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  • av Flora Derounian
    1 339,-

    This book investigates women's work in Italy between 1945 and 1965 using films, original oral history interviews, and archival sources. It focuses on three sectors: agriculture (rice weeders), fashion (seamstresses), and religious work (nuns) and compares women's own words with their representation in film. 20 b/w illus.

  •  
    419

    The first comprehensive study of the Copenhagen fashion culture in English, aims to inspire future generations of thinkers, creators, and practitioners in fashion and design fields to make the fashion industry more sustainable, ethical, and just. Latest in the Urban Chic series. 100 b/w illus.

  •  
    375,-

    Tribal Streetwear is a lifestyle streetwear brand that is inspired by a variety of southern California sub-cultures that includes graffiti, street art, skateboarding, surfing, tattoos, hip hop, breakdancing, punk, low-riders, and custom culture. This edited volume uses Tribal as a lens for examining the history of streetwear. 40 col. illus.

  • av Katy (Touchdown Dance / Embody Move) Dymoke
    589 - 1 605,-

  • av Aylwyn (University of Leeds Walsh
    459

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    459

    The book approaches performance art from a pedagogical aspect. With concrete descriptions of workshops and classroom rehearsals it opens up the practices of several experienced art university teachers and their philosophies as artists and educators. 30 b&w illus.

  • av Michael Torlen
    375 - 1 339,-

  •  
    1 339,-

    The first comprehensive study of the Copenhagen fashion culture in English, aims to inspire future generations of thinkers, creators, and practitioners in fashion and design fields to make the fashion industry more sustainable, ethical, and just. Latest in the Urban Chic series. 100 b/w illus.

  • av James Meese
    325 - 1 209,-

  • av Rebecca Hackemann
    525,-

  • av Mark Graham
    385 - 1 339,-

    A book for artists, art teachers, teaching artists, and those who prepare teachers. It is a poetic, inspirational framing of visual art artmaking that cultivates divergent practices within current issues and trends in contemporary art and education. It is a field guide to studio methods for the artist and educator. 200 colour illustrations.

  • av Rupal Shah
    325,-

    An argument for attentive and personal care within the bureaucracy of health care systems. In Fighting for the Soul of General Practice, two practicing doctors share their experiences of working within the underfunded and highly bureaucratic health system in the United Kingdom. Drawing on years of experience treating a wide range of patients from all backgrounds, they show what is lost when regulation overrules relationships, standard practice eliminates discretion, and algorithms displace personal attention. While acknowledging that bureaucracy is inevitable and important, they argue for an approach to medicine that is about creating meaning for doctor and patient and that privileges connection, attention, and care within each encounter.

  •  
    1 625

    The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds' music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus.

  • av Sarah (Norwich University of the Arts Horton & Victoria (Norwich University of the Arts Mitchell
    605 - 1 479,-

  • av Ian (Independent Scholar) Trowell
    449 - 1 355,-

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    1 339,-

    Brings together a breadth of perspectives addressing media materialities, and their significance to the study of media, culture, and society. Offers new thinking and perspectives on media materialities, including work that explores media materiality, and the past, physical and digital tensions and media materialities in digital games. 32 b&w illus.

  •  
    1 479,-

    Explores nature, cognition and society as an interwoven tapestry across disciplinary boundaries, examining how information and communication are instrumental in and for living systems. Integrates a fuller and richer account through the physical, life, cognitive, social sciences and the arts. Second in the MEDIA-LIFE-UNIVERSE trilogy. 51 b&w illus.

  • av Daniel (Manchester Metropolitan University Fountain
    379,-

    This collection explores queer craft and the material cultures of LGBTQ+ activism in Britain since the 1980s. It includes contributions from academics, artists, activists, curators, and heritage professionals. The first book of its kind, it weaves together an important web connecting queerness, craft and activism in Britain. 41 colour photographs

  •  
    525,-

    Programmatically outlines a paradigmatic shift towards an expanded fashion discourse at the intersection of doing and thinking. Designers, artists, curators and theorists investigate the multifaceted debates on the rise of practice-based research in fashion and thus make a significant step to advance fashion studies. 24 col and 34 b/w illus.

  • av Sean O Nuallain
    529

  • av Ida (Royal Danish Academy Engholm
    385 - 1 269

  •  
    335

    Fan Phenomena: Disney collects essays on Disney fans, spanning a variety of media (such as film, television, novels, stage productions and theme parks) and different fannish approaches (cosplay, fan art), as well as the company's reactions to them. It is a timely intervention that deals with crucial issues such as race and racism within the Disney fandom and in Disney texts, the role of queerness, the impact of the Covid-19 pandemic and the advent of the streaming service Disney+. The authors come from variety of disciplines, such as cultural and media studies, marketing and communications, cultural history or theatre and performance studies, and include both leading experts in fan and Disney studies, as well as emerging voices in these fields, plus interviews with fan practitioners. It will be popular with scholars of cultural studies, cultural history, media studies, fan studies; Disney fans, and students at any level

  • av Dr. Oliver Carter & Oliver (Birmingham City University Carter
    483 - 1 289

  • av Jacqueline Bishop
    315,-

    The patchwork is an apt metaphor for the region not only because of its colourfulness and the making of something whole out of fragments but as an attempt to make coherence out of disorder. The seeking of coherence was the exact process of putting together this book and foregrounds the process of Caribbean societies forging identity and identities out of plural and at times conflicting and contested groups that came to call the region home.Within the metaphor of the patchwork however is the question, where are the vernacular needlework artists within the visual art tradition of the Caribbean? The introduction sets out to both clarify and rectify this situation, and several common themes flow through the following essays and interviews. Themes include that that the land and colonization remain baseline issues for several Caribbean artists who stage and restage the history of conquest and empire in varying ways. That artists in the region amalgamate as part of their practice and seem to prefer an open-endedness to art making as opposed to expressing fidelity to a particular medium. That artists and scholars alike are dismantling long-held perceptions of what Caribbean art is thought to be, and are challenging boundaries in Caribbean art.These are among the issues addressed in the book as it looks at ecological concerns and questions of sustainability, how the practices of the artists and their art defy the easy categorization of the region, and the placement of women in the visual art ecology of the Caribbean. The latter is one of the most contested areas of the book. Readers should come away with the sense that questions of race, colour, and class loom large within questions of gender in the Jamaican art scene and that the book, dedicated to Sane Mae Dunkley, aims to insert vernacular needleworkers into the visual art scene in both Jamaica and the larger Caribbean.Audience will include researchers and scholars of Caribbean and African diasporic art, college students, those interested in post-colonial studies, Caribbean artists, art professionals interested in a wider, globalized view of contemporary art; students curious to know about the many phases of art production throughout the Caribbean. General readers interested in the culture of the region.

  •  
    439

    Engages radical intimacies with design, media, communication, and art and implying a closeness to the world created through our relations, towards decolonization of knowledge and the public sphere. Political closeness, involving qualities that constitute and enable an alternative to extractive relationalities imposed by capitalism. 50 col. illus.

  • av Pil (University of Calgary) Hansen
    385 - 1 139

  • av Elizabeth Eleanor Jacqueline (Doctoral candidate at the Royal College of Art) Atkinson
    1 139

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    1 205

    An edited collection of essays and chapters relating to interdisciplinary and multi-disciplinary methods of teaching. It will provide inspiration, a guide for project replication in practice essays, and interdisciplinary and multi-disciplinary teaching topics. For teachers in all stages of education from primary to higher education. 11 b&w illus.

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