Böcker utgivna av Leuven University Press

The challenges and limits for musicians dealing with texts. To perform a musical score implies the transformation of a symbolically coded text into vibrant sound. In Performing by the Book? a carefully selected cadre of artist-researchers dissects this delicate act in critical ways. Offering first-hand insights into the notational, structural and interpretative challenges faced by musicians in dealing with texts of all kinds, the chapters traverse the spectrum between the Middle Ages and the age of Stockhausen. In a harmonious blend of scholarly allure and individual artistry, free from academic obfuscation, the contributors keep a keen eye on the limits of interpretation, both in terms of the interpretative process itself and of the balance between textual faithfulness and artistic autonomy. This comprehensive volume is an indispensable guide for everyone interested in the relationship between musical performance and texts. Contributing authors: Niels Berentsen (Haute école de musique de Genève-Neuchâtel (HES-SO) / conductor of Diskantores), Björn Schmelzer (artistic director of Graindelavoix / independent researcher), Jonathan Ayerst (freelance organist and improviser), Elizabeth Dobbin (Le Jardin Secret / Haute école de musique de Genève (HES-SO)), Camilla Köhnken (freelance pianist-researcher / Bern Academy of the Arts), George Kennaway (cellist, conductor, teacher, publisher and musicologist / University of Leeds), Kate Bennett Wadsworth (cellist / Guildhall School of Music and Drama), Nir Cohen-Shalit (conductor and independent researcher), Xiangning Lin (pianist / Yong Siew Toh Conservatory of Music, National University of Singapore), Clare Lesser (independent performer, musicologist and composer). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

The work of Frank Quitely and the role of comics art in contemporary Scottish culture, politics and society. Superhero Comics and Scottish Identity explores the life and career of Glasgow-born, Eisner Award-winning, and internationally acclaimed Marvel, DC, and Image Comics artist Frank Quitely. With a prolific career spanning more than three decades, Quitely played a pivotal role in the British superhero renaissance of the 1990s and 2000s and in the explosive emergence of the Scottish new wave of comics, a movement that included peers like Alan Grant, Mark Millar, and Grant Morrison, but has been underrepresented in both comics studies and Scottish studies. This work investigates questions of historical and contemporary expressions of Scottishness in transcultural comics genres such as superhero, science fiction, and fantasy. Framed through the lens of comics and literary genres, as well as their British and American editors, Quitely's approach to Scottishness is oblique and self-reflexive; his expressions of Scottishness are tensely bound to current nuanced examinations of Scottish national, literary and historical subjectivity. His work oscillates between two axiomatic antipodes: the regional, provincial, and local versus the transnational, cosmopolitan, and global. This comprehensive study also features an in-depth interview with Quitely, as well as unearthed archives, sketchbooks, notes, and donated or personal artworks not available elsewhere. This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

The enduring influence of religion in shaping postwar Europe. This volume examines the role of Christian churches in Europe during the often-overlooked postwar period (ca. 1918-ca. 1925), enriching our understanding of the enduring influence of religion in the aftermath of conflict. Taking a multinational, multidenominational, and multidimensional perspective, the essays explore the complex religious landscapes of postwar Europe, the resilience of ecclesiastical networks, and the transnational loyalties connecting Europe and North America. By highlighting the enduring vitality of faith and religious institutions, this study provides fresh insights into the evolving roles of churches, religious movements, and communities. Together, the essays shed light on the broader religious landscape of postwar Europe and provide an invaluable resource for understanding the lasting impact of religion in a transformed world.

The untold story of the Belgian Gospel Mission and the influence of American Evangelicalism. From Hope to Hardship begins with the missionary quest of Ralph and Edith Norton, who assisted John Wilbur Chapman around the turn of the twentieth century at the height of his success as a 'mass-evangelist' in major US cities and worldwide. The book explores the origins and development of the Nortons' campaign, and the interactions between a transatlantic faith mission and the broader landscape of Belgian Protestantism. Through a detailed account of the historical context, in a vivid narrative the author examines how the theological framework of first-wave fundamentalism was creatively applied in a transcultural missionary context, introducing the reader to the mission's evangelistic strategies against the socio-political and religious background of post-World War I Belgium. In this comprehensive monograph, Aaldert Prins offers a well-documented and nuanced understanding of the mission's successes, struggles, and leadership changes, making this book an essential read for anyone interested in the history of transnational evangelicalism and its missionary endeavors.

Prague as a vital Cold War hub for South Asian artists. During the Cold War, the Central-European capital of Prague, alongside other locations in the polarized post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasizing cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarization between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonization that rejected rigid systemic alignment in favor of participation across blocs by prioritizing migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies.

The Krio Fernandino women, pioneers of Europe's African diaspora in the 19th Century. Little is known about the African women who came to Europe from the 1870s onwards, nor do we dare to imagine them as wealthy, elegantly dressed individuals with refined tastes and fluent in several languages. The Krio Fernandino represented a multisited, multilocal, transnational, transcontinental and Afropolitan community that lived between Africa and Europe from the late 19th century onwards. This book explains how the Krio Fernandino, and particularly their women, transcended the barriers of race and gender in colonial Africa and in Spain. Aixelà-Cabré highlights a fascinating journey across cultures and continents, unearthing a compelling narrative of African women's empowerment in their home continent and in Catalonia. This research highlights a women's history that resonates on regional, national and transcontinental levels; a genuine Euro-African and Afro-European legacy to be preserved for future generations. This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Transgressive acts in architecture as responses to today's ecological, political, economic, and social crisesIn architecture, transgressive acts have always been a reality, in spite of rules and canons that have defined the discipline and its extended field. However, in recent decades their frequency and radicality have surged from rather random, marginal and/or idiosyncratic phenomena. While their sudden rise can be explained as a response to the compulsive normativity of modernity, the deeper root is to be sought elsewhere: the recent waves of transgressiveness are intimately linked to the hypercrisis affecting our world today - spanning ecological, political, economic, and social dimensions, and catalysing fundamental mutations and disorders. Some of these transgressive acts are motivated by a desire to dismantle a malfunctioning system, but more often than not breaking the rules has become an inherent survival tactic amid urgent social challenges. In our era of after-modernity, transgression emerges not just as an act of defiance but reveals a new paradigm at work - a critical framework for reimagining the built environment, challenging established orders, and advocating for the rights of marginalised populations. Through a rich array of empirical case studies and theoretical insights, this volume provides a unique, forward-looking perspective on transgressive acts in architecture as responses to today's ecological, political, economic, and social crises. This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Three decades of intellectual work on architectural theory and feminist discourse.Hilde Heynen is a Belgian architectural theorist whose work bridges neo-Marxist critical theory and current feminist discourse, applying these perspectives to architectural culture. This volume collects her most significant texts from three decades of intellectual work, centred on three feature concepts: mimesis, dwelling, and displacement. It offers readers incisive reflections on architects' roles in shaping societies and the alliance between ideology, societal structures of injustice, political economy, housing and the built environment.Within a fierce post-critical debate among scholars who have begun to question the relevance of architectural theory to the discipline in the early twenty-first century, Heynen's position remains constant throughout her writings in defence of architectural theory as a social and transformative practice. This collection is essential reading for new generations of architects and cultural theorists interested in modernity, gender and criticality.

Para-colonial, colonial, and postcolonial entanglements in South Pacific architecture.Knowledge of colonial architecture in the South Pacific remains sparse, with often-overlooked connections to para-colonial settings and postcolonial continuities. This edited volume seeks to address these gaps, focusing on the period from 1840 to 1970 across the broader South Pacific region. Through in-depth architectural case studies of buildings, ensembles and urban projects, the essays reflect on the complex interactions between locals and foreigners, colonisers and the colonised, and their shifting allegiances, even across changing political powers. With a rare focus on German colonial influences in the region, the contributions go beyond the predominant narratives of British and French colonial influence. This volume is a valuable resource for students and researchers of architectural history and colonial history in Oceania.

A multidisciplinary study of power in Central Africa.Central Africa has long been a fertile ground for engendering new concepts and innovative research, significantly influencing not only African studies but other fields as well. This edited volume offers groundbreaking, multidisciplinary reflections on power in Central Africa, from the Atlantic slave trade era to the present. By bringing together emerging and leading scholars, Textures of Power builds on rich epistemic legacies in African studies, opening new research avenues across history, anthropology, and cultural and political studies. It offers fresh perspectives on colonial and postcolonial power structures, drawing on new findings while critically engaging with earlier theoretical frameworks.Employing the concept of "texture" as a red thread, the book showcases the study of power as an analytical tool in the humanities and the social sciences. It fosters dialogues between approaches to emotions and technology, colonialism and its aftermath, and non-humans and the invisible world. Drawing on stories about women, social rebellions, digital technologies, slavery, languages, forest management, charms, care and bio-medicine, urban life, radio, music, witchcraft, homosexuality, and environmental pollution, this volume emphasizes bottom-up, long-term approaches and local theories about power.This work will appeal to students and scholars in African studies, colonial and postcolonial studies, and those interested in Africa's longue durée history. It is also relevant to those studying power dynamics, cultural studies, queer and gender studies, and environmental humanities.

An ethnographic and photographic investigation into the complex meanings of living in Congo's urban worlds today.Focusing upon the 'urban now', a moment suspended between lingering precolonial references, the broken dreams of a colonial past, and the not yet realised promises of neoliberal futures, this book provides an ethnographic and photographic investigation of the complex meanings of living - and living together - in Congo's urban worlds today.The authors, anthropologist Filip De Boeck and photographer Sammy Baloji, take the reader on a tour of specific urban sites in Kinshasa and beyond. In their detailed analysis these sites emerge as suturing points in which the possibilities of collective urban action and dreams of a shared future continue to be explored.

Performances dealing with histories of violence and trauma in contemporary societies.In this book, scholars and artists from different fields such as Performance Studies, Cultural and Visual Studies, Psychology and Performance Art address how performances and performance practices engage with histories of violence and trauma in contemporary societies. They explore performance practices as alternative approaches to transitional justice schemes, as embodied encounters with witnesses inside and outside rehearsal spaces, and as research environments for artists working on intergenerational trauma, the legacies of colonialism and migration. The collection offers new ways of seeing, healing and remembering violence and trauma in and through contemporary performances. It challenges common assumptions about dominant and silenced narratives, as well as precarious and resilient bodies that embody performances of historical and ongoing violence and trauma.

The first comprehensive guide dedicated solely to research on Latin-European early modern student notes.The many preserved collections of student notes from the early modern period - ranging from neatly maintained notebooks to barely legible scribbles crammed between lines of printed text - hold considerable but largely untapped potential as an historical source. At the same time, the analysis of these notes poses significant challenges for scholars. This book aims to be a concise and accessible companion for scholars interested in engaging with this young and burgeoning research field. Written by a diverse group of specialists from across Europe and the US, it explores the various technical and practical aspects involved in reading, interpreting, and editing student notes, while also demonstrating how these sources can enrich various areas of historical research. Indeed, student notes reveal that early modern lecture halls were often more dynamic, diverse, and creative than we might have expected.

The first long-durée history of large-scale violence in the Congo BasinSince the early nineteenth century, political and military violence has played an exceptionally significant role in the territory corresponding to the present-day Democratic Republic of Congo. By emphasising the periodic re-occurrence of "warlordism" and the economy of plunder that characterises it, the author Giacomo Macola offers new analytical tools to interpret the history of the societies of the Congo Basin over the past two hundred years. In the concluding chapters, Macola dwells on more recent events, detailing the collapse of Mobutu's Zaire, the "Great African War" and the reasons for the continuing armed instability in the east of the country. Supplementing analyses of the contemporary dimension of African conflicts, Macola makes a case for the enduring importance of studying precolonial history.This book will be made open access within three years of publication thanks to Path to Open, a program developed in partnership between JSTOR, the American Council of Learned Societies (ACLS), University of Michigan Press, and The University of North Carolina Press to bring about equitable access and impact for the entire scholarly community, including authors, researchers, libraries, and university presses around the world. Learn more at https://about.jstor.org/path-to-open/

Innovative study of animal art histories in modern art.Animal Modernities challenges the traditional human-centered focus of art history and explores how modern art, visual culture, and modernity itself emerge from relationships between humans and animals. The essays in this volume reveal histories of exploitation and domination, as well as confusion and ambivalence, and occasional moments when affinities between humans and animals have been embraced, and animal agency asserted and acknowledged. The authors collectively point to the importance of thinking about animal-human relations for addressing today's ecological challenges.

A comprehensive overview of Laurent-Benoît Dewez's architectural worksLaurent-Benoît Dewez (1732-1812), court architect to Charles of Lorraine, was the most outstanding architect of his time in the Southern Low Countries. After studying in Italy and serving in the eminent office of Robert Adam in London, Dewez developed a personal, classical style that came to embody the "Eglise Belgique" under the Austrian Habsburgs.He designed numerous castles, abbeys, and churches across Belgium, but time has not been kind to his legacy: of his 80 architectural projects, many have vanished. However, the Château de Seneffe, the abbey of Vlierbeek in Leuven, and the churches in Andenne, Floreffe, and Harelbeke still stand as testaments to his remarkable talent.This richly illustrated monograph presents, for the first time, a comprehensive collection and analysis of the complete works of Laurent-Benoît Dewez.

Thought-provoking analysis of how illiberalism, major crises and digital transformation are changing our politico-administrative systemsWhat does the future hold for the public sector? A convergence of illiberalism, major crises, system quakes and digital transformations are reshaping current politico-administrative systems. How will this challenge the way states and public administrations can and should be managed, and what will be the impact on citizen-administrative relations and our models of democracy? In this book, leading Public Administration scholars reflect on major trends in the public sector and their implications. They offer visions of how the academic field of Public Administration can respond to or anticipate possible futures. Ideal for policymakers, academics, and anyone invested in the future of governance, this compelling work reflects on how the forces transforming our world will impact the public sector.