Böcker utgivna av Knopf Doubleday Publishing Group

"As a revelation of human destiny it is too deep even for sorrow", was how D.H. Lawrence characterized MOBY-DICK. Published in the same five-year span as The Scarlet Letter, Walden, and Leaves of Grass, this great adventure of the sea and the life of the soul is the ultimate achievement of that stunning period in American letters.

From the author of Henry and Clara, a dazzling, hilarious novel that captures the heart and soul of New York in the Jazz Age.Bandbox is a hugely successful magazine, a glamorous monthly cocktail of 1920s obsessions from the stock market to radio to gangland murder. Edited by the bombastic Jehoshaphat ';Joe' Harris, the magazine has a masthead that includes, among many others, a grisly, alliterative crime writer; a shy but murderously determined copyboy; and a burned-out vaudeville correspondent who's lovesick for his loyal, dewy assistant.As the novel opens, the defection of Harris's most ambitious protege has plunged Bandbox into a death struggle with a new competitor on the newsstand. But there's more to come: a sabotaged fiction contest, the NYPD vice squad, a subscriber's kidnapping, and a film-actress cover subject who makes the heroines of Fosse's Chicago look like the girls next door. While Harris and his magazine careen from comic crisis to make-or-break calamity, the novel races from skyscraper to speakeasy, hops a luxury train to Hollywood, and crashes a buttoned-down dinner with Calvin Coolidge.Thomas Mallon has given us a madcap and poignant book that brilliantly portrays the gaudiest American decade of them all.

This New York TimesNotable Book from the #1 New York Times bestselling author of The Underground Railroad is abrisk, comic tour de force about identity, history, and the adhesive bandage industry.The town of Winthrop has decided it needs a new name. The resident software millionaire wants to call it New Prospera; the mayor wants to return to the original choice of the founding black settlers; and the town's aristocracy sees no reason to change the name at all. What they need, they realize, is a nomenclature consultant. And, it turns out, the consultant needs them. But in a culture overwhelmed by marketing, the name is everything and our hero's efforts may result in not just a new name for the town but a new and subtler truth about it as well.

A milestone in American literature--a book that has continued to engage readers since its appearance in 1952. Nominated as one of America's best-loved novels by PBS's The Great American ReadA first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "e;the Brotherhood"e;, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.

The perfect graduation gift: the iconic#1 best seller, expanded and updated exclusively for graduates entering the workforce. This extraordinary edition ofLean In, by Sheryl Sandberg, chief operating officer of Facebook and coauthor of Option B, with Adam Grant,includes a letter to graduates from Sandberg and six additional chapters from experts offering advice on finding and getting the most out of a first job; resume writing; best interviewing practices; negotiating your salary; listening to your inner voice; owning who you are; and leaning in for millennial men. In 2013, Sheryl Sandberg'sLean Inbecame a massive cultural phenomenon and its title became an instant catchphrase for empowering women. The book soared to the top of best-seller lists both nationally and internationally, igniting global conversations about women and ambition. This enhanced edition provides the entire text of the original book updated with more recent statistics and features a passionate letter from Sandberg encouraging graduates to find and commit to work they love. A combination of inspiration and practical advice, this new edition will speak directly to graduates and, like the original, change lives. New Material for the Graduates Edition: A Letter to Graduates from Sheryl Sandberg Find Your First Job, by Mindy Levy (Levy has more than twenty years of experience in all phases of organizational management and holds degrees from Wharton and Penn) Negotiate Your Salary, by Kim Keating (Keating is the founder and managing director of Keating Advisors) Man Up: Millennial Men and Equality, by Kunal Modi (Modi is a consultant at McKinsey & Company and a recent graduate of the Harvard Kennedy School and Harvard Business School) Let's Lean In Together, by Rachel Thomas (Thomas is the president of The Sheryl Sandberg & Dave Goldberg Family Foundation) Own Who You Are, by Mellody Hobson (Hobson is the president of Ariel Investments) Listen to Your Inner Voice, by Rachel Simmons (Simmons is cofounder of the Girls Leadership Institute) 12 Lean In stories, short essays by readers around the world who have been inspired by Sandberg

British writer Kazuo Ishiguro won the 1989 Booker Prize for The Remains of the Day, which sold over a million copies in English alone and was the basis of a film starring Anthony Hopkins. Now When We Were Orphans, his extraordinary fifth novel, has been called his fullest achievement yet (The New York Times Book Review) and placed him again on the Booker shortlist. A complex, intelligent, subtle and restrained psychological novel built along the lines of a detective story, it confirms Ishiguro as one of the most important writers in English today. Londons Sunday Times said: You seldom read a novel that so convinces you it is extending the possibilities of fiction.The novel takes us to Shanghai in the late 1930s, with English detective Christopher Banks bent on solving the mystery that has plagued him all his life: the disappearance of his parents when he was eight. By his own account, he is now a celebrated gentleman sleuth, the toast of London society. But as we learn, he is also a solitary figure, his career built on an obsession. Believing his parents may still be held captive, he longs to put right as an adult what he was powerless to change as a child, when he played at being Sherlock Holmes before both his parents vanished and he was sent to England to be raised by an aunt. Banks father was involved in the importation of opium, and solving the mystery means finding that his boyhood was not the innocent, enchanted world he has cherished in memory. The Shanghai he revisits is in the throes of the SinoJapanese war, an apocalyptic nightmare; he sees the horror of the slums surrounding the international community in a dreamscape worthy of Borges (The Independent). We think that if we can only put something right that went a bit awry, then our lives would be healed and the world would be healed, says Ishiguro of the illusion under which his hero suffers. It becomes increasingly clear that Banks is not to be trusted as a narrator. The stiff, elegant voice grows more hysterical, his vision more feverish, as he comes closer to the truth. Like Ryder of The Unconsoled, Ishiguros previous novel, Banks is trapped in his boyhood fantasy, and he follows his obsession at the cost of personal happiness. Other characters appear as projections of his fears and desires. All Ishiguros novels concern themselves with the past, the consequences of denying it and the unreliability of memory.It is from Ishiguros own family history that the novel takes its setting. Though his family is Japanese, Ishiguros father was born in Shanghais international community in 1920; his grandfather was sent there to set up a Chinese branch of Toyota, then a textile company. My father has old pictures of the first Mr. Toyota driving his Rolls-Royce down the Bund. When the Japanese invaded in 1937, the fighting left the international commune a ghetto, and his family moved back to Nagasaki.When We Were Orphans raises the bar for the literary mystery. Though more complex than much of Ishiguros earlier work, which has led to mixed reactions, it was published internationally (his work has been published in 28 languages) and was a New York Times bestseller.

The epic grandeur of Dante's masterpiece has inspired readers for 700 years, and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance. Robert Hollander, a renowned scholar and master teacher of Dante, and Jean Hollander, an accomplished poet, have written a beautifully accurate and clear verse translation of the first volume of Dante's epic poem, the Divine Comedy. Featuring the original Italian text opposite the translation, this edition also offers an extensive and accessible introduction and generous commentaries that draw on centuries of scholarship as well as Robert Hollander's own decades of teaching and research. The Hollander translation is the new standard in English of this essential work of world literature.

A savage satire of the United States in the throes of insanity, this blisteringly funny novel tells the story of a noble ship, the Glory, and the loud, clownish, and foul Captain who steers it to the brink of disaster.When the decorated Captain of a great ship descends the gangplank for the final time, a new leader, a man with a yellow feather in his hair, vows to step forward. Though he has no experience, no knowledge of nautical navigation or maritime law, and though he has often remarked he doesn't much like boats, he solemnly swears to shake things up. Together with his band of petty thieves and confidence men known as the Upskirt Boys, the Captain thrills his passengers, writing his dreams and notions on the cafeteria wipe-away board, boasting of his exemplary anatomy, devouring cheeseburgers, and tossing overboard anyone who displeases him. Until one day a famous pirate, long feared by passengers of the Glory but revered by the Captain for how phenomenally masculine he looked without a shirt while riding a horse, appears on the horizon . . . Absurd, hilarious, and all too recognizable, The Captain and the Glory is a wicked farce of contemporary America only Dave Eggers could dream up.

';One of the great reporters of our time and probably the greatest biographer.' The Sunday Times (London)From the two-time Pulitzer Prize-winning author of The Power Broker and The Years of Lyndon Johnson: an unprecedented gathering of vivid, candid, deeply moving recollections about his experiences researching and writing his acclaimed books.Now in paperback, Robert Caro gives us a glimpse into his own life and work in these evocatively written, personal pieces. He describes what it was like to interview the mighty Robert Moses and to begin discovering the extent of the political power Moses wielded; the combination of discouragement and exhilaration he felt confronting the vast holdings of the Lyndon B. Johnson Library in Austin, Texas; his encounters with witnesses, including longtime residents wrenchingly displaced by the construction of Moses' Cross-Bronx Expressway and Lady Bird Johnson acknowledging the beauty and influence of one of LBJ's mistresses. He gratefully remembers how, after years of working in solitude, he found a writers' community at the New York Public Library, and details the ways he goes about planning and composing his books. Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences--some previously published, some written expressly for this book--bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work.

From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical."e;A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ."e;Ron Charles,The Washington PostIn this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "e;Little Boy"e; of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

"e;Black Sun is fascinating and has fearsome authenticity."e;--Frederick Forsyth, #1 New York Times bestselling author"e;Thrilling and suspenseful."e; --Simon Sebeag Montefiore, New York Times bestselling author of The Romanovs"e;To call the novel chilling is an understatement."e;--Booklist (starred review)It is the dawn of the 1960s. In order to investigate the gruesome death of a brilliant young physicist, KGB officer Major Alexander Vasin must leave Moscow for Arzamas-16, a top-secret research city that does not appear on any map. There he comes up against the brightest, most cutthroat brain trust in Russia who, on the orders of Nikita Khrushchev himself, are building a nuclear weapon with 3,800 times the destructive potential of the Hiroshima bomb. RDS-220 is a project of such vital national importance that, unlike everyone else in the Soviet Union, the scientists of Arzamas-16 are free to think and act, live and love as they wish...as long as they complete the project and prove to their capitalist enemies that the USSR now commands the heights of nuclear supremacy. With intricately plotted machinations, secrets and surveillance, corrupt politicos and puppet masters in the Politburo, and one devastating weapon, Owen Matthews has crafted a timely, terrific, and fast-paced thriller set at the height--and in the heart--of Soviet power.