Böcker utgivna av Liverpool University Press

Decadence is seldom looked at in the context of colonialism, and yet its heyday in the 1880s and 1890s is directly contemporary with the expansion of France's modern colonial empire.

The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco's longest-serving Francophone journal.

The LAMALIF anthology presents a wide variety of articles from LAMALIF, Morocco's longest-serving Francophone journal.

The first revenge drama, the first great female role, the first tragedy set on the cusp between public space and private household, the first part of the only surviving tragic trilogy-the foundational status of Aeschylus' monumental Agamemnon cannot be over-estimated. Agamemnon's entry on a chariot, arrogant passage over purple carpets, death in the bath and display as a corpse, along with the inspired prophetess, his war booty Cassandra, make this tragedy visually electrifying; the poetry, especially in Clytemnestra's orations and the choral odes, in magniloquence and vivid imagery surpasses anything in classical literature. This new edition, with Greek text, critical introduction, accessible translation and detailed commentary gives consistent support in construing the ancient Greek and appreciating the aural power of Aeschylus' language and rhythms. It draws on cutting-edge scholarship to provide unprecedented illumination of sociological and performative aspects of his play: the chorus' struggle to maintain representation for ordinary Argives, the different responses of Clytemnestra and Cassandra to the inequities imposed on them by patriarchy, the sensory experience of poetry imbued with prompts to taste, smell, touch and hearing as well as vision, the challenges and opportunities presented by the text to directors and actors both ancient and modern, and the thrilling control of the tragic medium by its undisputed founding father.

While a lot of research has been done on the relationship between Percy Bysshe Shelley and Robert Browning, virtually nothing has been said about the links between Mary Shelley and Robert Browning, and very little on the connections between the Shelleys and Elizabeth Barrett Browning.

Surveying an unusually wide variety of material, ranging from the Victorian triple-decker novel, to Modernist art and architecture, to Pop music and graffiti, this book suggests that the tube-network is a transitional form, linking the alienated spaces of Victorian England to the virtual spaces of our contemporary consumer-capitalism.

The Woman in Black terrified viewers in 1989 and is remembered as one of Britain's scariest horror films. It is justly famous as the combined work of three giants of British drama: Susan Hill, Nigel Kneale and Herbert Wise. This book is the first to study the rich themes and terrifying impact of this film, presenting it as a TV film that is cinematic in its effect and quality. The book traces the adaptation of Susan Hill's novel, paying close attention to the ways in which the celebrated writer Nigel Kneale turned a best-selling book into a spooky film, and reconstructs the brilliance of veteran director Herbert Wise. It also explores themes ranging from maternal rage and imperial disquiet to eerie soundscapes and landscapes. Archival papers from the Nigel Kneale Archive on the Isle of Man are used to reveal how Kneale transformed the novel into the script, and interviews with production personnel shed light on the remarkable talent and experience of the team who produced this classic film.

The Financial Markets of Roman Egypt analyses some 4,367 financial transactions, leases, sales and loans, recorded on papyri in Roman Egypt in the period AD 1 to 350.

This edited collection re-examines the relationship between art and the sea, reflecting growing interest in the intersections between art and maritime history.

In this affectionate elegy to his mother, Patrick Chamoiseau weaves together the recurring themes of his many novels, essays, and poems, such as the history of slavery, Africa and its Traces in the Caribbean, Black cultural practices from storytelling to jazz, and the daily life of his family.

The first full critical edition with translation and commentary dedicated to a selection of the letters attributed to Alexander the Great. It brings to wider attention a much-neglected corpus and employs an innovative approach to the matter by exploring the culture behind the action of writing at Alexander's court.

A major figure of Haitian literature, Jean-Claude Charles is an author for now. An introduction to the universe of this capital writer, this volume will accompany readers seeking strikingly original insights on issues such as race, migration, and exile, and the role of the author and literature in times of crisis.