Böcker utgivna av Indiana University Press

Globalization has become synonymous with the seemingly unfettered spread of capitalist multinationals, but this focus on the West and western economies ignores the wide variety of globalizing projects that sprang up in the socialist world as a consequence of the end of the European empires. This collection is the first to explore alternative forms of globalization across the socialist world during the Cold War. Gathering the work of established and upcoming scholars of the Soviet Union, Eastern Europe, and China, Alternative Globalizations addresses the new relationships and interconnections which emerged between a decolonizing world in the postwar period and an increasingly internationalist eastern bloc after the death of Stalin. In many cases, the legacies of these former globalizing impulses from the socialist world still exist today. Divided into four sections, the works gathered examine the economic, political, developmental, and cultural aspects of this exchange. In doing so, the authors break new ground in exploring this understudied history of globalization and provide a multifaceted study of an increasing postwar interconnectedness across a socialist world.

Italian Ecocinema Beyond the Human is an ecocritical study of five Italian films. It explores the ways in which on-location filming impacts the relationships between the production crew and the environment, and ultimately the story told in the resulting cinematic narrative.

For nearly half of the nation's history, the steam locomotive was the outstanding symbol for progress and power. It was the literal engine of the Industrial Revolution, and it played an instrumental role in putting the United States on the world stage. While the steam locomotive's basic principle of operation is simple, designers and engineers honed these concepts into 100-mph passenger trains and 600-ton behemoths capable of hauling mile-long freight at incredible speeds. American Steam Locomotives is a thorough and engaging history of the invention that captured public imagination like no other, and the people who brought it to life.

During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Aine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.

In a major reimagining of the history and cultural impact of Soviet film, noted film scholar Emma Widdis explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a "e;sensory revolution"e; to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution as film could both discover the world anew and model a way of inhabiting it. Drawing on an extraordinary array of films, Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

Theodore Levin is Arthur R. Virgin Professor of Music at Dartmouth College and Senior Project Consultant to the Aga Khan Music Initiative. He is the author of Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond (IUP, 2006) and The Hundred Thousand Fools of God: Musical Travels in Central Asia (and Queens, New York) (IUP, 1996).Saida Daukeyeva is a Georg Forster Research Fellow (HERMES) at Humboldt University in Berlin. She is author of Philosophy of Music by Abu Nasr Muhammad al-Farabi.Elmira K¿ch¿mkulova is Senior Research Fellow at the University of Central Asia in Bishkek. She is author of Respect Graces the Living, Lamentation Graces the Dead: Kyrgyz Funeral Lamentations (in Kyrgyz), and Kyrgyz Herders of Soviet Uzbekistan: Historical and Ethnographic Narratives (in Kyrgyz and English).

Mudimbe addresses the multiple scholarly discourses that exist-African and non-African-concerning the meaning of Africa and being African.

Offers a bold and original view of what philosophical anthropology might look like

Explores urban music and youth culture in Africa

This brief and accessible introduction to the European Union is ideal for anyone who needs a concise overview of the structure, history, and policies of the EU. This updated edition includes a new chapter on the sovereign debt crisis in the Eurozone. Andreas Staab offers basic terms and interpretive frameworks for understanding the evolution of the EU; the overall structure, purpose, and mandate of its main constituent divisions; and key policy areas, such as market unification and environmental policy.

A practical handbook for early keyboard technique

The rich legacy of Russian folk art and artists

Off the screen and onto the runway!

The Art of Teaching Music takes up important aspects of the art of music teaching ranging from organization to serving as conductor to dealing with the disconnect between the ideal of university teaching and the reality in the classroom. Writing for both established teachers and instructors on the rise, Estelle R. Jorgensen opens a conversation about the life and work of the music teacher. The author regards music teaching as interrelated with the rest of lived life, and her themes encompass pedagogical skills as well as matters of character, disposition, value, personality, and musicality. She reflects on musicianship and practical aspects of teaching while drawing on a broad base of theory, research, and personal experience. Although grounded in the practical realities of music teaching, Jorgensen urges music teachers to think and act artfully, imaginatively, hopefully, and courageously toward creating a better world.

Petrarch's characterization of the hapless lover has become an archetype. Indeed, in many of his poems on the pain and the bitter pleasure of love, we inevitably recognize a vivid and timely picture of ourselves. Humble sinner, aesthete, contemplative, man of the world, secretly tormented spirit, droll observer and advocate of life, Petrarch's protagonist is as richly complex as the age he lived in.The 366 poems of Petrarch's Canzoniere represent one of the most influential works in Western literature. Varied in form, style, and subject matter, these "e;scattered rhymes"e; contain metaphors and conceits that have been absorbed into the literature and language of love. In this bilingual edition, Mark Musa provides verse translations, annotations, and an introduction co-authored with Barbara Manfredi.

An anthology that provides a view of the lives of ordinary citizens in India, Pakistan, Bangladesh, Nepal, and Sri Lanka. It explores key themes in understanding the region, including gender, caste, class, religion, globalization, economic liberalization, nationalism, and emerging modernities.

The Great Reforms undertaken during the reign of Alexander I represented a unique attempt by the tsarist government to restructure virtually every aspect of Russian life. This book presents a comprehensive analysis of nineteenth-century Russia's attempt at peaceful reforms.

In these lively life stories, women market traders from Ghana comment on changing social and economic times and on reasons for their prosperity or decline in fortunes. Gracia Clark shows that market women are intimately connected with economic policy on a global scale. Many work at the intersection of sophisticated networks of transnational commerce and migration. They have dramatic memories of independence and the growth of their new nation, including political rivalries, price controls, and violent raids on the market. The experiences of these women give substance to their reflections on globalization, capital accumulation, colonialism, technological change, environmental degradation, teenage pregnancy, marriage, children, changing gender roles, and spirituality. Clark's commentary illuminates the complex historical and cultural setting of these deeply revealing lives.

A megamusical is an epic, dramatic show featuring recurring melodies in a sung-through score; impressive sets; and grand ideas. This is a study of some of the popular megamusicals. It discusses the history of the megamusical, examining both its internal, performative qualities and its external, market reception to reveal why it is so popular.

A study of Nazi heroic mythology that focuses on the dark, death-enthralled underpinnings of the German political and cultural psyche during the years 1918-45.

An entertaining and informative guide to an astonishing and little-known world

What does an understanding of Jewish history contribute to the study of the Mediterranean, and what can Mediterranean studies contribute to our knowledge of Jewish history? Jews and the Mediterranean considers the historical potency and uniqueness of what happens when Sephardi, Mizrahi, and Ashkenazi Jews meet in the Mediterranean region. By focusing on the specificity of the Jewish experience, the essays gathered in this volume emphasize human agency and culture over the length of Mediterranean history. This collection draws attention to what made Jewish people distinctive and warns against facile notions of Mediterranean connectivity, diversity, fluidity, and hybridity, presenting a new assessment of the Jewish experience in the Mediterranean.

The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric.

How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.

Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie's prom dress, and houseplants might kill you while you sleep. In Household Horror: Cinematic Fear and the Secret Life of Everyday Objects Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema.