Böcker utgivna av Langaa RPCID

Sing Love 101 a collection of 101 love poems in which this wordsmith worth his words brings together the good, the bad and the ugly of human love experiences. The poems are glossed with the simplicity of a sweet gentle breeze that caresses the reader's heart like that blowing across his childhood rice fields in the summer. The poet highlights 'Love' as 'the Dream' none should let die.

Since the mid-1980s, there has been much federalism talk in Cameroon where federation (said to have been created in Foumban in 1961) had supposedly been 'overwhelmingly' rejected in 1972 by Cameroonians. 'Confusioncracy' is the one good term that could conveniently explain it. Written with the trilogy of criticism, provocation, and construction in mind, this book aims at reconstructing a new and vigorous society in Cameroon that ensures respect for fundamental human rights and certain basic shared values. Much as the book centres on the Anglophone Problem; it is principally about human rights and their excessive violations - the direct result of the absence of separation of powers and constitutionalism. It largely condemns Cameroon's government for incessantly singing democracy and rule of law at the same time as it is massively torturing and wantonly killing citizens that dare to question the confusion. While sharing the position that a state like Cameroon must be seen to ensure that its laws and other practices accord with its international commitments, the book nonetheless strives to apportion the blame for Cameroon's human rights catastrophe accordingly; showing how the English-speaking minority itself, generally speaking, contributes to a large extent in propping up the dictatorship that is oppressing not only that minority but Cameroonians at large. The book challenges Cameroon to assume a leadership role in uniting Africans through meaningful federalization rather than further splitting them into incapable mini-states on the challenging world stage.

In this carefully thought-through anthology, Bole Butake brings Cameroonian poets of different generations, gender, regions, backgrounds and interests into conversation not only among themselves but more especially with poets from other parts of Africa and the world. This is a testament on the universality of poetry. It is an invitation for those in tune with poetry to reaffirm its magic and to spread the warmth of its embrace in celebration of a common and boundless humanity.

The poems in this collection are adequate, with great lines. The rhythm is stimulating to all the five senses thanks to the use of multiple images. A lot of imagery in Vestiges gives a picture of a war front after a ferocious battle. The objects, animals, and images in the poems disorient and lead the reader to focusing on putting flesh to the bones than just getting the juice of the poems... The rhythm more than anything else carries the reader through this chaotic tableau painted in Vestiges. In a way, this comes across as a substantiation of the poet's vision of our world and an explanation as to why he considers this collection as a skeleton; and precisely skeletons left by the ravages of war. Is the poet's world and ours a field of ruins and topsy-turvydom to which we are all blind? The answer is yours.

Many men believe that they own the world and that women are simply objects placed in that world to enable men to enjoy it fully. Such men claim to fully understand what is on a woman's mind at every moment, an indication of control over the female sex, and proof of their opinion that a woman's happiness depends fully on the man. Do men really understand and know as much about women as they presume? In this book Colin Diyen imagines himself as a woman and tries to think like one.

Cameroon is often considered to be Africa's legendary pathfinder. This book argues essentially that Cameroon cannot competently champion African unity and progress until it can correctly pursue its own multicultural nation-building. Cameroon's success continental-wise would depend on its theory and practice of multiculturalism, as particularly reflected in (1) the rejoicing in its historical diversity and the harmonious co-existence of its Systems of Education which must, of necessity, be linked to (2) effective federalization or decentralization of uniquely cultural matters. Critically examining history and education as components of culture, and therefore, of multiculturalism, the book makes some bold recommendations while demonstrating how nation-building is meaningless without the people's authentic history. It argues that Cameroon national culture cannot be a national culture without embodying the distinct culture of the English-speaking minority. Anything else is nothing but deliberate confusion of assimilation for multiculturalism, a confusion that is heavily tied to the country's phoney independence. Hinging on education (and its associates of bilingualism and bijuralism), the book demonstrates that Cameroon's over-sung cultural dualism is a charade, epitomized by the 1998 Education Law. Rather than reaffirm Cameroon's biculturalism as it superficially avows, Cameroon's purported cultural dualism is really out to efface any semblance of cultural or educational dualism that may still be resisting assimilation. The continuous and persistent employment of terms such as biculturalism, bilingualism and bijuralism in legal texts in Cameroon is only to confuse the international community, especially from seeing exactly the kind of 'ethnic cleansing' which is taking place in the country.

This rich conversational auto-biography tells the story of the political life of Ndeh Ntumazah who was born in Mankon in 1926, spent the best part of his life suffering and sacrificing for the freedom of Cameroon, and died in London on January 21, 2010, at the age of 83, as President of the Union of the Populations of Cameroon (UPC). Ntumazah was a political activist for nearly 60 years. He joined the UPC around 1950 and remained a militant of the party until his demise. When the UPC was banned in French Cameroon in 1955, he was advised by his comrades to create another party in the Southern Cameroons, which would be the UPC in disguise. The party was called 'One Kamerun Movement - OK', with Ndeh Ntumazah as its President. Following its banning, the UPC started a war of liberation in French Cameoon, so Ntumazah from the safety of Southern Cameroons, liaised with his comrades in French Cameroon to carry out their underground operations. Ndeh Ntumazah left Cameroon to seek political asylum abroad in 1962. He stayed in Ghana, Guinea, Algeria and finally in Britain where he spent most of his time sensitising the world about the plight of Cameroon using various avenues like writing, conferences and deputations. Ntumazah is dead, but he lives on because his life stands out as a point of focus.

Snatched from the Grave, an exciting and provocative collection of 46 poems, traces the path taken by the protagonist to find real lifelong satisfaction and peace in a turbulent, perilous and ruthless world. The poems fire the imagination and generate thought around questions of existence and belief as they call on the reader to re-examine him/herself in order to live a meaningful life.

Crying in Hiccoughs is a graphic presentation of the more realistic phase of Africa's politico-economic and historico-moral evolution in general, and Cameroon's, in particular. From the colonial to the post-independence era, the poet sees nothing worthy of praise-singing and handclapping. So, he resorts to crying in hiccoughs and invites the blind, deaf and dumb brainwashed praise-singers to join him in singing his little songs so as to expose and challenge the demagogy.

Bill F. Ndi, poet, playwright, storyteller, literary critic, translator, historian of ideas and mentalities and academic is household name in Anglophone Cameroonian poetry. He has held teaching positions in several universities in Australia, France, and elsewhere. He now teaches at Tuskegee University, Tuskegee Alabama, USA. He has authored numerous (poetry, drama, scholarly works on early Quakerism as well as translations of early Quaker writings) publications in both the English and French languages. "Epigrams is a compendium of sagacious aphorisms in which Bill F. Ndi has dared to stand on the shoulders of the Muses to see in his own mind's eye; to decipher the indicible. The poet's locus is the all-too-human foible but the bull's eye is the optical illusion engendered by the misreading of life's chessboard. He chides, lambastes and laughs under his sleeve, all in an effort to return to sanity a world gone berserk." Peter Wuteh Vakunta, Department of Defense Language Institute, Presidio of Monterey, USA