Böcker utgivna av Karolinum,Nakladatelstvi Univerzity Karlovy,Czech Republic

Most, one of the most impressive historical cities of Northern Bohemia, was destroyed in the sixties and seventies for coal mining. When plans to redevelop the city began, hope and expectations ran high; in the end, however, Most became a symbol for the heartless incompetence of Czechoslovak communism. In this book, Matěj Spurný explores the historical city of Most from the nineteenth century into the years following World War II, investigating the decision to destroy it as well as the negotiations concerning the spirit of the proposed new city. Situating postwar Most in the context of cultural and social shifts in Czechoslovakia and Europe as a whole, Spurný traces the path a medieval city took to become a showcase of brutalist architecture and the regime's technicist inhumanity. But the book, like the city of Most itself, does not end in tragedy. Fusing architectural and political history with urban and environmental studies, Spurný's tale shows the progress that can be made when Czechs confront the crimes of the past--including the expulsion of local Germans and the treatment of the Romani minority--and engage with rational, contemporary European concepts of urban renewal.

This first of a two-part examination of the economic development of the Czech lands deals with the period from the mid-eighteenth century (the accession of Maria Theresa to the Austrian throne) to the end of the World War I. In this key period of industrialization, economic, social, political, legal, and cultural changes intersected. Featuring chapters by leading Czech experts in the economic development and social history of the Czech lands, this broad study explores the multifaceted conditions and outcomes of modernization in Central Europe--from social development to industry, agriculture, banking, transport, and infrastructure--as well as offers valuable comparisons with relevant regions of the Habsburg Empire and Western Europe. Also included are an extensive bibliography and indexes and charts of the Austro-Hungarian monarchy, the scope of the authority of the chambers of trade and industry, the development of leading engineering companies, and various maps, including of the Czech railway network.

A complete textbook for a course for English-language speakers who want to learn Czech. Based on a communicative and comparative approach, it presents the basics of the Czech language by means of continuous and systematic acquisition of vocabulary and conversational phrases grouped around useful topics and situations.

Syntax-Semantics Interface is a collection of papers written by leading Czech linguist Eva Hajičová between 1973 and 2014 that draw on the theoretical framework of the functional generative description proposed by Petr Sgall in the early 1960s and developed since. The book reflects Hajičová's research contributions to four main domains: the specification of underlying (deep) sentence structure (analyzed in terms of dependency relations); the information structure of the sentence (topic-focus articulation) and its relation to the specification of presupposition and negation and to other related phenomena; the building of a scheme for an annotated corpus of Czech to serve, among other things, in the verification of theoretical linguistic claims; and some fundamental aspects of discourse structure, namely the concept of the hierarchy of elements in the stock of knowledge shared by speaker and hearer. Through new introductory statements, Hajičová also compares her original findings with current state-of-the-art of linguistic theory at home and abroad.

Scenes from the Cultural History of Russian Religiosity.

A stunningly illustrated look at the capital of the Czech Republic at its height of wealth and power and artistic fervor during the Austrian empire period.

Explores the political, social, and aesthetical dimensions of Spartakiads-mass Czechoslovak gymnastic demonstrations and sporting parades held every five years from 1955 to 1985 to mark the 1945 liberation of Czechoslovakia.

The Atlas of Religions in Czechia represents the first comprehensive geographical analysis of the religious landscape of Czechia and its transformation since the fall of communism in 1989. The atlas is divided into three parts. The first section tackles regional differentiation between select religious movements and groups within the last two decades; the second focuses on sacred objects in their environment and their deployment in ten model regions across Czechia; and the final part analyzes the relational context of specific spatial, socioeconomic, and demographic factors connected to religiosity in contemporary Czech society. Every chapter includes a cartographic section that explains these phenomena in their regional context, thereby illustrating the diversity, development, historical continuity, and global influences of Czech religiosity.

In Fragmented Lives, Gulag survivor Jacques Rossi opens a window onto everyday life inside the notorious Soviet prison camp through a series of portraits of inmates and camp personnel across all walks of life--from workers to peasants, soldiers, civil servants, and party apparatchiks.

Drawing together renowned historians from nine countries--the United Kingdom, Germany, the Netherlands, Belgium, Poland, the former Yugoslavia, the Czech Republic, and Slovakia--this book explores life in exile as experienced by the governments of Czechoslovakia and other occupied nations who found refuge in the British capital.

Set in 1943 Nazi-occupied Czechoslovakia, J. R. Pick's novella Society for the Prevention of Cruelty to Animals tells the story of Tony, a thirteen-year-old boy who is deported from Prague to the infamous Terezi-n ghetto for Jews.

A graphic novel collection of stories from the Czech Republic of the experience of war, totalitarianism, and dictatorship, showing how it remains a threat today.

Always in the shadow of their more famous urban neighbors, small towns are consistently overlooked in historical research, especially in Europe. This book investigates the ramifications of that tendency for development initiatives.

Springtide A chaffinch in a tree of cherry sings merrily spring's introit. Its blazing bobble dwells in leaves, alive, and swells > The flowers are flares of white. The chaffinch has gone quiet > My eyes close on the day: an orb revolves in grey > Poet and artist Bohuslav Reynek spent most of his life in the relative obscurity of the Czech-Moravian Highlands; although he suffered at the hands of the Communist regime, he cannot be numbered among the dissident poets of Eastern Europe who won acclaim for their political poetry in the second half of the twentieth century. Rather, Reynek belongs to an older pastoral-devotional tradition--a kindred spirit to the likes of English-language poets Gerard Manley Hopkins, William Wordsworth, Robert Frost, and Edward Thomas. The Well at Morning presents a selection of poems from across his life and is illustrated with twenty-five of his own color etchings. Also featuring three essays by leading scholars that place Reynek's life and work alongside those of his better-known peers, this book presents a noted Czech artist to the wider world, reshaping and amplifying our understanding of modern European poetry.

For The Pied Piper, Czech writer Viktor Dyk found his muse in the much retold medieval Saxon legend of the villainous, pipe-playing rat-catcher. Dyk uses the tale as a loose frame for his story of a mysterious wanderer, outcast, and would-be revolutionary--a dreamer typical of fin de siècle Czech literature who serves Dyk as a timely expression of the conflict between the petty concerns of bourgeois nineteenth-century society and the coming artistic generation. Impeccably rendered into English by Mark Corner, The Pied Piper retains the beautiful style of Dyk's original Czech. The inspiration for several theatrical and film adaptations, including a noted animated work from critically acclaimed director Jiří Barta, Dyk's classical novella is given new life by Corner's translation, proving that the piper is open to new interpretations still.