Böcker utgivna av Liverpool University Press

The coming of the age of print was not kind to the works of Richard Rolle, the most influential spiritual writer of the later English Middle Ages, and many remained in manuscript. This critical edition provides four Latin texts with translations, including the 'Super Canticum', a seminal text central to Rolle's oeuvre.

Revisioning French Culture brings together a striking group of leading intellectuals and scholars to explore new avenues of research in French and Francophone Studies. Covering the medieval period through the twenty-first century, this volume presents investigations into a vast array of subjects, with global Francophonie as its primary focal point.

This important collection of essays acknowledges the long and distinctive history of the alternate history genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late twentieth- and early twenty-first-century texts which have previously received little or no sustained critical analysis.

Dan Dinello explicates Alfonso Cuaron's visionary Children of Men (2006) from ideological, psychological, and philosophical perspectives. Dinello explores the film's criticism of reactionary politics, arguing that it prods us to imagine an egalitarian alternative by urging identification with rebels, outcasts, and racial and ethnic outsiders.

Fritz Lang's M (1931), is one of the earliest serial killer films and laid the foundation for future horror movies and thrillers. Samm Deighan explores the way Lang uses horror and thriller tropes, particularly in terms of how M functions as a bridge between German Expressionism and Hollywood's growing fixation on sympathetic killers in the 40s.

Geological research is a series of significant discoveries that transform our understanding of the Earth. Each new idea leads to a burst of activity as its validity is tested. Graham Park summarises the salient features of breakthrough ideas in earth science, contrasting them with previous views and thus conveys their impact on geological science.

A new edition and translation of the Old English poem 'Andreas', with full introduction, notes, and glossary.

A unique collection of critical essays on writer and philosopher Stanislaw Lem, evaluating his influence on twentieth-century literature and culture.

Stanislaw Lem: Philosopher of the Future brings a welter of unknown elements of Lem's life, career, and literary legacy to light in order to mete out cognitive justice to the writer who preferred to be known as the philosopher of the future.

Exploring the cultural, intellectual, literary, and ideological roots of French engagement with the global and local upsurge of antisemitism in the 21st century, this book endeavors to understand phenomena of repression, distortion, perversion, or outright denial, within the specific context of French intellectual and cultural history.

The extraordinary and beautiful scenery of the Northern Scottish Highlands has been created by a geological history lasting over 3 billion years. This is an illustrated geological history of those years, showing the rocks, visiting the places and introduces famous researchers and their theories that have been inspired by the Highlands.

In writing this account of the rise and decline of the coal industry and its effects on the health of the miners, of those who worked with coal products and of almost all of us who have breathed in the pollution from its combustion, Professor Seaton points to the often hidden adverse consequences of transformative technologies.

This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being A level and university undergraduate teachers and students of film and media studies.

The Poetics of Palliation argues that Romanticism developed richer literary therapies than its contemporary reception remembers. By reading Romantic writers against Georgian medical ethics, Poetics recovers their models of literature as comfort and sustenance, challenging a health humanities tradition that sees literary therapy primarily as cure.

Through a close reading of eight Venezuelan novels published between 2004 and 2012, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela's literary isolation.

In Beyond Return, Lucas Hollister examines the political orientations of fictions which 'return' to forms that have often been considered sub-literary, regressive, outdated or decadent, and suggests new ways of reading contemporary adventure novels, radical noir novels, postmodernist mysteries, war novels and dystopian fictions.

For the modern world Greek tragedy is represented almost entirely by those plays of Aeschylus, Sophocles and Euripides whose texts have been preserved since they were first produced in the fifth century BC. From that period and the next two hundred years more than eighty other tragic poets are known from biographical and production data, play-titles, mythical subject-matter, and remnants of their works quoted by other ancient writers or rediscovered in papyrus texts. This edition includes all the remnants of tragedies that can be identified with these other poets, with English translations, related historical information, detailed explanatory notes and bibliographies. Volume 1 includes some twenty 5th-century poets, notably Phrynichus, Aristarchus, Ion, Achaeus, Sophocles' son Iophon, Agathon and the doubtful cases of Neophron (author of a Medea supposedly imitated by Euripides) and Critias (possibly author of three other tragedies attributed to Euripides). Volume 2 will includethe 4th- and 3rd-century tragedians and some anonymous material derived from ancient sources or rediscovered papyrus texts.Remnants of these poets' satyr-plays are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O'Sullivan and Christopher Collard (2013).