This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652â¿1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her fatherâ¿s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldánâ¿s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.
The nine building stories told in this book show how rural households and communities define themselves, and the role architecture plays in this.
Many communities in cities around the world do not like the growing number of residential towers, but they also realise that the detached house is not a sustainable urban solution. Between these two extremes, there is a 'missing middle' of mid-rise apartment buildings that relate to the street and are within the height of trees. This book argues that the mid-rise way of urban living is an essential component of growing cities, demonstrating that the economics of this form of development are better than that of terrace houses or town houses. It begins by examining successful historic precedents of this housing type, such as the tenements of Paris, Amsterdam, Berlin, Barcelona and New York and successful mid-rise housing in London. The book then discusses reasons for the relative lack of contemporary mid-rise housing developments, including planning legislation, and the perception that it is a dull and uniform building type. It brings together and analyses a wide range of award-winning international contemporary examples by leading architecture firms, looks at the importance of location, the need for urban placemaking, visual interest and design diversity and mixed use precincts, and highlights the advantages, including demographic diversity, urban density, sociability and reduction of car use.
The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things - whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance. Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre's own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under 'ideas for the future'. All reflect an approach which could be described as designing with people as opposed to designing for people.
Why should the public participate in planning? And who are the stakeholders who are required to participate in the planning process? This guide assesses public and stakeholder participation in the planning process, which is a statutory requirement across the entire scope and scale of planning activities in many global contexts. It provides a historical overview of participation and outlines how this has evolved over time. It then outlines a series of key issues for the contemporary planning professional in terms of their approach to public and stakeholder participation, particularly in light of alterations in landscapes of governance and recent social, political and technological developments. Illustrated with mostly UK and European case studies, but also drawing insights from further afield, the book also provides a framework for critiquing contemporary participation, including an assessment of the pitfalls, obstacles and unintended consequences of participation efforts. As such, it identifies key principles for participation and asks critical questions for its assessment.
Featuring 111 award-winning poster designs, the book tells the story of the development of the visual language of one of the 20th century's most important corporations.
With a body of work that explores a broad spectrum of subjects--from lesbianism and feminism to contemporary politics and the natural world--Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate. Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.
This major new study by internationally renowned scholar Martin Kemp is the first book to consider the impact of Dante's vision of divine light on visual artists of the Renaissance and Baroque.
The remarkable plein air paintings of Liu Xiaodong (b.1963), which chronicle everyday lives within our diverse modern world, are the focus of this first monograph of his career to date. Immersing himself in communities around the globe, Xiaodong seeks to present people who often sit on the fringes of society who find themselves marginalised within a contemporary world striving for homogenisation. At first glance a traditional realist painter, closer examination reveals an artist exploring a range of media while interrogating the opportunities presented by modern technology. The result is an outstanding body of work, often monumental in scale, that examines, reconsiders, and extends observational painting in fresh directions, while bringing into question the lines between fact and fiction, the traditional and the contemporary, to create a wholly original vision.
This book examines the way in which the work of British artist Hurvin Anderson has developed since the late 1990s to incorporate installation, prints and photographs within the idiom of painting.
The first book on the Century Guild of Artists (CGA) and its influential periodical, the Century Guild Hobby Horse. The significance of the CGA in the development of the Arts and Crafts movement and its modernist successors is assessed.
The author guides the inquisitive museum visitor through a series of questions and problems which confront museum curators, and their designers, behind closed doors. With a foreword by Christopher Frayling.
Considering both her architectural work and her more renowned later watercolour paintings, this is the first comprehensive book on the work of Italian-American Lauretta Vinciarell.
Provides insights into the interrelations between architecture, national identity and politics as it explores the Commonwealth Institute with its famous hyperbolic paraboloid roof.
Illustrated with many newly discovered photographs, this book tells thestory of community photography produced by the radical collectives in the 1970s.
Building Brands explores the role of architectural branding in the design of corporate modernism and tells how business strategies, modern architecture, urban conditions, and conceptions of society shaped the ambitious branding goals of corporate clients.
This book examines Walter Segal's unique approach to architecture practice and the enduring impact he has had on architecture and attitudes towards housing across the world.
William Butterfield was the most daring, rigorous, and brilliant architect of his age, whose 60-year practice spanned the entire Victorian era, and whose major works are found from the Firth of Clyde and shores of Belfast to the hills of Dublin and the cliffs of Cardiff and Devon. This book addresses the emergence of a modern society, its expansive institutions, and its changing moral code, exploring how Butterfield responded to and advanced that transformation in the national life. It reflects the changing emphasis of Butterfield's work: first, the revival, rebuilding, and reform of the country parish; then the place of the church and the agents of social health in the burgeoning town and city; third, the quiet revolution in secondary education and college life; and finally, sites of refuge, sanctuary, repose, and remembrance. Drawing extensively on the literature and discourse of the time, each chapter discusses a societal shift and surveys Butterfield's most important architectural contributions. The chapters are followed by portfolios of photographs and extraordinary sets of coloured contract drawings of projects selected to show the originality, conviction, and variety of Butterfield's designs. Woven through the book are characterisations of the often colourful men and women who were Butterfield's patrons and associates, including Gladstone, Pusey, Nightingale, and such lesser known but equally crucial figures as Frederick Temple, 'Mother' Matilda Blanche Gibbs, the writer Charlotte Yonge, and a score of reforming vicars, from the pious William Butler to the radical eccentric Edward Monro.
Internationally renowned, Peter Richâ¿s career represents a lifelong attempt to find a contemporary, yet uniquely African mode of design. This book follows the chronology of his work which emerges from a fascination with African indigenous settlements, including his documentation, publication and exhibition of Ndebele art and architecture, and his friendship with sculptor Jackson Hlungwani. It explores what Rich calls 'African Space Making' and its forms of complex symmetry; various collaborative community oriented designs of the Apartheid and post-Apartheid period, especially Mandela's Yard in Alexandra township; and finally, his more recent timbrel vaulted structures, constructed from low-tech hand-pressed soil tiles derived from his highly innovative and award winning work at Mapungubwe. The book shows how Rich combines African influences with an environmental awareness aligned to Modernist principles.
Examining global buildings from past and present, this book charts the relationship between architecture and tourism. It asks why monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites and monuments, and how national identity is galvanised through its architecture and tourism.
An engaging critical discussion of the aims and status of contemporary art criticism written by a highly respected art critic of many years' standing.
The Rise of the Contemporary Biennial offers a critical assessment of the current discussions around the subject of contemporary biennials and how these might be used to illuminate potential new approaches in this area of study.
Based on original research including interviews with art professionals, Performance in the Museum provides a unique and fresh perspective on the museum's role in the development of performance art.
In tracing the evolution of British drawing over nearly four centuries, Excursions of Imagination highlights objects of innovation and historical importance while underscoring a sense of continuity within the history of the medium.
This book traces the history of the Architectural Association from the end of the second world war until the mid-1960s, when it surrendered its position as the pacemaker in British architectural education in order to safeguard its institutional independence.
This new edition of Mary Rozell's definitive handbook is required reading for new and experienced collectors alike, as well as for anyone aspiring to a professional career within today's art market.
Featuring a wealth of beautiful reproductions from their extensive archive, Shell Art & Advertising positions the art and advertising of Shell within a historic, political and social context.
Spanning the 1980s to the present day, this book provides an overview of the paintings of Argentinian artist Guillermo Kuitca (b.1961), unpicking his range of influences and techniques.
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