Böcker utgivna av Louisiana State University Press

Investigates an overlooked genre of early American literature - the Revolutionary War veteran narrative - showing that it by turns both promotes and critiques a notion of military heroism as the source of US sovereignty.

In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America.

Provides a detailed analysis of LSU's beginnings and early development, starting well before it first opened its doors in Pineville, Louisiana, in 1860. Paul Hoffman reveals how political and ideological contests in areas of governance, curriculum, finances, discipline, and student life influenced the early identity and development of the school.

In Refusal, her searing new collection of poetry, Jenny Molberg draws on elements of the uncanny - invented hospitals, the Demogorgon of Dungeons & Dragons, an Ophelia character who refuses suicide - to investigate trauma, addiction, and forces of oppression.

Offers short lyrical meditations and narratives that wrestle with contemporary issues of the environment, spirituality, and the social. These compact, imagistic poems welcome space and silence as a way of addressing both the commonality and complexity of people and experience.

With nineteen original essays cowritten by some of the most prominent historians working in southern history today, this volume boldly explores the current state, methods, innovations, and prospects of the richly diverse and transforming field of southern history.

In this subtle and candid collection, Lisa Ampleman mixes contemporary elements and historical materials as she speaks back to the literary tradition of courtly love. Instead of bachelor knights bemoaning their allegedly cruel beloveds, Romances emphasizes the voices of female troubadours, along with those of historical figures.

As a work of documentary poetry, Naming the Leper demonstrates that a term like "leper", whether a stigma attached to patients suffering from illness or a word inscribed on the caskets of the deceased, cannot define the lives of individuals or encompass the full extent of their legacies.

In 1925, Essae Martha Culver, a California librarian, arrived in Louisiana to direct a three-year project funded by the Carnegie Corporation that aimed to introduce public libraries to rural populations. This volume chronicles the impressive, colourful history of Louisiana parish libraries and the State Library of Louisiana.

Alice Friman's sharply etched collection of poetry, reminds readers that times of reckoning are marked by blood: the knife, the sword, the cutting word. Blood runs through our history, stories, religion, and art, and we cannot help but play our part by adding to the storm of "fang and claw" and its inherent sorrow.

Offers deeply serious verse that packs profound emotional and spiritual power while encouraging readers to laugh out loud. Catherine Carter's quirky, accessible poems bridge and question binaries - human and nonhuman, lyric and narrative, science and magic, river trash and galaxies.

Prolific poet and novelist David Huddle reflects on turning seventy-six years of age and records his aghast reactions to changes brought about by the current president of the United States. Huddle embraces the potential of poetry to use intelligence, wit, language, knowledge, and sense of form to move toward useful revelations.

Examines the language of slavery, which Niels Eichhorn considers central to revolutionary struggles, especially those waged in Europe in the nineteenth century. Eichhorn begins in 1830 with separatist movements in Greece, Belgium, and Poland, which laid the foundation for rebellions undertaken later in the century.

At a time when Louisiana's penal system has fallen under national scrutiny, Jim Crow's Last Stand presents a timely, penetrating, and concise look at the history of the nonunanimous jury-verdict law's origins and its troubling legacy.

Jazz can be uplifting, stimulating, sensual, and spiritual. Yet when writers turn to this form of music, they almost always imagine it in terms of loneliness. Sam Reese investigates literary representations of jazz and the cultural narratives associated with it, noting how they have shaped readers' judgments and assumptions about the music.

In The Grace of Distance, his poignant, far-traveling new collection of poems, Matthew Thorburn explores the ways in which we try to close the distances we experience in modern life, between doubt and faith, between cultures, between ourselves and those we love.

Kelly Cherry crafts poems that explore the ever-evolving realm of modern physics, confronting the invisibilities and mysteries of the material world. She leverages challenging ideas into a space of contemplative wonder as the book moves from external observation into an increasingly inward space of personal reflection and expression.

In My Lookalike at the Krishna Temple, Jacqueline Osherow considers expressions of spirituality from cultures all over the world and investigates previously unexplored aspects of her relationship to Judaism and Jewish history.

The thought of enlisting in the French Foreign Legion held a tantalizing allure for young nineteenth-century American boys in search of adventure. Apart from youthful fantasies few Americans seriously pursued joining the legion. These surprising and extraordinary short stories, written by one young man who did, take us to that time and place.

In this powerful collection, Chelsea Rathburn seeks to voice matters once deemed unspeakable, from collisions between children and predators to the realities of postpartum depression. Still Life with Mother and Knife considers the female body, "mute and posable", as object of both art and violence.

Bed is where we sleep and dream, where we make love and give ourselves nightmares. The thirteen stories in Wendy Rawlings's Time for Bed traverse the complicated terrain of bedtime activity, from adulterous couplings to nightmares that come to life, in terms that can feel lurid, unsettling, or disturbingly funny.

Focuses on the immigration of West Indians and Central Americans to New Orleans from the turn of the twentieth century to the start of World War II. Glenn Chambers discerns the methods by which these people of diverse backgrounds integrated into New Orleans society and negotiated their distinct historical and ethnoracial identities.

Brings together scholars of political science, sociology, and mass communication to provide an in-depth analysis of race in the United States through the lens of public policy. This collection outlines how issues such as profiling, wealth inequality, and housing segregation relate to race and policy decisions at both the local and national levels.

The poems of In the Months of My Son's Recovery inhabit the voice and point of view of the mother of a heroin addict who enters recovery. With clear perception and precise emotional tones, Kate Daniels explores recovery experiences from multiple, evolving vantage points.

Meditates on the comings and goings of midlife - births and deaths, losses and gains, despairs and hopes. In poems that range from rigorous formalism to breathless free verse, Shane Seely reaches for instruction, understanding, and comfort. He finds solace in works of art, nature, human relationships, and memory.

Katie Bickham's dazzling collection resounds with the intensity of new motherhood and confronts the relationship between mothers and their children, as she explores what it means to carry a child. Moving from the mid-1800s to 2017, these finely wrought poems grapple with how war, violence, and enslavement can disrupt our innocence.