Böcker utgivna av INTELLECT

In this book, Marc James Leger presents Zizek-influenced studies of films made by the most influential filmmakers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine and more.

This collection continues the successful Design for Business series, gathering work by scholars, researchers and professionals that aim to raise awareness of design as a strategic business resource by consolidating it with other divergent, yet highly influential fields. Volume 3 covers such topics as the branding of a nation, care for the ageing...

This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. Co-published with Live Art Development Agency.

This book examines a variety of films from the early 1990s that depict and address the lives and identities of both first-generation immigrants and children of the diaspora in Europe. It also theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism and translation.

An analysis of reality and 'the real' as presented in contemporary artistic creation, Practising the Real on the Contemporary Stage examines the responses given by performing arts to the importance placed on reality beyond representation. This book proposes four historic itineraries defined by the ways in which the issue of the real is addressed: the representation of the visible reality and its paradoxes, the place of the real on the lived body, the limits placed on representation by experiences of pain and death,and those practices that denounce the real. Practising the Real on the Contemporary Stage will be warmly welcomed by scholars of aesthetics and contemporary artistic practice.

This volume is a reassessment of contemporary Spanish cinema from 1992 to 2012, bringing leading academics from a broad range of disciplinary and geographical backgrounds into dialogue with critically and commercially successful practitioners to suggest the need to redefine the parameters of one of the world's most creative national cinemas.

Explores the ways the concepts of money and capital are understood and talked about by a range of people, from traders to ordinary investors, and how these accounts are framed and represented across a range of media.

A volume that takes as its subject not the genres or movements that constitute the cinema of the Land of the Rising Sun but the filmmakers themselves. Focusing entirely on directors, it offers over forty essays on key Japanese auteurs, ranging from the Golden Age to the New Wave to the present day.

The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present. In this, the second volume, the contributors focus on specific periods and trace the evolutions of individual genres and directors.

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. This book examines China's desire for success and fulfilment in the US, as well as the history of representing China - and the Chinese in America - on US movie screens.

Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters discuss filmmakers, production, finance, documentary and more.

Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices.

This book explores film exhibition and consumption in rural parts of the UK and Australia, examining how film theaters in areas of social and economic decline are sustained by resourceful individuals and sub-commercial operating structures. The systematic analysis of cinemas in these locations yields an original five-tiered clustering model.

Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. The book frames the tradition of living dead films, discusses the cinematic processes of addressing the viewers, and analyses the films' socio-cultural negotiation with death.

The Roots of Modern Hollywood studies the cultural and intellectual heritage of American films since 1969, drawing on Hollywood's trends and themes. Smedley explores capitalism, liberalism, pacifism and the treatment of women in Hollywood films. The book also includes interviews with directors Michael Mann, Peter Weir, Tony Gilroy and Paul Haggis.

Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. This book sets out to articulate alternative ways of appreciating film aesthetics outside the narrative/spectacle continuum.

A collection that takes readers on a virtual tour of Sydney, from Kings Cross, the city's red light district and frequent film location, to the famous beaches to explore how representations in movies have both played into and influenced how we think of these spaces and those that frequent them.

Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travellers to a rich, but less known, national cinema.

World Film Locations: Florence explores Florence as it is manifested in the minds of filmmakers and filmgoers. Contributors consider a wide range of topics and provide scene reviews of films to delve deeper into the makeup of the city, looking at both familiar and unfamiliar locations through the lens of filmmakers such as Roberto Rossellini.

Looks at Buenos Aires (the second-largest in South America) as a stage for sociopolitical transformations and a key location in the international imagination as a site of cultural export. This book uncovers the many reasons why Buenos Aires attracts not only tourists but also artists and filmmakers who explore the city and its iconography.

Takes readers to film locations in the central historical district with excursions to the periphery of Athens - popular neighborhoods, poor suburbs, and slums often represented in postwar neorealist films - and then on to garden cities and upper class suburbs, especially those preferred by the auteurs of the 1970s.

Fashion branding is a process that needs to be analysed from a style, luxury and historical pop cultural view using critical, ethnographic, individualistic or interpretive methods. Contributors examine the meaning behind branding in the context of contested power relations underpinning the production, marketing and consumption of style and fashion.

When it comes to fashion, few metropolitan areas are more synonymous with style than New York, London, Paris and Milan. But the couture capitals of tomorrow may be located in less likely locales. Addressing the interplay between the development of fashion centres across the world and their relationship to consumption and street style in both local and global contexts, the books in the Street Style series aim to record emerging fashion capitals and their relationship to the physical landscapes of the street. By examining how particular ecologies of fashion are connected to the formation of gender, class and generational identities, this series establishes a new methodology for recording and understanding identity and its connection to style.Havana Street Style is the first book that explores and reveals the relationship between culture, city and street fashion in Cuba's capital. Matching visual ethnography with critical analysis, the book documents a unique street style few in the United States have yet experienced.

Writing from the dual perspectives of artist and educator, the authors helps you raise fundamental questions about the complex functions of the teaching artist in school, community, and professional theater settings.

Style is predominantly an individual matter - the way people put themselves together creates a sense of individual identity - but collectively it creates a sense of common culture in a community, a city or a country. Geographically isolated from the fashion hubs of Paris and New York, Australia may not yet be synonymous with style. But as it moves away from the beach look that it is usually associated with and adopts haute couture, Australia is emerging as a shining star in the Southern Hemisphere. Though not the political capital of the country, Sydney is nevertheless Australia's cultural capital, and the style hub and epicentre of the country's fashion evolution. Sydney Street Style depicts the style of this less-explored fashion capital. Beautifully assembled and packed with full-colour photos of the stylish and eclectic residents of Sydney, this book will be a welcome addition to the library of any fashionista or armchair traveller.

Addresses common concerns, such as concentration, relaxation, discipline-specific techniques: warm-ups, performer/audience relationships, stage fright, and critical responses, and explores the role of the senses, emotions, learned behavior, human consciousness studies, and neuroscience in the application of the techniques.

Architecture and the Virtual is a study of architecture as it is reflected in the work of seven contemporary artists, working with the tools of our post-digital age. The book maps the convergence of virtual space and contemporary conceptual art and is an anthropological exploration of artists who deal with transformable space and work through an...

Arts education provides students with opportunities to build knowledge and skills in self-expression, imagination, creative and collaborative problem-solving. This book provides key insights from stakeholders across the teaching and learning spectrum and offers examples of pedagogical practice to those interested in facilitating arts education.

Bringing together a series of photographs with essays discussing and analyzing the influence of the media, particularly photographs and video, on the culture at large and how conflict is "discussed" in the visual realm, this book offers a look at the influence of contemporary conflicts, and their omnipresence in the media, and on popular culture.

In Canadian Wetlands, Rod Giblett critiques the Canadian canon's popular representation of wetlands and proposes alternatives by highlighting the work of recent and contemporary Canadian authors, such as Douglas Lochhead and Harry Thurston, and by entering into dialogue with American writers.