Böcker utgivna av Langaa RPCID

This prolific collection of essays, with contributions from scholars from across several disciplines, on the practice and implications of naming - Nomenclatural Poetization and Globalization - explores diverse concerns in onomastics, such as cultural and ethnic implications as well as individual identity formation processes in the age of Globalization and extends these to a variety of contemporary theories of appreciation and internationalization.

Through her Letters written to Friends, to her opponents: priests, magistrates, politicians, including the king, Elizabeth Hooton leaves a captivating testimony of her fights for and of her activism in quest of the Truth, Freedom, Justice and equity for all as well as peace on earth and within the Quaker movement. Hers was a fight and quest far from any guided by egoism pure and simple or by personal interest. She was driven by her interest in the common good of all and everywhere. In History of civilizations we have actors who fade away unnoticed or at times are just ignored whereas their contributions to the said civilizations as small as they might be have contributed tremendously in shaping without doubt the same civilizations. Elizabeth Hooton falls within this category of people whose contribution to contemporary English civilization and above all to the feminist movement can be read between the lines of the fragments of these letters; she wrote to her Friends and to the political leaders of England during an era of great changes which radically transformed the English society i.e. 17th Century England. She expresses herself in very caustic terms as a way of affirming the rights to equality of the oppressed woman and other marginals of the society of her time. She anchors her fight on the axis of a universal and Universalist quest for equality, a Quaker ideal.

In this thought provoking book, Komla Tsey argues that if governments, NGOs, development donor agencies and researchers are serious about development in Africa, they need to get down to ground level, both metaphorically and literally. They must search deep into Africa's own rich oral traditions by creating space and opportunity for ordinary Africans, whose voices have so far been conspicuously absent in the development discourse, to tell and share their own stories of development. Story-sharing as research methodology acts as a mirror, reflecting the participants' self-evaluation of where they have come from, where they are now, and how to proceed into the future. They are strategies that can empower and enable individuals and communities of people to be agents of their own change which, in Tsey's view, is what development is all about.

Written in simple and straightforward language, Environmental Problems in the Bakossi Landscape is a practical handbook of knowledge and skills needed to be more efficient in sensitising and taking practical steps to address environmental problems. Although the handbook focuses on the seven environmental problems of the Bakossi Landscape, its depth and breadth of analysis and the deliberate attempt at not making it too site-specific in the discussion of the problems makes it equally useful for Environmental Clubs of schools in other areas, as well as other community educators interested in environmental issues or environmental education. The ultimate aim of the book is in assisting all and sundry make the world a better place by being more sensitive to the needs, sensibilities and sensitivities of the environment.

The story of how the poems in this collection survived an inferno at the University of Ibadan will have to be told someday in a full-bodied narrative. Mostly written by 1995, the poems constitute an emotional biography, or a loose personal chronicle of events and contemplations occurring in a particularly fiery period in the author's life. Often the products of extreme inner excoriations, they remain germane to a reading of his subsequent philosophical transitions and current commitments. The reader of Shadrach and Other Poems will readily detect, and enjoy, the springs from which the themes of the verses flow from candid intimate reflections that underscore their authenticity to specifically public and numinous encounters that suggest the boundlessness of their source. The Shadrach idea - a telling image of trial - is the poet's choice of a redeeming metaphor that indicates the triumph of the human spirit over temporal setbacks and its indictment of forces falsely proclaiming their permanence. In this way, Oka Obono reminds us that humour, gravity and imagination are indispensable to us as we make peace with chance and providence in an uncertain world. He throws open the experience of a convoluted journey, and invites us to recollect our own histories within its subterranean passages. This is the charm of these poems. The material will resonate with readers who have been in varying kinds of 'ontological crucibles'. They will endorse the redemption waiting at the end of every tunnel - even if that came through the 'labyrinth of a promised furnace'.

This is the story of two Cameroonian asylum seekers desperately seeking a foothold in Germany. Baco and Stoney go to a night club. They meet Tina, a German lady. Baco dances with her and they exchange telephone numbers. Days later, Baco and Tina catch up with each other. Love and opportunism are in the air. Who is pretending and who is genuine? Will Stoney who proposes marriage to Margeret, another German lady, be an ideal husband? Where does Nicoline, the girl from Cameroon, fit in the jigsaw of love and pretence? Who is who and what is what in this thriller? Find out for yourself.

This is the fascinating story of a young girl from a very poor family who raised her head high and raised the dignity of women through her own personal and determined effort. She did not yield to the victimizations of corrupt minds, nor to the temptations of apathy and pessimistic thinking; rather she saw everything optimistically and through many hardships achieved her lifeís ambitions.

This novel re-visions history through narrative fiction: the history of his people that has long been silenced and distorted as a colonial strategy, the history of an African community at the crossroads. Asobo-Ntsi, the stubborn yet proud Fon of Nyen, is faced with some challenges amongst which are: his seven- and nine-man council that is not happy with his dictatorship and tax laws, a disgruntled quarter that attempts to secede, and also, the encroaching colonialist, Nwuoupang, with his church and administration. How Asobo-Ntsi handles these challenges is expressed powerfully and movingly with great narrative artistry that absorbs the reader and keeps him/her enthralled to the end.

L'Evadé de K... derives from a true story. The story begins with a flash back showing the hero in jail. Cegalo, an adolescent, lives in a difficult family. His father is a kind of headsman unable to educate his son. He strongly believes in the virtue of violence as a means of educating. The son ends up in delinquency. Robbery of tourists, especially white men is his favourite activity. After a hold-up, he is arrested and kept in custody. Unable to control him, the prison authorities decide to send him to the famous Prison of K...This prison is the most secure of the country and nobody has ever escaped from it. In order to survive, many prisoners are condemned to eat all that they can find, even mice. The law in that jungle is "kill before you are killed". During a nightmare, his late grandmother appears and orders him to return to his village. It's the beginning of a fantastic and dreadful adventure. He decides to escape from the Prison of K... He succeeds and after covering 300 km on foot, disguised as a mad man to avoid policemen. His aim is quite simple. He wants to return to jail in order to be judged normally, according to the new penal procedure code in force. He kidnaps the Senior Divisional Officer, the Attorney at law and the prison chief and returns to the cell. After the judgement, he is set free. He reconciles with his parents and above all finds Rosy, his childhood love.

In beautifully constructed verse, JK Bannavti's Leopard Watch tells the story of a Fon who out of greed and veiled impiety devastates the land over which he rules. The Fon, The King of Bamkov is in a perpetual state of slumber while an illusive beast drives terror into the heart of the kingdom, killing children as well as cattle. Neither the cries of the people nor pressure from the notables seems to have any effect on him. The population of the clan diminishes daily while the Fon sleeps, snores, and drools in the day, and growls, chews, and laps in the night. When finally the notables join the youth vigilante group to hunt down the beast, they come face to face with the devourer who narrowly escapes. A day later, one of the notables, Gwei, in a drunken state encounters and kills the leopard at night as he returns from the market. Amidst jubilation and in honor of Gwei the Fon collapses off his horse and dies. His carcass lies in the same state as that of the dead leopard.

Contemporary Bali Nyonga is a rapidly growing town of over 80,000 in habitants, sixteen kilometres southwest of Bamenda, the capital of the North West region, Cameroon. If Cameroon has been aptly referred to in many circles as Africa in miniature, then Bali Nyonga, since its founding in the mid 19th century is emblematic of this so-called 'multicultural' region. This book is about change in Bali Nyonga, but it is also about change in a typical postcolonial African setting grappling with a challenging new world reality. It aims to provide cutting-edge analyses of cultural change in Bali as well as inspire a new kind of scholarship in the Cameroon Grasslands - championed by indigenous intellectuals. The contributors to this volume come from diverse academic backgrounds and as will be evident in the various chapters, their disciplinary perspectives have largely shaped their approaches to the topics under study. Hence, this book draws on anthropological, theological, literary and media studies perspective.