Bill Sutch and Shirley Smith were two of New Zealand's most significant twentieth-century figures; Sutch as an economist, influential civil servant, and inspirational proponent of innovation in the fields of social and economic development, and Smith as glass-ceiling breaker in the formerly male-dominated world of the law. Keith Ovenden's wise, urbane memoir begins with the early years of his marriage to Sutch and Smith's only child, Helen Sutch, and carries through Sutch's trial on charges under the Official Secrets Act to Smith's death over 30 years later. It offers unprecedented insights into both the accusations against Sutch and Smith's remarkable legal practice and, behind both, some of the dramas of their domestic life. Deeply intelligent and beautifully crafted, Bill and Shirley: A Memoir is a unique and intimate study of two complex and fascinating New Zealanders.
The challenge to getting a good night's sleep is especially hard for pregnant women. This book, based on the latest research from Massey University's Sleep/Wake Research Centre, includes up-to-date information about why sleep is important, how sleep works, and the different lifestyle and physical changes during pregnancy that can affect your sleep. It also provides practical strategies to help you get the best sleep possible in each trimester.
High Wire brings together Booker finalist writer Lloyd Jones and artist Euan Macleod. It is the first of a series of picture books written and made for grownups and designed to showcase leading New Zealand writers and artists working together in a collaborative and dynamic way. In High Wire the narrators playfully set out across the Tasman, literally on a high wire. Macleod's striking drawings explore notions of home, and depict homeward thoughts and dreams. High Wire also enters a metaphysical place where art is made, a place where any ambitious art-making enterprise requires its participants to hold their nerve and not look down. It's a beautifully considered small book which richly rewards the reader and stretches the notion of what the book can do.
Sara McIntyre, the daughter of the artist Peter McIntyre, was nine years old when her family first came to Kakahi, in the King Country, in 1960. The family has been linked to Kakahi ever since. On the family car trips of her childhood, McIntyre got used to her father's frequent stops for subject matter for painting. Fifty years on, when she moved to Kakahi to work as a district nurse, she began to do the same on her rounds, as a photographer. This book brings together her remarkable photographic exploration--her 'observations'--of Kakahi and the sparsely populated surrounding King Country towns of Manunui, Ohura, Ongarue, Piriaka, Owhango, and Taumarunui.
"In 1921, when the School Dental Service was established, New Zealand embarked on a unique social experiment: improving the terrible state of the nation's teeth. Set up by veterans of the First World War, the service, focused on 'battling Bertie Germ,' was run like a military operation and the all-female dental nurses were treated like foot-soldiers: underpaid, overworked and poorly resourced. Eventually they rebelled. In this lively history, Noel O'Hare details the nurses' experiences on the front line of dental health, and explores what that reveals about our society's attitudes to women, work and children's health"--Back cove
This vivid memoir by well-known New Zealand actor and novelist Barbara Ewing covers her tumultuous childhood, adolescence and young-adulthood in Wellington and Auckland in the 1950s and early 1960s - a very different time - and ends in 1962, when she boards a ship for London, to study at the Royal Academy of Dramatic Art. It draws heavily on the diaries she kept from the age of twelve, which lead her to some surprising conclusions about memory and truth. Ewing struggled with what would now be diagnosed as anxiety; she had a difficult relationship with her brilliant but frustrated and angry mother; and her decision to somehow learn te reo Maori drew her into a world to which few Pakeha had access. A love affair with a young Maori man destined for greatness was complicated by society's unease about such relationships, and changed them both. Evocative, candid, brave, bright and darting, this entrancing book takes us to a long-ago New Zealand and to enduring truths about love.--
A fascinating deep-dive into the development of the Silver Ferns' traditions, the evolution of team culture and the nuts-and-bolts of leadership at an elite sporting level. The 12 legendary players and coaches interviewed - including Lois Muir, Leigh Gibbs, Sandra Edge, Bernice Mene, Ruth Aitken and Casey Williams - candidly discuss the highs and lows of their careers, and of the Silver Ferns, the effect of the intense rivalry with Australia, coping with gut-wrenching losses, and the resilience of players and coaches. For the first time the perspective of these key actors is the subject of serious analysis, and the book is a real insight into the psychology of a women's highperformance team. As such, it provides a practical guide for developing team culture and leadership for netball coaches at all levels. It also includes comments from Farah Palmer and Noeline Taurua on women in sport and leadership, and a brief history of New Zealand netball, including the gains and losses as netball moved into a semi-professional era, and the struggles for sponsorship and for media recognition, despite it being New Zealand's most popular team sport.--
"The Great War is now typically regarded as senseless and futile, but most New Zealanders at the time, rightly or wrongly, considered it to be a war to preserve security and freedoms, to punish an aggressive enemy, and to win a better world. Yet the war years proved a tumultuous time, and bitterness and animosities ran alongside idealism and sacrifice. Divisive issues, economic volatility and a rising death toll all threatened resolve. The Home Front offers a compelling account of how a small and developing country confronted the complex questions and brutal realities of a world war"--Back cover.
Three more endearing stories of helping New Zealand wildlife from the case files of Wildbase Hospital. Wildbase Hospital in Palmerston North is a very special hospital for very special animals, and in this follow-up to the hugely successful How to Mend a Kea, author Janet Hunt focuses on the tales of three kiwi who have been treated there. The stories are fascinating and touching accounts of their different experiences at Wildbase, and the innovative approaches to their treatment and rehabilitation that were needed to ensure their eventual return to the wild. Linked to the wider issues of kiwi conservation, these tales introduce readers to the challenges and triumphs of caring for New Zealand's unique national icon. Wonderful photos, a lively text and an engaging design all combine to make this a superb book.
A better quality national conversation? Conducted by clever people who know a thing or two? YouΓÇÖre holding it in your hand. From racism in small town New Zealand and being inside HillaryΓÇÖs hut at Scott Base to why dams are bad for us and growing up Chinese, this collection of provocative, impassioned essays by smart thinkers will tune up your intellectual engine. This annual journal of provocative, passionate and argumentative essays is made for anyone who thinks thereΓÇÖs little to stimulate intelligent well-informed debate in the media anymore and who hungers for some brain food.
Highly regarded poet and anthologist Paula Green is the author of this novel and much overdue survey of New Zealand's women poets. At 568 pages, illustrated throughout by Sarah Laing and featuring the work of 195 poets (all of whom have biographies and full bibliographies), this book is a landmark volume and an incredible achievement. Its timing is perfect given the current re-examination of the role of the male gatekeepers of our literature in the 1940s and 1950s, who decided that women's poetry was weak and excluded it from the volumes of poetry that were to become the canon. How things have changed -- at present the most exciting poetry is coming from high-profile young women poets who almost have cult status -- Hera Lindsay Bird and Tayi Tibble. Charmingly and unique, the book's chapters follow the structure of a house, with different poets being discussed and assessed in each of the house's rooms. The selection is enormously generous, the tone is at times gentle and accessible, and Green's reach is wide. She brings the pioneers of women's poetry -- Jessie Mackay, Blanche Baughan and Eileen Duggan -- back from the shadows and she also draws our attention to the remarkable stories of forgotten women poets such as Lola Ridge.
"The future of New Zealand's rural communities is often in the news. Empty shops, depopulation and lack of jobs are offered as signs that many towns are dying. There is no getting away from the challenges to the rural sector. But what if you consider economics AND demography AND the environment, aiming for a holistic description of rural communities? Then the picture looks quite different. Rural communities have shown themselves to be resilient over many years, and that is likely to continue. Most importantly, people in rural communities, in townships and on farms, have options. This important book, based on years of research, shows how, and provides useful insights into the ongoing process of change in rural communities and the resources on which they draw to support their resilience. It offers a positive message and some blueprints for progress"--Back cover.
"New Zealand's contribution to the First World War was a massive effort for a small country. The figure most often quoted is that from October 1914 through to October 1918, just over 100,000 New Zealanders embarked for military service overseas. But that number does not include the thousands who served under other imperial flags: with the Australian Imperial Force, British Army units, the Indian Army, the Canadian Expeditionary Force, the American Expeditionary Force, the South African Overseas Expeditionary Force, the French Foreign Legion, and even the Ceylon Planters Rifle Corps. Nor does it include the women who served with other nations' medical organisations or by entertaining troops. ... Until now, they have not been included in First World War statistics, and there may be as many as 12 000 of them, 1400 of whom died."--Back cover.
A magnificent tribute to the New Zealand horse, documenting its pivotal role in the development of the early colony, in farming, transport, war, sport and in our affections. Writer Deborah Coddington and photographer Jane Ussher capture the strength, beauty and mystery of the horse across New Zealand, from bareback beach riders in the far north to huntsmen in Hawke's Bay, and from the Otago high country and the stud farms of the Waikato to the wild horses of the Kaimanawas, film horses, dressage horses and many, many more. Warmly and expertly written, and including a range of historical images, this magnificent book is brought to startling life by the astounding photographs of Jane Ussher.--
A beautifully crafted memoir of a family coping with their mother's dementia, Song for Rosaleen is both a celebration of Rosaleen Desmond's life and an unflinching account of the practical and ethical dilemmas that faced her six children. Told with love, insight, humour and compassion, it raises important questions about who we become when our memories fail, how our rapidly ageing population can best be cared for, and what this means for us all.
When writer and historian Peter Wells found a cache of family letters amongst his elderly mother's effects, he realised that he had the means of retracing the history of a not-untypical family swept out to New Zealand during the great nineteenth-century human diaspora from Britain. His family experienced the war against Te Kooti, the Boer War, the Napier earthquake of 1931 and the Depression. They rose from servant status to the comforts of the middle class. There was army desertion, suicide, adultery, AIDS, secrets and lies. There was also success, prosperity and social status. In digging deep into their stories, examining letters from the past and writing a letter to the future, Peter Wells constructs a novel and striking way to view the history of Pakeha New Zealanders.
Life in Aotearoa New Zealand in the early twenty-first century presents us with many controversial ethical issues: abortion, poverty, online behaviour, commercial sex, pornography, internet downloading, recreational drug use, social inequality, animal rights, data protection, criminal justice . . . They confront us with the task of working out how we should live, as individuals and communities. This book examines practical ethical issues that affect people in their everyday lives. Written from a New Zealand perspective, using real-life examples, it examines the ethics of how we should live.
Poetry New Zealand Yearbook, this countrys longest-running poetry magazine, showcases new writing from New Zealand and overseas. It presents the work of talented newcomers as well as that of established voices. This issue features the winning entries of the Poetry New Zealand competition, as well as over 100 new poems by writers including Albert Wendt, David Eggleton, Johanna Emeney and Bob Orr. Issue #52 also features essays by Owen Bullock, Jeanita Cush-Hunter, Ted Jenner, Robert McLean and Reade Moore, and reviews of 33 new poetry collections. Continually in print since 1951, when it was established by leading poet Louis Johnson, this annual collection of new poetry, reviews and poetics discussion is the ideal way to catch up with the latest poetry from established and emerging New Zealand poets.
The second volume in the annual journal of provocative, passionate and argumentative essays. Featuring: Morgan Godfery on identity; Jess Berentson-Shaw on social investment; Andrew Judd on racism; Carys Goodwin on climate change; Conor Clarke on dirt; David Cohen on Popper, Plato, Hegel and Marx; Emma Espiner on a tikanga Māori world; Gilbert Wong on growing up Chinese; Giselle Byrnes on why universities matter; Jo Randerson on dying; Māmari Stephens on our threatened marae; Victor Rodger on being actually brown; Maria Majsa on Johnny Rotten; Max Harris on dreams; Mike Joy and Kyleisha Foote on dams; Raf Manji on a new progressive agenda; Sarah Laing on menstruation; Sylvia Nissen on youth and politics; Teena Brown Pulu on three Tongan funerals; Tim Watkin on explaining Trump; Simon Wilson on a radical centre.
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