Böcker utgivna av Lund Humphries Publishers Ltd

The first fully-illustrated account of the life and work of Christopher Wood. The text describes the trajectory of Wood's reputation as an artist during his short lifetime and after his death, when the originality of his output was recognized by key figures in British art history and a posthumous exhibition of his works proved phenomenally popular.

This book reveals the wonderful world of painter and illustrator Edward Bawden. Some pages are beautiful, some instructive and some baffling, but together they give us an insight into the mind of one of the 20th century's most reclusive and English of artists.

Provides the account of the life and work of Winifred Knights (1899-1947), the first woman to win the Prix de Rome (1920) and one of the outstanding, but until recently neglected, British women painters of the first half of the 20th century.

By retracing Frank Lloyd Wright's footsteps on six of his journeys, the author explores the architect's global ambitions and lasting legacy, offering an original and contemporary view of Wright and his architecture. He reflects on Frank Lloyd Wright as an early promoter of globalisation - the first international architect.

This book examines the history of Vienna's architectural culture, cultural politics, counter cultural rebellions and economic policies from the beginning of the C20th to the present day for the reasons it is one of the most livable architectural and urban environments in the world.

This book is the first in over century to examine the important work of Frederick Walker and his circle. Their common aim was to respond sensitively to nature and depict the place of man within it. This book provides both the perfect introduction to the Victorian art world and a fresh perspective on Walker and his associates.

Focussing on 1930-60, this publicationconsiders Pasmore's transition from figurative painter to abstract artist. Reproducing works from both public and private collections, this publicationwill stoke interest in an important period in British art history and shed newlight on a crucial stage in Pasmore's career.

The work of Edward Ardizzone, probably the best-known British illustrator of his generation, is prolific and instantly recognisable. This book provides the first full overview of Ardizzone's work since the artist's death, analysing in turn his activity as an artist, writer and teacher, as well as incorporating fascinating biographical detail.

Irish-born designer Eileen Gray is widely known today as a pioneer of both Art Deco and Modernism. In a career spanning nearly 80 years she produced innovative designs for furniture, lighting, carpets, interiors and architecture. This book deals with his life and work.

Natural history and art have been life-long preoccupations of the leading British painter Kurt Jackson (b.1961). For this book, Jackson has returned to zoology, the subject he studied at university, to create a beautiful bestiary: a body of work about fauna. Bestiaries date back to medieval times when religious instruction promoted the study and interpretation of animal life, often with the aid of elaborate illustrations. Later, the religious framework fell away, as artists and authors including Picasso, Toulouse Lautrec, Guillaume Apollinaire and Jorge Luis Borges used the form as a means of exploring nature, humanity and the relationship between the two. Jackson's contemporary bestiary extends this tradition, looking closely at both everyday and lesser-known species of birds, insects, mammals and fish in order to stimulate readers' connections with and appreciation of the world around them. Combining stunning imagery with commentaries and poems written by the artist, the book gives fascinating insights into the working life of one of the most popular and original artists working in Britain today, and makes a perfect companion to both Kurt Jackson (2012) and Kurt Jackson Sketchbooks (2012/2014).

This book takes the reader through the history, theory and design of prefabricated and modular housing, leading up to a discussion of contemporary problems and opportunities. It includes a broad international focus with case studies of leading designers and companies, and cutting-edge research.

In the 1960s and 1970s, a team of leading architects established a new type of collective housing in the London Borough of Camden. In place of tower blocks, they created a high-density, low-rise urbanism, based on a return to streets with front doors. This book examinesthis programme and shows how it offers important lessons and insights for the

What does it mean to make art in Africa? In Making Art in Africa, 60 of the continent's leading artists give very different answers to this question through a series of extraordinary first-hand commentaries relating to specific works.

Published to coincide with his 2016 centenary, this book is the first illustrated monograph on Kenneth Armitage to include a complete inventory of all his known sculptures.

This is a complete, illustrated catalogue of the paintings and sculptures of Pop Art pioneer Gerald Laing (1936-2011), who shot to fame in the 1960s with his large-scale, iconic paintings of film-stars such as Brigitte Bardot and Anna Karina, conveyed in styles and colours that aped the crude but powerful printing processes of mass advertising.

C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Drawing on original archival research and including a catalogue raisonne of Nevinson's prints.

Hans Hofmann (1880-1966) was a pivotal figure in Abstract Expressionism and stands as one of the most important characters of post-war American art. This ground-breaking catalogue raisonne of paintings, which has been painstakingly researched over sixteen years.

Artist Eduardo Paolozzi (1924-2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major.

Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community.

Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world.

Lynn Chadwick (1914-2003) was one of the leading British sculptors of his generation. This essential illustrated catalogue raisonne of his sculpture is published in a new, fourth edition to coincide with Chadwick's centenary in 2014 and incorporates a new illustrated listing of his lithographs and jewellery.

Provides an account of the printmaking career of British artist Wilhelmina Barns-Graham (1912-2004), with reference to the technical innovations that she pioneered. This work incorporates an illustrated catalogue of the artist's known work in etching, linocut, lithography, screenprinting and monotype, from 1946 to 2007.

Edward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs, book illustration and watercolours.

The breadth of Reeves's work, illustrated extensively here for the first time, may surprise even those who know and like his art. Those who are yet to encounter the oeuvre will find in Philip Reeves a fascinating introduction to a highly inventive artist.

This is the first book to survey the work of painter and printmaker Tom Hammick (b.1963). It sets Hammick's art within the context of contemporary debates about painting while relating it to the two-centuries-old Romantic tradition. Julian Bell explores in depth the artist's techniques, imagery and career to date.

Celebrating the generous gift of Barbara Hepworth's plasters to The Hepworth Wakefield by the Hepworth Estate, this groundbreaking publication combines a fully illustrated catalogue of the sculptor's surviving prototypes in plaster, occasionally aluminium, with a detailed analysis of her working methods.

This book is the valuable Key to A New Arabic Grammar, the bestselling introduction to the Arabic language for over thirty years.

This is a revised second edition of A New Arabic Grammar of the Written Language first published in 1962. It is based on and replaces Thatcher's Arabic Grammar and has a vocabulary of over 4,000 words, almost twice as many as in the old Thatcher, while the number of chapters has been increased from forty-nine to fifty-two. The Supplement contains a number of new features. Apart from selections from the Qur'an, fables, stories, newspaper extracts, advertisements and letters, additional material in the form of extracts from classical and modern Arabic writings and proverbs is included. Appendix A provides a useful introduction to the main colloquial Arabic dialects, Appendix B, a useful reading guide, and Appendix C, further grammatical information not supplied in the first edition. This book will serve as a basis for a further and deeper study of the classical language and literature and at the same time form a good foundation for those who wish to concentrate on the modern written language of literature and the daily press. The authors have been careful to indicate which usages are current in modern Arabic, and which are antique or antiquated. The vocabulary also is both classical and modern. This is above all a practical grammar, not an advanced reference grammar like Wright's. It is meant for the beginner who is not familiar with the peculiarities of Semitic languages. Nevertheless it is comprehensive enough, the authors believe, for most students' needs in the first two or three years of their study.