Böcker utgivna av Langaa RPCID

Life in Safang could not have been more idyllic for Ngoma and Shaka, his elder sister. Under the wings of an attendant and storytelling mother, they didn't miss the father they hadn't known. Later on, in the alluvial valleys of Bonfuma and the lands beyond, Ngoma experiences the thrills and challenges of schooling and being schooled. Adolescents will appreciate his stories and struggles as he tries to reconcile his village roots with the desire for a modern education. He has special relationships with his grandfather, stepfather and teachers, and becomes captain of the college football team. But growing up with a sister does not make him understand the subtleties and complexities of girls. Whether Collette or Camille, they seem to be two sides of the same coin. Ngoma successfully manoeuvres between the two, without the slightest crisis, for a while. He seeks balance between God and girls, work and pleasure, learning and mischief. While life can be well salted, it can also be bitter. Jealousy rises and he discovers who matters and who doesn't. His life brings together the bearableness and unbearableness of belonging, of being in love and being free, of...

In this juvenalia, his first collection of poems, Francis Nyamnjoh takes the reader back in time, even as the past catches up with the present, to show how unchanging and even painful life can be. Accordingly, the poems celebrate, mourn, ridicule, lambast, and lament, thereby highlighting Nyamnjoh's characteristic fascination with the plight of the person in society, a picture which reaffirms his already established role as the conscience of spaces, especially those African.

This is an original and innovative study of mobile phones in Africa from a theological perspective. The First and the Second Special Assemblies for Africa of the Synod of Bishops, held in Rome in 1994 and 2009 respectively, made an urgent appeal to the Church in Africa to employ various media forms of social communications for evangelization and the promotion of justice and peace. Evidently, electronic media are now increasingly used for evangelization across Africa. The proliferation of the mobile phone in Africa is a most welcome development to this end. On the basis of a thorough review of the growing literature on the mobile phone and the cultures it inspires, Goliama highlights the ambivalent nature of mobile cultures for the Roman Catholic Church's evangelization mission in Africa. He argues not only for the continued merits of face-to-face communication for the Church's pastoral approach in the African context. He points to how this could be enriched by a creative appropriation of the mobile phone as a tool for theological engagement, in its capacity to shape cultures in ways amenable to the construction of a Cell phone Ecclesiology. Such emergent mobile cultural values include the tendency of mobile users to transcend social divides, to promote social interconnectedness, and to privilege the question 'where are you?'. This informed and well articulated exploration of Cell phone Ecclesiology is thus envisaged to aid the Church in Africa to wrestle more effectively with challenges that diminish human life and promote instead qualities that are life-affirming to all categories of people in the Church and society.

Laughing Store is just what we need in times of troubles and uncertainties such as these. A book of humour from an acclaimed master of laughter, it lifts our hearts and raises our spirits. Jokes that touch about every domain of existence - from sex to religion, from births to deaths, from politics to the beer parlour, from the courtroom to the hospital. And most important of all, conceived in the supremely original Cameroonian flavour of jokes.

This book was first published as a two-part essay in 1965 and 1967 in ABBIA - Cameroon Cultural Review - under the title 'Idea of Culture'. Its main argument is that indigenous Africans cultures must be the foundation on which the modern African cultural structure should be raised; the soil into which the new seed should be sown; the stem into which the new scion should be grafted; the sap that should enliven the entire organism. This culture, the object of imperialist mockery and rejected, needs rehabilitation. However, such rehabilitation of African culture cannot be a mere archaeological enterprise. It will not answer to dig up the past and live it as it was. Not only is African culture not without its imperfections, times change and African culture must adapt itself, at every turn, to the changing times. In restoring African culture, it is imperative to steer clear of two extremes: on the one hand, the imperialist arrogance which declared everything African as only fit for the scrap-heap and the dust-bin, and, on the other hand, the overly enthusiastic and rather naive tendency to laud every aspect of African culture as if it were the quintessence of human achievement.

Poet Mbuh Tennu Mbuh is a lecturer in the English Department, University of YaoundÈ I. A pioneer member of the Anglophone Cameroon Writers Association (ACWA) and a Fulbright and Commonwealth Scholar, Tennu holds a PhD from the University of Nottingham. He is author of a novel, In the Shadow of My Country.

This volume, from an Africa perspective, examines the relationship between ethnicity and citizenship within the framework of nation-state. Its objective and scope engage relational aspects of political integration, awaken public conscience, and motivate civic engagement. It provides a platform that could be considered prerequisite for political transformation. Such a framework is indispensable not only for challenging the politics of exclusion and marginalization, but also for reconstructing fractured social relationships. The test of its validity and relevancy is not whether it accounts for particular traditions, but whether it provides a framework through which we can comprehend the dynamics of ethnic identities as an avenue for promoting participatory governance and democratic accountability. An interdisciplinary study of this kind brings forth practical and theoretical contributions to the evolving concepts of ethnicity and citizenship.

Shadows, as the title insinuates, splits open and lays bare the frightening vision of humanity, the heart of man depressed, a veritable inferno in which there is little to be enjoyed and everything to be endured, as all is vanity, a gnawing emptiness. Nothing is but what it seems. Simple but without being simplistic, there is in the damp climate of Doh's poetry broken promises, displaced emotional centres, a pervading sense of doom, of impending disaster, and a total helplessness reminiscent of Plato's proverbial mythical cave in which all reality is but shadow, devoid of substance, with the observer chained to the walls of his feelings, beliefs, and unfulfilled ambitions. The second section, 'Celebration', is, however, a source of warmth, of light, the sun's rays in an otherwise damp and and dark collection.

This collection of poems spans a wide range of themes and subjects, including culture, politics, socio-economics, environment, and human rights. The poems are a reflection of Ekpe Inyang's close contact with and passionate observation of society, as well as his generous sharing of life experiences and personal philosophy. Ekpe's poetic journey started in 1992, and some of the poems in this collection have been published in national and internal newspapers, magazines, anthologies, and journals.

Sing Love 101 a collection of 101 love poems in which this wordsmith worth his words brings together the good, the bad and the ugly of human love experiences. The poems are glossed with the simplicity of a sweet gentle breeze that caresses the reader's heart like that blowing across his childhood rice fields in the summer. The poet highlights 'Love' as 'the Dream' none should let die.

Since the mid-1980s, there has been much federalism talk in Cameroon where federation (said to have been created in Foumban in 1961) had supposedly been 'overwhelmingly' rejected in 1972 by Cameroonians. 'Confusioncracy' is the one good term that could conveniently explain it. Written with the trilogy of criticism, provocation, and construction in mind, this book aims at reconstructing a new and vigorous society in Cameroon that ensures respect for fundamental human rights and certain basic shared values. Much as the book centres on the Anglophone Problem; it is principally about human rights and their excessive violations - the direct result of the absence of separation of powers and constitutionalism. It largely condemns Cameroon's government for incessantly singing democracy and rule of law at the same time as it is massively torturing and wantonly killing citizens that dare to question the confusion. While sharing the position that a state like Cameroon must be seen to ensure that its laws and other practices accord with its international commitments, the book nonetheless strives to apportion the blame for Cameroon's human rights catastrophe accordingly; showing how the English-speaking minority itself, generally speaking, contributes to a large extent in propping up the dictatorship that is oppressing not only that minority but Cameroonians at large. The book challenges Cameroon to assume a leadership role in uniting Africans through meaningful federalization rather than further splitting them into incapable mini-states on the challenging world stage.

In this carefully thought-through anthology, Bole Butake brings Cameroonian poets of different generations, gender, regions, backgrounds and interests into conversation not only among themselves but more especially with poets from other parts of Africa and the world. This is a testament on the universality of poetry. It is an invitation for those in tune with poetry to reaffirm its magic and to spread the warmth of its embrace in celebration of a common and boundless humanity.

The poems in this collection are adequate, with great lines. The rhythm is stimulating to all the five senses thanks to the use of multiple images. A lot of imagery in Vestiges gives a picture of a war front after a ferocious battle. The objects, animals, and images in the poems disorient and lead the reader to focusing on putting flesh to the bones than just getting the juice of the poems... The rhythm more than anything else carries the reader through this chaotic tableau painted in Vestiges. In a way, this comes across as a substantiation of the poet's vision of our world and an explanation as to why he considers this collection as a skeleton; and precisely skeletons left by the ravages of war. Is the poet's world and ours a field of ruins and topsy-turvydom to which we are all blind? The answer is yours.

Many men believe that they own the world and that women are simply objects placed in that world to enable men to enjoy it fully. Such men claim to fully understand what is on a woman's mind at every moment, an indication of control over the female sex, and proof of their opinion that a woman's happiness depends fully on the man. Do men really understand and know as much about women as they presume? In this book Colin Diyen imagines himself as a woman and tries to think like one.

Cameroon is often considered to be Africa's legendary pathfinder. This book argues essentially that Cameroon cannot competently champion African unity and progress until it can correctly pursue its own multicultural nation-building. Cameroon's success continental-wise would depend on its theory and practice of multiculturalism, as particularly reflected in (1) the rejoicing in its historical diversity and the harmonious co-existence of its Systems of Education which must, of necessity, be linked to (2) effective federalization or decentralization of uniquely cultural matters. Critically examining history and education as components of culture, and therefore, of multiculturalism, the book makes some bold recommendations while demonstrating how nation-building is meaningless without the people's authentic history. It argues that Cameroon national culture cannot be a national culture without embodying the distinct culture of the English-speaking minority. Anything else is nothing but deliberate confusion of assimilation for multiculturalism, a confusion that is heavily tied to the country's phoney independence. Hinging on education (and its associates of bilingualism and bijuralism), the book demonstrates that Cameroon's over-sung cultural dualism is a charade, epitomized by the 1998 Education Law. Rather than reaffirm Cameroon's biculturalism as it superficially avows, Cameroon's purported cultural dualism is really out to efface any semblance of cultural or educational dualism that may still be resisting assimilation. The continuous and persistent employment of terms such as biculturalism, bilingualism and bijuralism in legal texts in Cameroon is only to confuse the international community, especially from seeing exactly the kind of 'ethnic cleansing' which is taking place in the country.