Böcker utgivna av Indiana University Press

With their spectacularly enlarged canines, sabertooth cats are among the most popular of prehistoric animals, yet it is surprising how little information about them is available for the curious layperson. What's more, there were other sabertooths that were not cats, animals with exotic names like nimravids, barbourofelids, and thylacosmilids. Some were no taller than a domestic cat, others were larger than a lion, and some were as weird as their names suggest. Sabertooths continue to pose questions even for specialists. What did they look like? How did they use their spectacular canine teeth? And why did they finally go extinct? In this visual and intellectual treat of a book, Mauricio Anton tells their story in words and pictures, all scrupulously based on the latest scientific research. The book is a glorious wedding of science and art that celebrates the remarkable diversity of the life of the not-so-distant past.

Driving into the heat of combat at the Battle of the Bulge and beyond

Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters-and limitations-of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.

A revealing account of Polish cooperation with Nazis in WWIIa ';grim, compelling [and] significant scholarly study' (Kirkus Reviews). Between 1942 and 1943, thousands of Jews escaped the fate of German death camps in Poland. As they sought refuge in the Polish countryside, the Nazi death machine organized what they called Judenjagd, meaning hunt for the Jews. As a result of the Judenjagd, few of those who escaped the death camps would survive to see liberation. As Jan Grabowski's penetrating microhistory reveals, the majority of the Jews in hiding perished as a consequence of betrayal by their Polish neighbors. Hunt for the Jews tells the story of the Judenjagd in Dabrowa, Tarnowska, a rural county in southeastern Poland. Drawing on materials from Polish, Jewish, and German sources created during and after the war, Grabowski documents the involvement of the local Polish population in the process of detecting and killing the Jews who sought their aid. Through detailed reconstruction of events, ';Grabowski offers incredible insight into how Poles in rural Poland reacted to and, not infrequently, were complicit with, the German practice of genocide. Grabowski also, implicitly, challenges us to confront our own myths and to rethink how we narrate British (and American) history of responding to the Holocaust' (European History Quarterly).

This exemplary study will be read with enjoyment and profit not only by the literary scholar and folklore professional but by any reader who has ever delighted in fairytales.

Discusses the history of the lute, the archlute, and the theorbo

With an introductory chapter that sketches out a history of the way the close analysis of film developed, this work begins with a study of the Bodega Bay sequence of "The Birds", and then goes on to examine various aspects of that singular critical practice, 'the analysis of film'.

What are the economic origins of official implication in crime? New forms of corruption have been unintentionally helped by liberal economic reforms.African Issues, edited by Alex de WaalFebruary, 1999 192 pages 8 x 5 Index

... Mr. Arad reports as a controlled and effective witness for the prosecution.... Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."e;-New York Times Book Review... some of the most gripping chapters I have ever read.... the authentic, exhaustive, definitive account of the least known death camps of the Nazi era."e; -Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "e;Ivan the Terrible"e;), uses primary materials to reveal the complete story of these Nazi death camps.

Completed by his students and colleagues with the Variorum project, the volume is dedicated to Professor Labriola's memory.

Originally published in German in 2012, this comprehensive history of Jewish life in postwar Germany provides a systematic account of Jews and Judaism from the Holocaust to the early 21st century by leading experts of modern German-Jewish history. Beginning in the immediate postwar period with a large concentration of Eastern European Holocaust survivors stranded in Germany, the book follows Jews during the relative quiet period of the fifties and early sixties during which the foundations of new Jewish life were laid.BrennerΓÇÖs volume goes on to address the rise of anti-Israel sentiments after the Six-Day War as well as the beginnings of a critical confrontation with GermanyΓÇÖs Nazi past in the late sixties and early seventies, noting the relatively small numbers of Jews living in Germany up to the 1990s. The contributors argue that these Jews were a powerful symbolic presence in German society and sent a meaningful signal to the rest of the world that Jewish life was possible again in Germany after the Holocaust. This landmark history presents a comprehensive account of reconstruction of a multifaceted Jewish life in a country that carries the legacy of being at the epicenter of the Holocaust.

Now available for the first time in an annotated edition, Rolfe Humphriess legendary translation captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. These are some of the most famous Roman myths as youve never read them before--sensuous, dangerously witty, audacious.

A study of Mozart, Beethoven, and Schubert by an award-winning author.

Early Cinema in Asia explores how cinema became a popular medium in the worldΓÇÖs largest and most diverse continent. Beginning with the end of AsiaΓÇÖs colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, filmΓÇÖs arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the regionΓÇÖs ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.

Kierkegaard''s God and the Good Life focuses on faith and love, two central topics in Kierkegaard''s writings, to grapple with complex questions at the intersection of religion and ethics. Here, leading scholars reflect on Kierkegaard''s understanding of God, the religious life, and what it means to exist ethically. The contributors then shift to psychology, hope, knowledge, and the emotions as they offer critical and constructive readings for contemporary philosophical debates in the philosophy of religion, moral philosophy, and epistemology. Together, they show how Kierkegaard continues to be an important resource for understandings of religious existence, public discourse, social life, and how to live virtuously.

Gender in the Political Science Classroom looks at the roles gender plays in teaching and learning in the traditionally male-dominated field of political science. The contributors to this collection bring a new perspective to investigations of gender issues in the political behavior literature and feminist pedagogy by uniting them with the Scholarship of Teaching and Learning (SoTL). The volume offers a balance between the theoretical and the practical, and includes discussions of issues such as curriculum, class participation, service learning, doctoral dissertations, and professional placements. The contributors reveal the discipline of political science as a source of continuing gender-based inequities, but also as a potential site for transformative pedagogy and partnerships that are mindful of gender. While the contributors focus on the discipline of political science, their findings about gender in higher education are relevant to SoTL practitioners, other social-science disciplines, and the academy at large.

Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

Leigh H. Edwards explores Partons roles as musician, actor, author, philanthropist, and entrepreneur to show how her gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Parton depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music's claims of authenticity.