Böcker utgivna av Knopf Doubleday Publishing Group

A riveting narrative account of a brilliant, rebel scientist and his notorious lab as they unlock the mystery of memory. For decades Gary Lynch sought to uncover what physically happens in the brain when we form a memory. Luckily award-winning journalist Terry McDermott was with Lynch in his lab as his staff worked tirelessly to achieve this groundbreaking scientific discovery. Here with the verve of a novelist, McDermott introduces the cutting-edge science and wild cast of characters that enabled Lynch to reveal the inner workings of the memory machine. He then explains some practical applications of these discoveries: drugs that could possibly cure a wide range of neurological conditions, including ADHD. He also shows where Lynch's sights are now set: on discovering the larger architectural of memory formation.

From one of the world's premier Shakespeare scholars comes a magisterial new study whose premise is "that Shakespeare makes modern culture and that modern culture makes Shakespeare." Shakespeare has determined many of the ideas that we think of as "naturally" true: ideas about human character, individuality and selfhood, government, leadership, love and jealousy, men and women, youth and age. Marjorie Garber delves into ten plays to explore the interrelationships between Shakespeare and contemporary culture, from James Joyce's Ulysses to George W. Bush's reading list. From the persistence of difference in Othello to the matter of character in Hamlet to the untimeliness of youth in Romeo and Juliet, Garber discusses how these ideas have been re-imagined in modern fiction, theater, film, and the news, and in the literature of psychology, sociology, political theory, business, medicine, and law. Shakespeare and Modern Culture is a brilliant recasting of our own mental and emotional landscape as refracted through the prism of the protean Shakespeare.

Each of Lara Vapnyar's six stories invites us into a world where food and love intersect, along with the overlapping pleasures and frustrations of Vapnyar's uniquely captivating characters. Meet Nina, a recent arrival from Russia, for whom colorful vegetables represent her own fresh hopes and dreams . . . Luda and Milena, who battle over a widower in their English class with competing recipes for cheese puffs, spinach pies, and meatballs . . . and Sergey, who finds more comfort in the borscht made by a paid female companion than in her sexual ministrations. They all crave the taste and smell of home, wherever—and with whomever—that may turn out to be. A roundup of recipes are the final taste of this delicious collection.

A genre-bending exploration of poetry, photography, and human migration—another revelatory visual expedition from the National Book Award–winning poet who changed the way we see art, the museum, and the Black female figure. • Winner of the PEN/Voelcker Award for Poetry“Lewis pushes the limits of language and image, composing lines alongside a cache of hundreds of photographs found under her late grandmother’s bed only days before the house was slated to be razed.” —Kevin Young, The New YorkerTwenty-five years ago, after her maternal grandmother’s death, Robin Coste Lewis discovered a stunning collection of photographs in an old suitcase under her bed, filled with everything from sepia tintypes to Technicolor Polaroids. Lewis’s family had survived one of the largest migrations in human history, when six million Americans fled the South, attempting to escape from white supremacy and white terrorism. But these photographs of daily twentieth-century Black life revealed a concealed, interior history. The poetry Lewis joins to these vivid images stands forth as an inspiring alternative to the usual ways we frame the old stories of “race” and “migration,” placing them within a much vaster span of time and history.In what she calls “a film for the hands” and “an origin myth for the future,” Lewis reverses our expectations of both poetry and photography: “Black pages, black space, black time––the Big Black Bang.” From glamorous outings to graduations, birth announcements, baseball leagues, and back-porch delight, Lewis creates a lyrical documentary about Black intimacy. Instead of colonial nostalgia, she offers us “an exalted Black privacy.” What emerges is a dynamic reframing of what it means to be human and alive, with Blackness at its center. “I am trying / to make the gods / happy,” she writes amid these portraits of her ancestors. “I am trying to make the dead / clap and shout.”

"A magnetic tale of betrayal, art, and ambition, set in the world of professional ballet, New York City during the AIDS crisis, and present-day Los Angeles Carlisle Martin dreams of becoming a professional ballet dancer just like her mother, Isabel, a former Balanchine ballerina. Since they live in Ohio, she only gets to see her father Robert for a few precious weeks a year when she visits Greenwich Village, where he lives in an enchanting apartment on Bank Street with his partner, James. Brilliant but troubled, James gives Carlisle an education in all that he holds dear in life-literature, music, and most of all, dance. Seduced by the heady pull of mentorship and the sophistication of their lives, Carlisle's aspiration to become a dancer herself blooms, born of her desire to be asked to stay at Bank Street, to be included in Robert and James' world even as AIDS brings devastation to their community. Instead, a passionate love affair creates a rift between them, with devastating consequences that reverberate for decades to come. Nineteen years later, Carlisle receives a phone call which unravels the fateful events of her life, causing her to see with new eyes how her younger self has informed the woman she's become. They're Going to Love You is a gripping and gorgeously written novel of heartbreaking intensity. With psychological precision and a masterfully revealed secret at its heart, it asks what it takes to be an artist in America, and the price of forgiveness, of ambition, and of love"--