Böcker utgivna av Metonymy Press

"The playful and poignant novel ... sifts through a queer trans woman's unrequited love for her straight trans friend who died. A queer love letter steeped in desire, grief, and delight, the story is interspersed with encyclopedia entries about a fictional TV show set on an isolated island. The experimental form functions at once as a manual for how pop culture can help soothe and mend us and as an exploration of oft-overlooked sources of pleasure, including karaoke, birding, and butt toys. Ultimately, Little Blue Encyclopedia (for Vivian) reveals with glorious detail and emotional nuance the woman the narrator loved, why she loved her, and the depths of what she has lost"--

A Natural History of Transition is a collection of short stories that disrupts the notion that trans people can only have one transformation. Like the landscape studied over eons, change does not have an expiration date for these trans characters. They grow as tall as buildings, turn into mountains, unravel hometown mysteries, and give birth to cocoons. Portland-based author Callum Angus infuses his work with a mix of alternative history, horror, and a reality heavily dosed with magic.

"Fierce Femmes and Notorious Liars: A Dangerous Trans Girl's Confabulous Memoir is a coming-of-age story about a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents' abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who make their home in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, she blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, our protagonist joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles. But when things go terribly wrong, she must find the truth within herself in order to stop the violence and discover what it really means to grow up and find your family."--

Seeking uncanny, fun, experimental, creepy, sarcastic, playful, vulgar, inventive, sexual, weird, sweet, and evocative works, editors Samia Marshyand Eli Tareq El Bechelany-Lynch set out to collect Arab and Arabophone queer writing. The result is ananthology brimming with gems by emerging and established writers and an homage to the lineages and complexities of queer Arab life. Multi-genre, multi-generational, and global, El Ghourabaa is an enigma, a delight, and a contribution to an ongoing conversation and creative outpouring. In addition to Marshy and El Bechelany-Lynch,contributors include: Leila Marshy, Trish Salah, Olivia Tapiero, Maisie-Nour Symon Henry, Yehia Anas Sabaa, Nofel, Hoda Adra, Ralph Haddad, Seif Siddiq, Karim Kattan, Andrea Abi-Karam, Bazeed, George Abraham, Sarah O''Neal, Micaela Kaibni Raen, Nour Kamel, Barrak Alzaid, Joe Kadi, and Rabih Alameddine.

Adrian's best friend and his boyfriend don't get along. Oh, and his boyfriend is a ghost. Adrian Yates expected his summer would involve sharing Slurpees with his best friend Zoomer and pretending not to hear his dads' whispered fighting. And that's exactly how it was going, until the night Sorel appeared in the graveyard by Adrian's apartment. Sorel gets Adrian in ways no one else has; the fact that he's not technically alive only makes things exciting. But Sorel can't always control his otherworldly behaviour, and Zoomer's worried he might be hiding something. On stormy summer nights behind the cemetery's iron gates, Adrian and Sorel meet in secret and the pair begin to experiment with consensual possession. Despite the warning signs, Adrian is certain he has everything under control--until suddenly he finds himself fighting for his life.

The stories in Personal Attention Roleplay are propelled by queer loneliness, mixed-race confusion, late capitalist despondency, and the intersections of intimate and political power. Largely set in Montreal, they centre young diasporic Asians struggling to navigate the dissonant space between cultures as well as the shifting desires and realities of QTBIPOC relationships. Chau Bradley''s precise language and investigation of our more troubling motivations stand out in this eerie debut, through stories that hint at the uncanny but are grounded in the details of everyday life.

Swinging from post-explosion Beirut to a Montreal balcony in summer, the verse and prose poems in The Good Arabs ground the reader in place, language, and the body. Peeling and rinsing radishes. Dancing as a pre-teen to Nancy Ajram. Being drenched in stares on the city bus. The collection is an interlocking and rich offering of the speaker's communities, geographical surroundings both expansive and precise, and family both biological and chosen. The Good Arabs gifts the reader with insight into cycles and repetition in ourselves and our broken nations. This genre-defying collection maps Arab and trans identity through the immensity of experience felt in one body, the sorrow of citizens let down by their countries, and the garbage crisis in Lebanon. Ultimately, it shows how we might love amid dismay, adore the pungent and the ugly, and exist in our multiplicity across spaces.

In their debut poetry collection, Kama La Mackerel mythologizes a queer/trans narrative of and for their home island, Mauritius. Composed of expansive lyric poems, ZOM-FAM (meaning ''manwoman'' or ''transgender'' in Mauritian Kreol) is a voyage into the coming of age of a gender-creative child growing up in the 80s and 90s on the plantation island, as they seek vocabularies for loving and honouring their queer/trans self amidst the legacy of colonial silences.

Poppy wants to go to college like everyone else, but her father has other ideas. Ever since her mirror twin sister, Lola, mysteriously vanished, Poppy s father has been depressed and forces her to stick around. She hopes she can convince Lola to come home, by sending her twin a series of eighteen letters, one for each year of their lives. When not excavating childhood memories, Poppy is sneaking away with her girlfriend Juniper, the only person who understands her. But negotiating the complexities of queer love and childhood trauma are anything but simple.

Small Beauty tells the story of Mei, a mixed race trans woman managing the death of her cousin, the ways she contorts to navigate racism and transphobia, and her desire for community as she takes an opportunity to leave the city and revisit a town from her family's past, where she discovers queer family history while parsing through her own anger and trauma. Cycling through time, points of view, and rural and city life, the novel introduces us to Mei's community: Annette and Connie, other Asian trans women from the drop-ins; Sandy, Mei's older cousin and constant (if aggressive) support; Diane, an older lesbian with a pick-up and secret links to Mei's blood family; and Nelson, a presence lost before found, whose story is told in pictures sewn into a suitcase. Interspersed with one culminating night-time lake scene, the book carries us through these stories and towards their completion as the frustrating, necessary web that keeps Mei attached to the world.