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NATIONAL BESTSELLERA new book by Hall of Fame goalie and bestselling author Ken Dryden celebrates the 50th anniversary of the 1972 Summit Series SEPTEMBER 2, 1972, MONTREAL FORUM, GAME ONE:   The best against the best for the first time. Canada, the country that had created the game; the Soviet Union, having taken it up only twenty-six years earlier. On the line: more than the players, more than the fans, more than Canadians and Russians knew.    So began an entirely improbable, near-month-long series of games that became more and more riveting, until, for the eighth, and final, and deciding game—on a weekday, during work and school hours all across the country—the nation stopped. Of Canada’s 22 million people, 16 million watched. Three thousand more were there, in Moscow, behind the Iron Curtain, singing—Da da, Ka-na-da, nyet, nyet, So-vi-yet!     It is a story long told, often told. But never like this.    Ken Dryden, a goalie in the series, a lifetime observer, later a writer, tells the story in “you are there” style, as if he is living it for the first time. As if you, the reader, are too.    The series, as it turned out, is the most important moment in hockey history, changing the game, on the ice and off, everywhere in the world. As it turned out, it is one of the most significant events in all of Canada’s history.    Through Ken Dryden’s words, we understand why.

For fans of Kristin Harmel and Martha Hall Kelly's The Lilac Girls -- the bestselling author of The Piano Maker returns with a vivid, atmospheric, and deeply moving novel set during the final months of WWII.London, 1944/45 Kate Henderson is an energetic and spirited young woman. As a trained paramedic and ambulance driver she does her work courageously and with determination, even though underneath she is still wrestling with grief after witnessing the shooting death of her diplomat father seven years earlier. Her father's murder was never properly investigated and it remains unsolved. Kate's life is drastically interrupted once more when she wakes up one night to the sound of the air raid alarm and the terror whistles of a bomb's stabilizers screaming toward the roof of her house. In the explosion, her mother and her aunt die; Kate survives, but she is injured. Her house is gone as well, and after her time in the hospital, Claire Giroux, a kind doctor and family friend, invites Kate to live with her as she recuperates. This arrangement works well for them until a few months later when Claire's husband comes home from the war. Within days the lives of both women are drastically changed, and events are set in motion, both in England and in Canada, that challenge Kate and Claire to their limits. The Orphan Girl is a moving and powerful story about friendship and courage, and about promises made and kept.

A remarkable collection of exclusive, first-person stories on leadership during the COVID-19 pandemic from 29 chief executives at iconic Canadian companies.Unprecedented is an extraordinary business book for extraordinary times. These are unforgettable accounts from companies on the front lines of the pandemic-nursing homes, grocery stores, airlines, shopping malls-along with valuable lessons on crisis management. The insights in Unprecedented are remarkable. Readers get a seat at the table when the CEO of Tim Hortons visits President Donald Trump at the White House to set healthcare policy. Canada Goose's CEO tells of retooling the parka maker to turn out surgical gowns. The head of one of Canada's largest paper producers reveals what happened when the country almost ran out of toilet paper. COVID-19 is a shared challenge, a crisis that touches everyone. Unprecedented captures that shared experience with personal essays that mix struggle and achievement, fear, humour, and compassion. At their heart, these are stories about overcoming adversity, a theme that resonates with managers, professionals, entrepreneurs, and students of business. Unprecedented gives us rare insight into how leaders navigated the pandemic and the social unrest and technological changes that marked this era-what was gained, what was lost, and what was learned that can help serve companies, employees, and customers better in an uncertain future.

The second collection from the acclaimed author of Admission Requirements.   This astonishing new collection of poems contemplates our obligations to live in a creative, generative, and revolutionary way amid a cascade of global contingencies. In a four-part meditation on what it means to live on occupied land and in colonial time, the subject of these poems has moved beyond arriving and departing and wakes each day to meet her commitments and to heal from complicities, exclusions, difficult truths and the pandemic of forgetting. It follows the figure of the female artist as a time-travelling woman, embodied by mother and daughter, through the gallery of memory. The poems enact brief encounters with objects, events, and works of art that hold us accountable. Finally, a set of shadow elegies mourn what the next generation has already lost, while searching for traces of the wild and for ceremonies that might mend us. Waking Occupations is an urgent, essential collection that considers what we carry from previous generations and our liabilities to the cyclical nature of the work that uplifts us.  

From the author of The Junta of Happenstance, here is a brilliant new collection of poems—a burning chronicle of passage and stillness and restlessness.Each One a Furnace explores (im)migration, diasporas, transience, and instability by following the behaviour, and abundant variety, of finches. The often-migratory birds in these poems typify the unrest, and inability to rest, that animate the lives of billions in the modern world. Out of the register of ornithology, themes of difficulty, adversity, and migrancy, urban ennui, and the psychic struggles of diasporic peoples take shape as those unable to be at rest in the world take to improbable flight.  Trailing the global mobility of birds, in urban and non-urban settings, in historical and contemporary contexts, and through the metaphysical and concrete, Each One a Furnace is a chronicle of struggle within, and between, cultures. 

"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book ReviewAn extraordinary collection of poems from Griffin Poetry Prize winner Don McKay. Old joke: "What's the difference between a lurch and a dance step?" "I don't know." "I didn't think so. Let's sit down." These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand-a pipit or a storm petrel-conveys the exquisite frailty of existence. And there's the complex of lurches as we contemplate our complicity in the sixth mass extinction. Throughout Lurch, language dances its ardent incompetence as a translator of "the profane wonders of the wilderness," whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background. What is the difference between a love song and an elegy? We live between eroding raindrops and accelerating clocks. The piano lifts its lid to show its wire-and-hammer heart.

An astonishing new collection of poems that question perception, meaning, and context.How does private thinking align with public action? And what might it mean to intend something anyhow? To name our particulars? To translate from the personal to the communal, the pedestrian to the universal? In Rob Winger's new collection of poetry, such questions are less a circulatory system--heart and lungs and blood--than a ribcage, a structure that protects the parts that matter most. "I'd like to think," Winger writes, "it doesn't matter / what we meant." But is that right? Could it ever be? Partly an investigation of system versus system error, It Doesn't Matter What We Meant asks us to own up to our own inherited contexts, our own luck or misfortune, our own ways of moving through each weekday. From meditations on sleepy wind turbines to Voyager 1's dormant thrusters, from Korean baseball stadiums to messy factory floors, from allied English-to-English folkloric translations to the crumbling limestone of misremembered basements, this is poetry that complicates what it means to live within and beyond the languages, lexicons, and locations around us.

The moving, inspiring story of a young husband and father who, when diagnosed with terminal cancer at the age of thirty-three, sets out to build a legacy for his infant son. An intimate, unflinching look at mortality and how to live. For readers of Paul Kalanithi''s When Breath Becomes Air and Will Schwalbe.At the age of thirty-three, Layton Reid, a wedding photographer from Halifax, was diagnosed with stage IV melanoma. The cancer was first detected years earlier, and after fighting it and going into remission, he had ditched his life as a wandering bachelor to settle down with his wife, Candace, and they were now expecting their first child. Fearing side effects and poor results from chemotherapy and radiation, he and his family threw themselves into pursuing an extreme alternative therapy, which he was certain would save his life. Two years later, Layton''s cancer spread to his brain, and quitting the therapy, he devoted his energy to preparing his infant son, Finn, for life without him.     With incredible intimacy, power, insight, and empathy, reporter Dakshana Bascaramurty, who first met Layton when she hired him to shoot her wedding, tells the story of her friend Layton''s illness; of his free spirit, effervescence, and captivating personality, eloquence, and lack of sentimentality, which drew her to him; and of the journey his fiercely devoted family--his parents, Willie and Phil, and brother Matt--undertook with him, in order to examine how a person dies, and how we might build a legacy in our information-saturated age.     Powerful and unvarnished, drawing on her conversations with Layton, and his own writing, This Is Not the End of Me contains moments of great beauty and humour, and addresses the consequences of fearing death and what we can gain by accepting its inevitability, as well as reminding us of what it means to live.

Canisia Lubrin returns with a mesmerizing new collection, the follow-up to her breakout book, Voodoo Hypothesis.The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.

National BestsellerFrom one of Canada''s most popular and connected political journalists, an unblinkered warts-and-all look at Justin Trudeau and the Liberal government''s record in power. A must-read as we head into the 2019 federal election.Canadians are becoming increasingly skeptical about their chameleon prime minister. When he entered politics, Justin Trudeau came across as a person with no fixed principles. Now, he presents himself as a conviction politician. What motivated his metamorphosis—belief or opportunism? Either way, in 2019’s election he will be judged on results—results that have so far been disappointing for many, even those in his own party. From the ballooning deficit to the Trans Mountain purchase to the fallout of his disastrous trip to India to the unpopular implementation of a carbon tax, Justin Trudeau has presided over his share of controversy. Most damaging, his egregious missteps during the SNC-Lavalin scandal and the subsequent resignation of two top ministers, his principal secretary, and the clerk of the Privy Council have raised serious questions about Trudeau’s integrity. As a political columnist for the National Post since 2003and Ottawa bureau chief for Postmedia for the past three years, John Ivison has watched Trudeau evolve as a politician and leader, a fascinating transition that has not been fully captured by any writer. Trudeau traces the complexities of the man himself, now barely visible beneath the talking points, virtue signalling, and polished trappings of office. Ivison concludes that while Trudeau led a moribund Liberal Party to victory in the 2015 election, the shine of his leadership has been worn off by a series of self-inflicted wounds, broken promises, and rookie mistakes. One of the central contentions of Trudeau is already apparent: the prime minister’s greatest strengths are also his greatest weaknesses; the famous name, high-handedness, and impulsiveness are as liable to hurl him from office as they were to get him there in the first place. With unprecedented access and insight, John Ivison takes us inside one of the most contentious first terms of any prime minister in our history.

A gripping, fast-paced account of the life of the indigenous man who founded and led the Indian Posse, one of the most dangerous gangs in North America, into violence, power, and infamy. In 2008, Daniel Richard Wolfe was awaiting trial on two counts of first-degree murder at the Regina Correctional Centre. This wasn't his first time in jail; from his teenage years his life had been marked by stints in and out of prison - with Danny sometimes finding his own way out. This time around, he was orchestrating his boldest move yet: a carefully plotted escape that would send the RCMP on a nationwide manhunt, launching Danny Wolfe to headline-topping notoriety. The Ballad of Danny Wolfe cinematically traces the storied years of Danny Wolfe's life, from his birth in Regina to his relationship with his mother, Susan Creeley, a First Nations woman who was forever marked by her experience in the residential school system; to his first brush with the law at the age of four and then his subsequent arrests; to the creation of the Indian Posse, the street gang he founded with a handful of equally disenfranchised indigenous friends; to the dissonance Danny felt between the traditional world he was born into and the criminal one that became his life; to the dramatic tensions over power and loyalty unfolding in the gang world and within the Posse itself. Drawing on unprecedented access to the Wolfe family and first-hand accounts from the people closest to the gang leader, Joe Friesen's portrait of Danny Wolfe is at once riveting and timely, nuanced and provocative.