"Smoke from nearby factories shrouds a countryside as flat as a table, a countryside stretching off to infinity. Covering it are the ashes of millions of dead. Scattered throughout are fine pieces of bone that ovens were not able to burn. When the wind comes, ashes rise to the heavens, bone fragments remain on the ground. And rain falls on the ashes, and rain turns them to good fertile soil, as befits the ashes of martyrs. And who can find the ashes of those from my native land, of whom there were 77,297? I gather some ashes with my hand, for only a hand can touch them, and I pour them into a linen sack, just as those who once left for a foreign country would gather their native soil so as never to forget, so as always to return to it." So begins Jiří Weil's unforgettable prose poem, Lamentation for 77, 297 Victims, his literary monument to the Czech Jews killed during the Holocaust. A Czech-Jewish writer who worked at Prague's Jewish Museum both during and after the Nazi Occupation-he survived the Holocaust by faking his own death and hiding out until the war had ended-Weil wrote Lamentation while he served as the museum's senior librarian in the 1950s. This remarkable literary experiment presents a number of innovative approaches to writing about a horror many would deem indescribable, combining a narrative account of the Shoah with newspaper-style reportage on a handful of the lives ended by the Holocaust and quotes from the Hebrew Bible to create a specific and powerful portrait of loss and remembrance. Translated by David Lightfoot, Lamentation for 77,297 Victims is a startling and singular introduction to a writer whose works have been acclaimed by Philip Roth, Michiko Kakutani, and Siri Hustvedt.
Sometimes called the Czech Bukowski, and more widely known by the epithet "Magor" (which translates roughly to "fool" or "madman"), Ivan Jirous was one of the most significant figures in the Czechoslovak cultural underground of the 1960s through the '80s. Although trained as an art historian and famed for his poetry, Jirous was convinced that it was actually rock and roll music that held the greatest potential to enact change under the repressive regime of communist Czechoslovakia. He designated himself as the artistic director of the dissident rock band The Plastic People of the Universe, legendary for psychedelic music that was heavily influenced by nonconformist Western acts like Frank Zappa and The Velvet Underground. Alongside other figures from the musical underground, Jirous was arrested in 1976--the second of five prison sentences he would serve for his dissent--which helped bring about the landmark civil rights initiative known as Charter 77. In the wake of 1989's Velvet Revolution, Váсlav Havel--the first president of the Czech Republic--was to say that Jirous and his unwavering commitment to liberation played "no small part" in casting off the yoke of Soviet oppression. End of the World is the first major collection in English of the works of this legendary Czech "madman." Although nicknamed for his aggressive and rebellious behavior, Jirous's writing reveal a refined, sophisticated, and even tender sensibility. Translated in part by Paul Wilson, an original member of the Plastic People, the book gathers his poems and letters from prison, as well as his book-length prose work, The True Story of the Plastic People, alongside critical essays on Jirous's life and work. End of the World is an ideal introduction to the raucous writer who playwright Tom Stoppard referred to as one of the most interesting personalities in modern Czech history.
Lasting from around 4800 to 4000 BCE, the Lengyel culture helped usher in the Copper Age in Central Europe with the rise of mining, craft production, and the trading of copper and obsidian, in addition to larger-scale farming. In Health and Disease in the Neolithic Lengyel Culture, the authors investigate the migration of the Lengyel people as they moved west from their place of origin in modern-day Hungary to areas in what is now the Czech Republic and Poland. By drawing on research into the trace elements of strontium, carbon, and nitrogen found in human bone tissue, as well paleopathological analyses of congenital defects, this book proves that the Lengyel migration occurred in waves, providing important details about the changes in the diet, health, and mobility of a people who were crucial to the development of early European civilization
Spanning his entire career, this selection of texts by influential philosopher Jan Patočka illustrates his thoughts on the appropriate manner of being and engagement in the world. The writings assembled in Living in Problematicity examine the role of the philosopher in the world, how the world constrains us through ideology, and how freedom is possible through the recognition of our human condition in the problems of the world. These views outline Patočka's political philosophy and how his later engagement in the political sphere with the human rights initiative Charter 77 corresponds with the ideas he maintained throughout his life. This short and engaging book--published in conjunction with the prestigious philosophy press OIKOYMENH--is an ideal English-language introduction to the most significant Czech philosopher in recent history.
Jan Patočka was a Czech philosopher who not only lived through the turbulent politics of twentieth-century Central Europe, but he shaped his intellectual contributions in response to that tumult. One of the last students of Edmund Husserl and Martin Heidegger, he was a philosophical inspiration to Václav Havel and other dissidents who confronted the Soviet regimes before 1989, as well as being actively involved in authoring and enacting Charter 77 in Czechoslovakia. He died in 1977 from medical complications resulting from interrogations of the secret police, his political involvement cut short by an untimely death. Confronting Totalitarian Minds examines his legacy along with several contemporary applications of his ideas about dissidence, solidarity, and the human being's existential confrontation with unjust politics. Aspen Briton puts Patočka's ideas about dissidence, citizen mobilization, and civic responsibility in conversation with those of notable world historical figures like Mohandas Gandhi, expanding the current possibilities of comparative political theory. In adding a fresh voice to contemporary conversations on transcending injustice, Confronting Totalitarian Minds seeks to educate a wider audience about this philosopher's continued relevance to political dissidents across the world.
Being located between the Black and Caspian seas, Azerbaijan has always been the juncture of Eurasiaâ¿with a traditional reputation as a crossroads between the north-south and east-west transport corridorsâ¿and the traditional ground for competition between numerous regional and global players, using both soft and hard power. With its vast hydrocarbon energy reserves, Azerbaijan is a country of particular importance in the South Caucasus. The regionâ¿s complex geopolitics have immensely influenced Azerbaijanâ¿s foreign policy strategy. With the dissolution of the USSR, Azerbaijan, as a new state with fragile security, found itself in a complicated situation surrounded by regional powers like Iran, Russia, and Turkey. This book focuses on several major foreign policy issues faced by the Republic of Azerbaijan since it regained its independence in 1991. These major issues include the conflict with Armenia and related matters, the relationship with the West, as well as the complexities arising from its relationship with Russia and its ties to Muslim countries, such as Iran and Saudi Arabia.
Famous as the libretto for Antonín Dvorák's opera of the same name, Jaroslav Kvapil's poem Rusalka is an intriguing work of literature on its own. Directly inspired by Hans Christian Andersen's famous "The Little Mermaid," Kvapil's reinterpretation adds an array of nuanced poetic techniques, a more dramatic tempo, and dark undertones that echo the work of eminent Czech folklorist Karel Jaromír Erben. All of these influences work in tandem to create a poetic work that is familiar yet innovative. Transposed into the folkloric topos of a landlocked Bohemia, the mermaid is rendered here as a Slavic rusalka-a dangerous water nymph-who must choose between love and immortality. Thus, Rusalka, while certainly paying homage to the original story's Scandinavian roots, is still a distinct work of modern Czech literature. Newly translated by Patrick Corness, Kvapil's work will now find a fresh group of readers looking to get lost in one of Europe's great lyrical fairy tale traditions.
Josef Safařík's Seven Letters to Melin is an exploration of man's alienation from nature--and from himself--in the modern technological age. Conceived as a series of letters to Melin, an engineer who believes in the value of science and technical progress, the book grows skeptical of such endeavors, while also examining mankind's search for meaning in life. To help uncover this meaning, Safařík posits a dichotomy between spectator and participant. The role of participant is played by Robert, an artist who has committed suicide. The spectator, embodied by the scientist Melin, views the world from a distance and searches for explanations, while the artist-participant creates the world through his own active engagement. Through these exchanges, Safařík argues for the primacy of artistic creativity over scientific explanation, of truth over accuracy, of internal moral agency over an externally imposed social morality, and of personal religious belief over organized church-going. Safařík is neither anti-scientific nor anti-rational; however, he argues that science has limited power, and he rejects the idea of science that denies meaning and value to what cannot be measured or calculated. Safařík's critiques of technology, the wage economy, and increased professionalization make him an important precursor to the philosophy of deep ecology. This book was also a major influence on the Czech president Václav Havel; in this new translation it will find a fresh cohort of readers interested in what makes us human.
Sherabad Oasis: Tracing Historical Landscape in Southern Uzbekistan is the second volume of the series examining the Czech-Uzbek archaeological expedition in southern Uzbekistan. While the first book was devoted to the excavations at the central site of the Sherabad Oasis called Jandavlattepa, this volume analyzes the development of the settlement throughout this oasis based on important new data gained in the recent expedition. The methodology used includes extensive and intensive archaeological surveys, revisions of previously published archaeological data, historical maps, and innovative satellite images. Apart from the dynamics of the settlement of the research area, spanning from prehistoric to modern time, the development of the irrigation systems in the lowland steppe is also assessed. Edited by Ladislav Stančo and Petra Tuslová, this volume continues the significant work of Czech researchers in Uzbekistan, a key Central Asian republic at the crossroads of history and culture.
Thought necessarily reflects the times. Following the tragedy of the Holocaust, this fact became ever more clear. And it may be the reason postwar philosophical texts are so difficult to understand, since they confront incomprehensibly traumatic experiences. In this first English-language translation of any of his books, Miroslav Petříček--one of the most influential and erudite Czech philosophers, and a student of Jan Patočka--argues that to exist in the second half of the twentieth century and beyond, Western philosophy has had to rewrite its tradition and its discourse, radically transforming itself. Should philosophy be capable of bearing witness to the time, Petříček contends, this metamorphosis in philosophy is necessary. Offering an original Central European perspective on postwar philosophical discourse that reflects upon the historical underpinnings of pop culture phenomena and complex philosophical schools--including Adorno, Agamben, Benjamin, Derrida, Husserl, Kracauer, and many others--Philosophy en noir is a record of this transformation.
"Glimmers in anticipation of Hrabal's later virtuosity." --New Yorker "A collection of formative fiction from a writer whose work has earned comparison with Joyce and Beckett. . . . Early work from a writer who merits a larger readership." --Kirkus Reviews This collection of the earliest prose by one of literature's greatest stylists captures, as scholar Arnault Maréchal put it, "the moment when Hrabal discovered the magic of writing." Taken from the period when Bohumil Hrabal shifted his focus from poetry to prose, these stories--many written in school notebooks, typed and read aloud to friends, or published in samizdat--often showcase raw experiments in style that would define his later works. Others intriguingly utilize forms the author would never pursue again. Featuring the first appearance of key figures from Hrabal's later writings, such as his real-life Uncle Pepin, who would become a character in his later fiction and is credited here as a coauthor of one piece, the book also contains stories that Hrabal would go on to cannibalize for some of his most famous novels. All together, Why I Write? offers readers the chance to explore this important nascent phase of Hrabal's writing. Expertly interpreted by award-winning Hrabal translator David Short, this collection comprises some of the last remaining prose works by Hrabal to be translated into English. A treasure trove for Hrabal devotees, Why I Write? allows us to see clearly why this great prose master was, as described by Czech writer and publisher Josef Skvorecký, "fundamentally a lyrical poet."
In honor of the 2018 centennial of Czech independence, philosopher of law Jiří Přibán and award-winning Czech journalist Karel Hvízďala took the opportunity to examine key moments in Czech history from the ninth century to the twenty-first. Covering such a broad span of time allowed them to look into the past and question how Czechs have viewed their history at different points--and what that means for the Czech present and future. As contemporary politics drift closer towards totalitarianism, historiography from scholars and thinkers who experienced twentieth-century totalitarian regimes is more important than ever. In their spirited dialogue, Hvízďala and Přibán raise and explore these crucial issues, sharing subjects normally reserved for university seminars with the broader public.
In the repressive context of East European Communist regimes, how did young girls and boys come to realize their sexuality? What did they do with that self-awareness--and later on, as adults, what strategies did they employ in their dealings with the regime? Queer Encounters with Communist Power answers these questions as it interweaves a groundbreaking queer oral history project with meticulous, original research into the discourse on homosexuality and transsexuality in Czechoslovakia from 1948 to 1989. Contrary to expectations, the book reveals that despite the Czechoslovak Communist regime's brutality in many areas of life, the state did not carry out a hateful or seditious campaign against homosexual and non-heterosexual people. Rather, the official state sexology offices functioned from the late 1970s onward as essentially the first gay clubs in socialist Czechoslovakia. Interweaving the memories of non-heterosexual Czech women born between 1929 and 1952, Vera Sokolov 's study both enriches and challenges existing scholarship on lesbian and gay history during this era, promising to radically change the way we view gender, sexuality, and everyday life during East European socialism.
Although Czech scenographer and painter Jaroslav Malina (1937-2016) lived in turbulent times, he won international respect for his work. Spanning Malina's entire life--from his early years in the Nazi protectorate of Bohemia and Moravia, through four decades under communism and the period after the Velvet Revolution returned the Czech state to democracy--the essays and interviews in this volume examine the depth and breadth of his accomplishments. Essays by scholars from the Czech Republic, United Kingdom, and the United States clarify and illuminate Malina's contributions to art both in Central Europe and across the world. Exploring multiple aspects of Malina's career, they shed light on his roots in modernism, which characterized the years of the First Republic (1918-38), through the advent of postmodernism, contextualizing his accomplishments in a variety of media while adding insights about his methods and their philosophical underpinnings. Appearing in print for the first time, interview transcripts provide an intimate view of the impulses that guided Malina over the course of his career. Also featuring over one hundred and fifty color images that illustrate the connections between Malina's public scenographic work and his more personal paintings, this book reveals Malina as an artist who continued to work during difficult and changing times without ever losing a very human approach to life.
University Town. Prague has been a center of university education for centuries, and in this book, Josef Petrn and Lydia Petrnov guide us through the history and architecture of Pragues diverse universities, enlightening us about academic life and the integral role played by the universities in the social and cultural life of the Czech capital city. Pragues rise as the ultimate university town began on April 7, 1348, when Charles IV, King of Bohemia and Holy Roman Emperor, founded the first institution of higher education north of the Alps and east of the Rhine. During the second half of the sixteenth century, Charles University faced
Written by a Jewish survivor of the Holocaust, The Shop on Main Street is the story that inspired the highly successful Academy Award-winning Czechoslovak film of the same title. Looking at the Holocaust through the eyes of a complicit individual, the narrative follows a good-natured carpenter living in a Slovak town in 1942 who unwittingly becomes a participant in a moral crisis involving the abuse and persecution of Jews. Describing the film adaptation of Ladislav Grosman's novel, the New York Times declared that it is a "human drama that is a moving manifest of the dark dilemma that confronted all people who were caught as witnesses to Hitler's terrible crime." The review continues: "'Is one his brother's keeper?' is the thundering question the situation asks, and then, 'Are not all men brothers?' The answer given is a grim acknowledgement. But the unfolding of the drama is simple, done in casual, homely, humorous terms--until the terrible, heartbreaking resolution of the issue at the end."
Most, one of the most impressive historical cities of Northern Bohemia, was destroyed in the sixties and seventies for coal mining. When plans to redevelop the city began, hope and expectations ran high; in the end, however, Most became a symbol for the heartless incompetence of Czechoslovak communism. In this book, Matěj Spurný explores the historical city of Most from the nineteenth century into the years following World War II, investigating the decision to destroy it as well as the negotiations concerning the spirit of the proposed new city. Situating postwar Most in the context of cultural and social shifts in Czechoslovakia and Europe as a whole, Spurný traces the path a medieval city took to become a showcase of brutalist architecture and the regime's technicist inhumanity. But the book, like the city of Most itself, does not end in tragedy. Fusing architectural and political history with urban and environmental studies, Spurný's tale shows the progress that can be made when Czechs confront the crimes of the past--including the expulsion of local Germans and the treatment of the Romani minority--and engage with rational, contemporary European concepts of urban renewal.
Described by Parul Sehgal in the New York Times Book Review as "one of the great prose stylists of the twentieth century; the scourge of state censors; the gregarious bar hound and lover of gossip, beer, cats, and women (in roughly that order)," Bohumil Hrabal is one of the most important, most translated, and most idiosyncratic Czech authors. In Bohumil Hrabal: A Full-Length Portrait, Jiří Pelán makes the case that this praise is far too narrow. A respected scholar of French and Italian literature, Pelán approaches Hrabal as a comparatist, expertly situating him within the context of European and world literature as he explores the entirety of Hrabal's oeuvre and its development over sixty years. Concise, clear, and as compulsively readable as the works of Hrabal himself, Bohumil Hrabal was universally praised by critics in its original Czech edition as one of best works of Hrabal criticism. Here it is beautifully rendered into English for the first time by David Short, a celebrated translator of Hrabal's works. Also featuring a fascinating selection of black-and-white images from Hrabal's life, Bohumil Hrabal is essential reading for anyone interested in this crucial Czech author.
This first of a two-part examination of the economic development of the Czech lands deals with the period from the mid-eighteenth century (the accession of Maria Theresa to the Austrian throne) to the end of the World War I. In this key period of industrialization, economic, social, political, legal, and cultural changes intersected. Featuring chapters by leading Czech experts in the economic development and social history of the Czech lands, this broad study explores the multifaceted conditions and outcomes of modernization in Central Europe--from social development to industry, agriculture, banking, transport, and infrastructure--as well as offers valuable comparisons with relevant regions of the Habsburg Empire and Western Europe. Also included are an extensive bibliography and indexes and charts of the Austro-Hungarian monarchy, the scope of the authority of the chambers of trade and industry, the development of leading engineering companies, and various maps, including of the Czech railway network.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
