Böcker utgivna av INTELLECT

This book explores the importance of cotton as a major resource for US fashion businesses. It is rooted in an investigative research project that deployed undergraduate and graduate students and faculty researchers to US fashion businesses that rely on cotton to understand how the resource is sourced, priced, transported, manipulated and sold.

This book uses the case study of public television in post-communist Latvia to explore how audiences respond to TV offerings and how their choices can be seen as an act of agency. Juzefovics builds his book around Albert Hirschman's ideas and uses tools from social constructionism to assess how the public responds to the role of public television.

This book looks closely at Swedish pornography in the 1970s. Mariah Larsson combines contemporary case studies with comprehensive analyses of advertisements, critical responses and censorship records to ask how the small city of Malmoe's embrace of the era's sexual liberation was both representative and unique in relation to the rest of Sweden.

In the early days of the digital revolution in graphic design, many designers and teachers of design were convinced that the era of drawing on paper was over - that there would soon no longer be a place for craft-based drawing at any stage of the design process. It soon became apparent, however, that technological progress had not obviated the inherent value of drawing, and that, in fact, it opened up new avenues for convergent and hybrid drawing practices. This book traces the evolution of design-based drawing through analysis of a series of research projects from the 1980s to recent years that have sought to characterize the changing practices of design within various industries. Built on more than three hundred interviews with designers, academics and design students, and an exhaustive analysis of thousands of drawings, it aims to generate discussion around historical and contemporary models of the design process.

Research-based Theatre aims to construct a theoretical analysis of the field and offer critical reflections on how the methodology can now be applied. The book shares twelve examples of contemporary research-based theatre scripts and commentaries, selected to represent different approaches that come from a variety of disciplinary areas.

Driven by a powerful belief in the value of free expression, Sheryl Oring has for more than a decade been helping people across the United States voice concerns about public affairs through her 'I Wish to Say' project. This book uses that project as the starting point for an exploration of a series of issues of public interest being addressed by artists today.

Improvisation is crucial to a wide range of artistic activities - most prominently, perhaps, in music, but extending to other fields of experience such as literature and pedagogy. Yet it gets short shrift in both appreciation and analysis of art within education. This is in no small part due to our tendency to view the world in fixed categories and structures that belie our ability to generate creative, groundbreaking responses within and between those structures.The Lived Experience of Improvisationdraws on an analysis of interviews with highly regarded improvisers, including Roscoe Mitchell, Pauline Oliveros and George Lewis. Simon Rose also exploits his own experience as a musician and teacher, making a compelling case for bringing back improvisation from the margins. He argues that improvisation is a pervasive aspect of being human and that it should be at the heart of our teaching and understanding of the world.

Filming the City: Urban Documents, Design Practices & Social Criticism Through the Lens brings together the work of filmmakers, architects, designers, media specialists and video artists. It offers three prisms through which to examine and use the medium of film in the context of the city. It gives commentaries of particular films and their social and urban relevance; it offers historical and contemporary criticisms of both film and urbanism from conflicting perspectives; and it documents examples of how to actively use the medium of film in the design of our cities, spaces and buildings. Giving a sense of the diversity of interactions between the medium of architectural-urban design and the medium of film, Filming the City is ideal for readers from both fields. For those coming from a spatial design background the tropes and possibilities of film as a tool and a documentary medium will be explored. For those coming from a film-media background the multiple possibilities of film as a visual backdrop, narrative theme or conceptual tool will be examined.

We live in a society that defines us by what we consume and how. Every day we make purchasing decisions that express our sense of belonging, our commitments to the environment and our systems of belief. We often choose to buy things, not necessarily because we need them, but because we believe that these things will help us express who we are - ...

The private investigator is one of the most enduring characters within crime fiction. From Dashiell Hammett's Sam Spade - the hard-boiled loner trawling the mean streets - to Agatha Christie's Captain Hastings - the genteel companion in greener surrounds - the P. I. has taken on any number of guises. In Crime Uncovered: Private Investigator, edi.

For three decades, Cape Town's Magnet Theatre has served as a crucial space for theatre, education, performance and community throughout a turbulent period in South African history. Offering a dialogue between internal and external perspectives, this book analyses Magnet's many productions and presents a rich compendium of their work.

Theatre for Youth Third Space is a practical yet philosophically grounded handbook for people working in theatre and performance with children and youth in community or educational settings. Presenting asset development approaches, deliberative dialogue techniques and frames for building strong community relationships, Stephani Etheridge Woodson...

This book offers a series of compelling responses to the Jasmin Vardimon Company's production of Justitia, a multilayered, multimedia dance theatre piece. Through an innovative, visually annotated text, which includes the original script by Rebecca Lenkiewicz, the book attempts to record the experience of the performance. Also included are nine critical responses from scholars and theatrical practitioners who consider the performance through lenses relating to time, collaboration, writing, confession and the law.

Arts Integration in Education is an insightful, even inspiring investigation into the enormous possibilities for change that are offered by the application of arts integration in education. Presenting research from a range of settings, from preschool to university, and featuring contributions from scholars and theorists, educational psychologist...

This book is an examination and celebration of iconic police detectives in the long and bloody history of crime fiction, film and television, identifying the individual characteristics that define these much-loved figures and discussing how they relate to their surroundings, country and class and the criminals they relentlessly pursue.

There are few figures as captivating as the antihero: the character we can't help but root for, even as we turn away in revulsion from many of the things they do. What is it that draws us to characters like Breaking Bad's Walter White, Patricia Highsmith's Tom Ripley, and Stieg Larsson's Lisbeth Salander even as we decry the trail of destruction they leave in their wake?

The mere hint recently that British actor Idris Elba might take up the mantle of James Bond in future installments of the film franchise was a major international news story-a testament to the enduring interest and appeal of Bond, a figure who has become a true global icon. Fan Phenomena: James Bond explores the devoted fanbase that has hel...

This is the first major collection to reimagine and analyze the role of the creative arts in building resilient and inclusive regional communities. Bringing together Australia's leading theorists in the creative industries, as well as case studies from practitioners working in the creative and performing arts and new material from targeted resea...

Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union - to China's first camerawomen - who travelled with Mao - to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in what has long been seen as a male field.

With today's digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays a vital role in synchronic data-to-data relationships. It is not only part of a program, but it contains its own operating code: the image is a program in itself. Softimage aims to account for that new reality, taking readers on a journey that gradually undoes our unthinking reliance on the apparent solidity of the photographic image and building in its place an original and timely theorization of the digital image in all its complexity, one that promises to spark debate within the evolving fields of image studies and software studies.

Malta has served as a beautiful backdrop for films for nearly as long as there has been a film industry. This entry in the World Film Locations series traces the history of Malta on screen, from bigbudget blockbusters to modest indie pictures. The locations Malta offers range widely, from grand fortified harbours and stunning cliffs to quaint villages and Baroque palaces. That diversity has enabled the island to double for countless locations, including ancient Troy and Alexandria, as well as Greece, Israel, and other Mediterranean and Middle Eastern regions, while its well-known water tanks have proved to be perfect for shooting ocean scenes. Packed with illustrations, World Film Locations: Malta examines a number of films made in Malta, and will be a must-read for tourists, film buffs and scholars alike.

This book traces the emergence, development and techniques of Griersonian documentary in New Zealand throughout the first half of the twentieth century. Lars Weckbecker focuses on the productions of the National Film Unit in the 1940s and '50s, following the shifting practices and governmentality of documentary's "visions of the real."

Philadelphia is one of America's most interesting and innovative cities for theatre, rich in new theatres, new plays, and rising playwrights. This book paints a picture of the city's burgeoning scene through interviews with some of Philadelphia's most influential and successful playwrights, including Louis Lippa, Jules Tasca, Arden Kass and more.

Celebrities are some of the most prominent faces of philanthropic activity, yet their participation raises certain questions. This book presents case studies of international celebrity philanthropy, looking at the tensions between celebrity activism and ground-level work and the relationship between celebrity philanthropy and cultural citizenship.

Deftly deploying Derrida's notion of the 'unexperienced experience' and building on Paul Virilio's ideas about the aesthetics of disappearance, Vanishing Points explores the aesthetic character of presence and absence as articulated in contemporary art, photography, film and emerging media.

Most ethnographers don't achieve what Kevin Brown did while conducting their research: in his two years spent at a karaoke bar near Denver, Colorado, he went from barely able to carry a tune to someone whom other karaoke patrons requested to sing. Along the way, he learned everything you might ever want to know about karaoke and the people who enjoy it.

Recently, the museum and gallery have become self-reflexive spaces, in which the relationship between art, its display, its creators and its audience is subverted and democratised. Celina Jeffery brings together scholars and artists to explore the ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.