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  • av Constantine Chatzipapatheodoridis
    369 - 1 149

  • av Sheri R. (Kent State University Klein
    459 - 1 015

  • - Metal Scenes around the World
    av Jerome Stueart, USA) Bardine & Bryan (University of Dayton
    1 085

    This collection of thirteen essays is an exploration of metal scenes throughout the world, from Dayton to Hull, from Copenhagen to Osaka. Unique portrayal of how these scenes developed, are experienced by fans, and are influenced by the contexts in which they are embedded. Foreword by Henkka Seppala. 36 b&w illus.

  •  
    1 085

    For Baudelaire, Paris streets conjured visions of the past even as he contemplated the present. This book investigates this and other cases of double vision, tracing back into antiquity and following Baudelaire forwards as his poetry is translated, received and referenced through text and film to the twentieth century and beyond. 8 b/w illus.

  • - A Long Take on the Filipino Auteur
     
    439,-

    The first book-length study of the Filipino auteur Lav Diaz, this edited volume offers a nuanced overview of the filmmaker, his corpus, career and traditions from various perspectives for film enthusiasts, researchers and general readers alike. 17 b/w illus.

  • - Educational Perspectives
    av Timo (University of Lapland, Finland) Jokela, Finland) Coutts & m.fl.
    436,99

    Investigates issues raised by the interaction between art practice, community participation, and the environment, both natural and urban. This volume examines topics, such as urban art, community participation, local empowerment, and the problem of ownership.

  • - Curious Methods
    av Leslie Hill
    379

    Devising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call 'Curious Methods'. This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades. The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts. Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects. The 'Curious Methods' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake. The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research. It will be essential for classroom use, for students of theatre and performance and live art - undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started. It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.

  • - A Radical Social Movement
    av Charlotte Cooper
    299

    In this new edition of her accessible autoethnography of fat feminist activism in the West, Charlotte Cooper revisits and discusses her activism in the context of recent shifts in the movement. It is part of a new wave of accessible, accountable and rigorous work emerging through Research Justice and the Para-Academy.

  •  
    1 035

    New edited collection with a transnational perspective on Paolo Sorrentino, the award-winning Italian director and screenwriter. International contributors take diverse approaches to examine the dominant themes in his work - melancholy, nostalgia and the relationship with solitude - and present original interpretations. 35 b/w illus.

  • av Jiang Jiehong
    395 - 699

    Twelve Conversations from Chinese Art World During the Pandemic. Based on a series of conversations between the author and individuals from a range of disciplines to reflect on experiences during the COVIDF-19 pandemic.

  • - Crossing, Breathing, Resisting
     
    1 309

    Looks at the value, function and role that performance plays in the constitution and activation of special, sacred places. Brings together artistic, theatrical, religious and activist practices with the objective of studying the role that they have in transforming, maintaining, contesting and activating the sacredness of locations. 37 b/w illus.

  • av Nelson (Florida International University) Varas-Diaz
    1 085

  •  
    355,-

    New edited collection with a transnational perspective on Paolo Sorrentino, the award-winning Italian director and screenwriter. International contributors take diverse approaches to examine the dominant themes in his work - melancholy, nostalgia and the relationship with solitude - and present original interpretations. 35 b/w illus.

  • av Leonard Diepeveen
    335

    Shiny Things combines an interest in visual art with a broad attention to popular culture - the wideness of its range is striking. It is more than just an expansion of subject matter, which many of today's innovative books also have - it considers how a specific physical property manifests itself in both art and culture at large, and contributes to an analysis of and polemics about the world. It is accessibly written but with a careful application of contemporary theory.Interesting, informative, and entertaining, this will appeal to progressive thinkers looking for new ways of presenting ideas. This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.Using art, especially contemporary art, as its recurrent point of reference, the authors argue that shininess has moved from a time when rarity gave shiny things a direct meaning of power and transcendence. Shininess today is pervasive; its attraction is a foundation of consumer culture with its attendant effects on ourarchitecture, our conceptions of the body, and our production of spectacle. Power and the sacred as readings of the shiny have given way to readings of superficiality, irony and anxiety, while somehow shininess has maintained its qualities of fascination, newness and cleanliness.Examines the meanings and functions of shininess in art and in culture more generally: its contradictions of both preciousness and superficiality, and its complexities of representation; the way shininess itself is physically and metaphorically present in the construction of major conceptual categories such as hygiene, utopias, the sublime and camp; and the way the affects of shininess, rooted in its inherent disorienting excess, produce irony, anxiety, pleasure, kitsch, and fetishism. All of these large ideas are embodied in the instantly noticeable, sometimes precious and sometimes cheap physical presence of shiny things, those things that catch our eye and divert our attention. Shininess, then, is a compelling subject that instantly attracts and fascinates people.The book engages primarily with visual art, although it makes frequent use of material culture, as well as advertising, film, literature, and other areas of popular and political culture. The art world, however, is a place where many of the affects of shininess come into clearest focus, where the polemical semiotics of shine are most evident and consciously explored.Artists as diverse as Anish Kapoor (whose popular Cloud Gate sculpture in Chicago is a repeating example in the book), Olafur Eliasson, Jeff Koons, Carolee Schneemann, Audrey Flack, Fra Angelico and Gerard ter Borch centre the book in an art discourse that opens up to automobiles, Richard Nixon and Liberace.Will be relevant to academics, scholars and students with an interest in contemporary theory and material and popular cultures. Potential interest across the humanities: philosophy, gender studies, perhaps public relations, advertising and marketing.It will also appeal to more general readers with an interest in popular and material cultures, art and aesthetics. It is written in a genuinely accessible style, and its ideas and theory are embodied through examples and narratives. Will be of interest to readers of Oliver Sacks, James Gleick, George Lakoff, James Elkins or Rebecca Solnit.

  • - Fragments and Visions
     
    1 235

    New collection redefines Wesker's place within theatre culture and questions the canonical boundaries associated with his work. Re-evaluating his legacy with new archival material, it explores his eclectic aesthetic range as well as his unerring concern for the human condition: a lasting 'vision' from hopeful socialists in the 1950s-60s. 18 illus.

  • - The Performance Actuations of Alastair MacLennan, 1971-2020
     
    459

    Authoritative study of the Scottish born artist Alastair MacLennan who has achieved worldwide renown as a performance artist. Includes comprehensive visual documentation of his performative practice drawn extensively from his archival resources, with essays from leading national and international scholars in the field. 350 colour illustrations.

  • av Daniel (RMIT University Binns
    459 - 1 085

  • - These Boots Are Made for Dancing
    av Anthony Shay
    395

    How dance and mass movement are used as a political tool by political regimes, especially authoritarian governments, as a way of showing symbolic mass support for the regime. Such regimes require spectacle to present them as protectors of the ethnic and national identities of their subjects, represented by the costumed folk dancers. 18 b/w illus.

  • - Learning through Arts-Based Research
     
    1 139

    Focuses on learning through arts-based research as a practice of social justice through which we can reimagine, interrupt, insist and resist as we engage collectively to better understand and rethink social, organisational and societal issues. The result of a multi-year and international research project. 3 tables, 31 b/w illus.

  • - The Punk Reader Volume 2
     
    525

    Critical engagement with local, national and trans-global contemporary punk scenes across countries and regions including New Zealand, Indonesia, South Africa, Siberia and the Philippines. Includes thematic discussions on the evolution and adaptation of subcultural styles, punk demographics and the notion of punk identity. 50 b/w illus.

  • - Transnational Baltic Artistic Practices across Europe
    av Emma Duester
    1 075

    Explores the nature of artistic practices for highly mobile artists from the Baltic States, moving regularly across multiple borders across Europe in order to maintain their position on the global art world. Artists with trans-local homes that combine and connect homeland, host country and a unique understanding of home and belonging. 12 b/w illus.

  • av Neil T. Smith
    379 - 1 075

  •  
    525

    This anthology explores alternative and parallel influences that shape the culture of ballet. The 'we' of ballet is complex, encompassing individuals and communities, often marginalized, who contribute to discourses about ballet beyond the mainstream White, patriarchal, Eurocentric, heterosexual constructs of gender, race and class. 8 b/w illus.

  •  
    369,-

    From Tokyo Story to Godzilla, World Film Locations: Tokyo presents a kaleidoscopic view of one of the world's most exciting cities through the lens of cinema. Illustrated throughout with dynamic screen shots, this volume spotlights 50 key scenes from classic and contemporary films shot in Tokyo, accompanied by insightful essays.

  • - A Transdisciplinary Inquiry
     
    1 085

    Explores evolving definitions of media and how media technologies are transforming media theory and practice. The collection addresses the emerging role of media across a wide range of disciplines, featuring contributions from an array of internationally known scholars and practitioners. 37 b/w illus.

  • - Encounters with Contemporary Artists
    av Gretchen (RMIT University) Coombs
    469

    An intimate and personal exploration of the author's journey following the development of the field of social practices in contemporary art: arguably the most significant shift in art world practices in the last two decades. A beautifully written exploration of key individuals, institutions and gatherings in socially engaged art. 36 colour illustrations.

  • - A Rhetoric of Inquiry with Resistant Responders
    av Christyne (Pennsylvania State University) Berzsenyi
    459 - 949

    An analysis of the hit television series Columbo specifically looking at the famous detective's investigative method of rhetorical enquiry. Through a barrage of questions about tiny details and by feigning ignorance, Columbo employs Socratic method of questioning based on temperance and restraint to discover truths from guest star murderers.

  • - A Game Music Companion
    av Tim Summers
    459 - 1 149

  • - A Critical Anthology
     
    1 235

    Expertise and the Architecture of the Islamic World explores how architectural traditions and practices were shared and exchanged across national borders, departing from a straightforward narrative of European import and export of Islamic designs and skills.

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