Böcker utgivna av Little, Brown

Two Brothers tells the story of a great sporting family, uncovering new details, exposing myths and placing Jack and Bobby Charlton in their historical context. It's a book about two English footballers but also about English football and England itself.In later life Jack and Bobby didn't get on and barely spoke but the lives of these very different brothers from the coalfield tell the story of late twentieth-century English football: the tensions between flair and industry, between individuality and the collective, between right and left, between middle- and working-classes, between exile and home.Jack was open, charismatic, selfish and pig-headed; Bobby was guarded, shy, polite and reserved to the point of reclusiveness. They were very different footballers: Jack a gangling central defender who developed a profound tactical intelligence; Bobby an athletic attacking midfielder who disdained systems. They played for clubs who embodied two very different approaches, the familial closeness and tactical cohesion of Leeds on the one hand and the individualistic flair and clashing egos of Manchester United on the other.Both enjoyed great success as players: Jack won a league, a Cup and two Fairs Cups with Leeds; Bobby won a league title, survived the terrible disaster of the plane crash in Munich, and then at enormous emotional cost, won a Cup and two more league titles before capping it off with the European Cup. Together, for England, they won the World Cup.Their managerial careers followed predictably diverging paths, Bobby failing at Preston while Jack enjoyed success at Middlesbrough and Sheffield Wednesday before leading Ireland to previously un-imagined heights. Both were financially very successful, but Jack remained staunchly left-wing while Bobby tended to conservatism. In the end, Jack returned to Northumberland; Bobby remained in the North-West.Two Brothers tells a story of social history as well as two of the most famous football players of their generation.

Ireland 1941. A German spy escapes from Mountjoy Prison, clearly with inside help. Yet no one wants to catch him. When the head of Garda Special Branch sends Inspector Stefan Gillespie to find out why, it must be in secret. But he meets a web of deceit in which the past's dark shadows loom over the lies of the present. Alone, except for an alcoholic private detective and a woman who could betray him to the IRA, Stefan embarks on a journey that drags him into a plot to attack British interests in Ireland and an attempt on the life of the IRA Chief-of-Staff by his own men. Crossing into war-torn Northern Ireland, he is suddenly unprotected, a rogue policeman to the Royal Ulster Constabulary, a dangerous spy to the IRA.Praise for Michael Russell'Complex but compelling . . . utterly vivid and convincing' Independent on Sunday'A superb, atmospheric thriller' Irish Independent

When we look to the past, we often expect to be disappointed. In the history of language, we expect to find misogyny around each corner, a disdain for or absence of the voice of women.But the history of women's words, as it turns out, is full of surprises.From the monthly flux or flowers to the mægs that experience them, from the original helpmeet, Eve, to the viragos who fronted early feminism, it is undeniable that there was a wealth of riches for describing our experiences, our lives and our selves.In fact, as women have made slow progress towards equality, we've paradoxically lost some of the most expressive and eloquent bits of our vocabulary. Here, Jenni Nuttall shines a light on them, to dust them off and see if we've any use for them today.Mother Tongue is a rich, provocative and entertaining history of women's words - of the language we have, and haven't, had to share our lives. Inspired by Jenni Nuttall's deep knowledge of the English language as well as conversations with her teenage daughter, this is a book for anyone who loves language - and for feminists who want to look to the past in order to move forward. QUOTES TBC

From Academy Award-winning multi-talent Jamie Foxx, a hilariously candid look at the joys and pitfalls of being the father of two daughters. Jamie Foxx is not only an actor, comedian, and musician, he's also starring in his most humbling and long-running role yet as father to two independent girls: Corinne and Anelise. While his daughters have very different views on the world, there is one thing they can agree on: Dad gets on their motherf***ing nerves. Though every day with his girls brings hurdles and hilarity, he's learned a lot along the way. In ACT LIKE YOU GOT SOME SENSE - a title inspired by his beloved and fierce grandmother - Jamie reveals his rocky parenting journey through priceless stories about the tough love and old-school values he learned growing up in the small town of Terrell, Texas; his early days trying to make it in Hollywood; and life after achieving stardom. You would think being an A-lister would ease his dad-duty struggles, but if anything, it has only made things more complicated. It seems that a teenage girl who just wants to blend in with her friends will not be excited to see her dad's flashy new convertible at the front of the carpool lane. Hilarious, poignant, and always brutally honest, ACT LIKE YOU GOT SOME SENSE is Jamie Foxx like we've never seen him before, dealing with problems he never imagined he'd have.

To Nicole and Jamie Maguire, their parents seem the ideal couple - a suburban double act, happily married for more than thirty years. So when Linda and Gerry announce that they've decided to separate, the news sends shockwaves through the siblings' lives, forcing them to confront their own expectations and desires. Hardworking - and hard-drinking - Nicole pursues the ex she unceremoniously dumped six years ago, while people-pleasing Jamie fears he's sleepwalking into a marriage he doesn't actually want. But as the siblings grapple with the pressures of thirtysomething life, their parents struggle to protect the fragile façade of their own relationship, and the secrets they've both been keeping. Set in 2018, Claire Powell's beautifully observed debut novel follows each member of the Maguire family over a tumultuous year of lunches, dinners and drinks, as old conflicts arise and relationships are re-evaluated. A gripping yet tender depiction of family dynamics, love and disillusionment, At the Table is about what it means to grow up - both as an individual, and as a family.

'Part tender coming of age story, part electrifying tale of political awakening, part heartfelt love letter to Deaf culture, True Biz is a wholly a wonder' Celeste NgTrue biz (adj/exclamation; American Sign Language): really, seriously, definitely, real-talkTrue Biz plunges readers into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before; Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing; and February, the headmistress, who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another - and changed forever.This is a story of sign language and lip-reading, cochlear implants and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, True Biz is an unforgettable journey into the Deaf community and a universal celebration of human connection.

'Enlivens the standard tale of swashbuckling adventure, adding feminist spice ... Rich and immersive' SUNDAY TIMES HISTORICAL FICTION BOOK OF THE MONTH'Remarkable' HILARY MANTEL'A vivid, narrative-packed splice of historical fiction' DAILY MAILA Wild & True Relation opens during the Great Storm of 1703, as smuggler Tom West confronts his lover Grace for betraying him to the Revenue. Leaving Grace's cottage in flames, he takes her orphaned daughter Molly on board ship disguised as a boy to join his crew. But Molly, or Orlando as she must call herself, will grow up to outshine all the men of Tom's company and seek revenge - and a legacy - all of her own. Woven into Molly's story are the writers - from Celia Fiennes and George Eliot to Daniel Defoe and Charles Dickens - who are transfixed by her myth and who, over three centuries, come together to solve the mystery of her life. With extraordinary verve , Sherwood remakes the eighteenth-century novel and illuminates women's writing and women's roles throughout history.'Breathlessly swashbuckling' DAILY TELEGRAPH'Vividly imagined, relentlessly entertaining, rich and resonant in scope and context, it's both a thrilling adventure and a vital witness to women's voices' EMMA STONEX, author of The Lamplighters'A young writer of immense talent' ANDREW MILLER'A breathtaking feat of historical fiction and utterly astounding. It is wise, urgent and entirely compelling. I was bereft when it ended' WYL MENMUIR'This book is a rarity - a novel as remarkable for the vigour of the storytelling as for its literary ambition. Kim Sherwood is a writer of capacity, potency and sophistication' HILARY MANTEL'A thrilling adventure novel' FIONA MOZLEY