Böcker utgivna av Liverpool University Press

In writing this account of the rise and decline of the coal industry and its effects on the health of the miners, of those who worked with coal products and of almost all of us who have breathed in the pollution from its combustion, Professor Seaton points to the often hidden adverse consequences of transformative technologies.

This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being A level and university undergraduate teachers and students of film and media studies.

The Poetics of Palliation argues that Romanticism developed richer literary therapies than its contemporary reception remembers. By reading Romantic writers against Georgian medical ethics, Poetics recovers their models of literature as comfort and sustenance, challenging a health humanities tradition that sees literary therapy primarily as cure.

Through a close reading of eight Venezuelan novels published between 2004 and 2012, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela's literary isolation.

In Beyond Return, Lucas Hollister examines the political orientations of fictions which 'return' to forms that have often been considered sub-literary, regressive, outdated or decadent, and suggests new ways of reading contemporary adventure novels, radical noir novels, postmodernist mysteries, war novels and dystopian fictions.

For the modern world Greek tragedy is represented almost entirely by those plays of Aeschylus, Sophocles and Euripides whose texts have been preserved since they were first produced in the fifth century BC. From that period and the next two hundred years more than eighty other tragic poets are known from biographical and production data, play-titles, mythical subject-matter, and remnants of their works quoted by other ancient writers or rediscovered in papyrus texts. This edition includes all the remnants of tragedies that can be identified with these other poets, with English translations, related historical information, detailed explanatory notes and bibliographies. Volume 1 includes some twenty 5th-century poets, notably Phrynichus, Aristarchus, Ion, Achaeus, Sophocles' son Iophon, Agathon and the doubtful cases of Neophron (author of a Medea supposedly imitated by Euripides) and Critias (possibly author of three other tragedies attributed to Euripides). Volume 2 will includethe 4th- and 3rd-century tragedians and some anonymous material derived from ancient sources or rediscovered papyrus texts.Remnants of these poets' satyr-plays are included in a separate Aris & Phillips Classical Texts volume, Euripides Cyclops and Major Fragments of Greek Satyric Drama, edited by Patrick O'Sullivan and Christopher Collard (2013).

Examines the principal causes of sea level change focusing on the issues of vertical land movements and changes in ocean volume. This is followed by a discussion of the geological evidence for past changes in sea level.

This study provides an accessible introduction to the whole range of Iris Murdoch's fiction, exploring philosophical, theological, political, social and biographical influences and her experimentations with the novel form.

In this volume, poet John Kinsella presents a selection of Paul Muldoon's most linguistically innovative and overtly `experimental' poems. Kinsella's introduction explores the complex politics of language and the dissection of `New World'-`Old World' (false) verbal dynamics that inform Muldoon's writing.

This book pits the imaginative sports of science fiction against our widespread suspicion of the monstrous athletic body. The biopolitical nature of sport demands we see these bodies as our bodies, capable of the greatest physical feats science fiction can imagine, but also our worst fears of injury and death.

Life on Earth can be traced back over three thousand million years into the past. Many examples of the Earths past inhabitants are to be found in rocks, preserved as beautiful and fascinating fossils. The earliest life forms were bacteria and algae; these produced the oxygen that enabled more complex life forms to develop. About 600 million years ago multi-cellular organisms appeared on Earth, some of which could protect themselves with hard parts such as shells. Many of these life forms were readily fossilized and are used to subdivide geological time. Numerous species have evolved and most are now extinct. Lineages can be traced and extinctions explained as a consequence of terrestrial and extra-terrestrial events. Lavishly illustrated with photographs and explanatory diagrams Introducing Palaeontology provides a concise and accessible introduction to the science of palaeontology. The book is divided into two parts. The first explains what a fossil is; how fossils came to be preserved; how they are classified; and what information they can tell scientists about the rocks in which they are found. The second part introduces the major fossil groups taking a systematic view from algae and plants, through the numerous examples of invertebrate animals, to the vertebrates and finally to mans ancestors. Technical terms are kept to a minimum and a glossary is provided.

An introduction to South Asian religions for non-specialist readers and undergraduate students.

David Carter examines Christopher Nolan's Inception (2010) in terms of its blurring the distinctions between genres and its explorations of the nature of the mind and how dreams are related to the conscious and unconscious mind. He also considers it in the context of the director's other work.

Over the past 25 years, Rwanda has undergone remarkable shifts and transitions: culturally, economically, and educationally the country has gone from strength to strength. While much scholarship has understandably been retrospective, seeking to understand, document and commemorate the Genocide against the Tutsi, this volume gathers diverse perspectives on the changing social and cultural fabric of Rwanda since 1994. Rwanda Since 1994 considers the context of these changes, particularly in relation to the ongoing importance of remembering and in wider developments in the Great Lakes and East Africa regions. Equally it explores what stories of change are emerging from Rwanda: creative writing and testimonies, as well as national, regional, and international political narratives. The contributors interrogate which frameworks and narratives might be most useful for understanding different kinds of change, what new directions are emerging, and how Rwanda's trajectory is shaped by>The international set of contributors includes creative writers, practitioners, activists, and scholars from African studies, history, anthropology, education, international relations, modern languages, law and politics. As well as delving into the shifting dynamics of religion and gender in Rwanda today, the book brings to light the experiences of lesser-discussed groups of people such as the Twa and the children of perpetrators.

This bilingual edition presents Luis Vélez de Guevara's 1613 play La Serrana de la Vera (The Mountain Girl from La Vera) for the first time ever in English translation. This long-forgotten tragedy has come back into focus in recent years because of its extraordinary protagonist, Gila, a peasant girl who calls herself a man, takes fierce pride in doing things men do, and falls in love with Queen Isabel. Her betrayal by an army captain who she has humiliated leads to lawlessness, violence and tragedy. Dramatized by the playwright as an heroic rebel, Gila has been variously described as feminist, homosexual, bisexual, lesbian, transsexual, hybrid, queer, and transgender. Highly relevant today, The Mountain Girl from La Vera is also a great piece of theatre, full of dramatic confrontations, colourful vignettes, striking moments of music and spectacle, and plentiful comic relief. This bilingual edition presents the entirety of the play, annotated, along with a Critical Introduction bythe translator that contextualizes the work.

Few critical terms coined by poets are more famous than "negative capability." Though Keats uses the mysterious term only once, a consensus about its meaning has taken shape over the last two centuries. Keats's Negative Capability: New Origins and Afterlives offers alternative ways to approach and understand Keats's seductive term.

Drawing on literary, historical and cultural studies perspectives, this book examines the phenomenon of the "Returned Yank" in the cultural imagination. Taking as its point of departure The Quiet Man (1952), it provides a cultural history that charts the ways in which the Returned Yank indexes a set of recurring anxieties in Ireland from 1952 to the present.

The first major assessment of the British fascist and neo-fascist engagement with the Ulster question, from Rotha Lintorn-Orman's British Fascists in the 1920s and early 1930s, Oswald Mosley's BUF in the 1930s and neo-fascist Union Movement in the post-war period, through to the National Front and BNP during the Troubles.

A wonderfully illustrated book on the oldest surviving theatre in Liverpool, published as part of its eightieth birthday celebrations. With debut stage appearances of renowned actors such as Judi Dench and Richard Burton, this remarkable theatre is a vital part of the city's cultural identity.