began, and during the 1840s he distanced himself from other Chartist leaders and from several important Chartist initiatives. This book examines the personal, tactical, and ideological reasons for O'Brien's departure, as well as his development of a social and economic agenda to accompany "e;constitutional"e; Chartism, in line with the evolution of radical thought after the Great Reform Act of 1832. It also evaluates O'Brien's reputation, among his contemporaries and among modern historians, in order better to understand his contribution to radicalism in Britain and beyond.

Streetcars played an especially important role in society around the turn of the twentieth century in Detroit, in part because of the downtown hub-and-spoke design of its main streets. During this period the streetcar was the main mode of transportation for the average citizen, as horse-drawn carriages and automobiles were not found outside of the upper class. Control over streetcar franchises was highly coveted-this control was simultaneous with having power over how and where people were transported throughout the city, making it an incredible political tool. The Thirty-Year War was a battle waged between 1892 and 1922 by the City of Detroit against the politically powerful and deeply entrenched corporations that owned streetcar franchises for control of the city's streetway system. This compelling history shows how and why the owners of monopoly franchises of great public utilities such as bridges, street railways, electricity, natural gas, and cable television will protect and defend their privilege against public ownership or control, and is an example of how one city successfully fought back.

Papers of the Algonquian Conference is a collection of peer-reviewed presentations from an annual international forum that focuses on topics related to the languages and cultures of Algonquian peoples.

Storytelling has always been an important part of Native culture. Stories play a part in everyday Native life-they are often oral and rich in detail and language and serve as a form of recording history. Digital media now allow for the extension of this storytelling. This necessary text evaluates how digital media are changing the rich cultural act of storytelling within Native communities, with a specific focus on Native newsroom norms and routines. The authors argue that the non-Native press often leave consumers with a stereotypical view of American Indians, and aim to give a more authentic representation to Native journalism. With interviews from more than forty Native journalists around the country, this book is essential to understanding how digital media possibly advances the distribution of storytelling within the American Indian community.

Compares the general differences between Native Americans' and the Western world's view of resources and provides the nuts and bolts of a sustainability portfolio designed by indigenous peoples.

John H. Burdakin and the Grand Trunk Western Railroad provides a look at the principles and personal values that guided John H. Burdakin through a long, successful career as a top manager at three railroads-the Pennsylvania, the Penn Central, and finally the Grand Trunk Western, where he was president of the regional carrier from 1974 to 1986. The book, written from interviews with Burdakin before his death in 2014, gives real-life examples of how Burdakin's management principles and personal qualities helped him solve labor- management problems, update railroad technology, protect worker safety, and improve employee morale while managing a four thousand-person workforce. It introduces colorful characters who were involved in American railroads, as well as the serious, life-threatening issues that confronted railroads in the last half of the twentieth century in America. This book will provide insights for managers of any business as well as for those seeking to balance a successful career and a rewarding home life.

The Landscape of Rural Service Learning, and What It Teaches Us All is designed to provide a comprehensive look at rural service learning.

Brazilian-African Diaspora in Ghana is a fresh approach, challenging both pre-existing and established notions of the African Diaspora by engaging new regions, conceptualizations, and articulations that move the field forward. This book examines the untold story of freed slaves from Brazil who thrived socially, culturally, and economically despite the challenges they encountered after they settled in Ghana. Kwame Essien goes beyond the one-dimensional approach that only focuses on British abolitionists' funding of freed slaves' resettlements in Africa. The new interpretation of reverse migrations examines the paradox of freedom in discussing how emancipated Brazilian-Africans came under threat from British colonial officials who introduced stringent land ordinances that deprived the freed Brazilian- Africans from owning land, particularly "e;Brazilian land."e; Essien considers anew contention between the returnees and other entities that were simultaneously vying for control over social, political, commercial, and religious spaces in Accra and tackles the fluidity of memory and how it continues to shape Ghana's history. The ongoing search for lost connections with the support of the Brazilian government-inspiring multiple generations of Tabom (offspring of the returnees) to travel across the Atlantic and back, especially in the last decade-illustrates the unending nature of the transatlantic diaspora journey and its impacts.

Western thought has often dismissed shadows as fictional, but what if fictions reveal original truths? Drawing on an anti-Platonic tradition in critical theory, Lawtoo adopts ethical, anthropological, and philosophical lenses to offer new readings of Joseph Conrad's novels and the postcolonial and cinematic works that respond to his oeuvre. He argues that Conrad's fascination with doubles urges readers to reflect on the two sides of mimesis: one side is dark and pathological, and involves the escalation of violence, contagious epidemics, and catastrophic storms; the other side is luminous and therapeutic, and promotes communal survival, postcolonial reconciliation, and plastic adaptations to changing environments. Once joined, the two sides reveal Conrad as an author whose Janus-faced fictions are powerfully relevant to our contemporary world of global violence and environmental crisis.

Although women alone have the ability to bring children into the world, modern Western thought tends to discount this female prerogative. In Giving Life, Giving Death, Lucien Scubla argues that structural anthropology sees women as objects of exchange that facilitate alliance-building rather than as vectors of continuity between generations. Examining the work of Levi-Strauss, Freud, and Girard, as well as ethnographic and clinical data, Giving Life, Giving Death seeks to explain why, in constructing their master theories, our greatest thinkers have consistently marginalized the cultural and biological fact of maternity. In the spirit of Freud's Totem and Taboo, Scubla constructs an anthropology that posits a common source for family and religion. His wide-ranging study explores how rituals unite violence and the sacred and intertwine the giving of death and the giving of life.

Ink Trails II tells the stories of these fascinating and diverse writers whose talent is inextricably linked to Michigan.