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  • av Cathleen Schine
    179,-

  • av A J Whitten
    239,-

    Meredith Willis is suspicious of Adrien, the new guy next door. When she dares to sneak a look into the windows of his house, she sees something in the cellar that makes her believe that Adrien might be more than just a creep?he may be an actual monster.But her sister, Heather, doesn't share Meredith's repulsion. Heather believes Adrien is the only guy who really understands her. In fact, she may be falling in love with him. When Adrien and Heather are cast as the leads in the school production of Romeo and Juliet, to Heather, it feels like fate. To Meredith, it feels like a bad omen. But if she tries to tear the couple apart, she could end up in the last place she'd ever want to be: the cellar. Can Meredith convince her sister that she's dating the living dead before it's too late for both of them?

  • av Ellen Booraem
    249

  • av Andrew Hudgins
    229

    Recklessness and rigor, in equal measure, mark the stirring poetics of Andrew Hudgins in this fine new book. Hudgins can wrestle a rhyme scheme into submission with one hand tied behind his back and can penetrate the black heart of history with a single, subtly rendered detail. He laughs with Democritus and weeps with Heraclitus and, line by distillate line, contrives a tonic antidote to the acetone / of American inattention. Linda Gregerson

  • av Sydney Salter
    209

    On a summer vacation to Mexico, popularity-obsessed Kat ends up on a teen adventure tour where she meets Nando, a young Mayan guide (who happens to be quite a cutie). As they travel to different Mayan ruins each day, Nando tells Kat his original legend of Muluc, a girl who lived in the time of the ancient Maya. The dangerous, dramatic world in which Muluc lived is as full of rivalry, betrayal, and sacrifice as Kat s world at middle school. And as she makes new friends and discovers treasures in Mexico, Kat begins to question her values and those of her friends back at home."

  • av Carol Plum-Ucci
    355,-

    ShadowStrike poisoned the water of Trinity Falls two months ago. Now the Trinity Four, the teens most affected by the poison, have been isolated in a remote mansion, under twenty-four-hour medical care while scientists on four continents rush to discover a cure. Meanwhile, U.S. operatives scour the world for the bioterrorists responsible for this heinous crime, as two teen virtual spies, also infected, hunt for the criminals on the Internet. The danger remains real?for ShadowStrike has every reason to pursue the Trinity Four, and their evil plan will unleash a new designer virus that's even deadlier than the first.

  • av Maurice Manning
    295,-

    This collection of highly original narrative poems is written in the voice of frontiersman Daniel Boone and captures all the beauty and struggle of nascent America. We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry.The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

  • av H. A. Rey & Margret Rey
    129

  • av Rosie Schaap
    349

  • av Keith Leonard
    249

    A sparkling debut collection from a Pushcart Prize-nominated poet that makes an ecstatic argument for livingContaining joy and suffering side by side, Ramshackle Ode offers elegies and odes as necessary partners to bring out the greatest power in each. By turns celebratory, meditative, tender, and rebellious, these poems reimagine the divisions and intersections of life and death, the human and the natural world, the brutal and the beautiful. Time and again, they choose hope.From an award-winning young poet in the tradition of Marie Howe, Walt Whitman, Gerald Stern, and contemporary American bard Maurice Manning, Ramshackle Ode presents a new voice singing toward transcendence, offering the sense that, though this world is fragile, human existence is a wonderfully stubborn miracle of chance.

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    145

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    145,-

  • av Betty Ed. D. Crocker
    159,-

  • av Betty Ed. D. Crocker
    165

  • av Betty Ed. D. Crocker
    159,-

  • av Mary Sharratt
    289,-

    Named One of the Best Books of the Year by the St. Paul Pioneer Press"An absorbing bildungsroman that grapples with strikingly contemporary issues of gender and religious identification"--New York Times Book Review"An exquisite portrait of a Renaissance woman pursuing her artistic destiny in England and Italy, who may--or may not--be Shakespeare's Dark Lady."--Margaret George, best-selling author of Elizabeth I Aemilia Bassano Lanier is beautiful and accomplished, but her societal conformity ends there. She frequently cross-dresses to escape her loveless marriage and to gain freedoms only men enjoy--and then a chance encounter with a ragged, little-known poet named Shakespeare changes everything.The two outsiders strike up a literary bargain: they leave plague-ridden London for Italy, where they begin secretly writing comedies together and where Will falls in love with the beautiful country--and with Aemilia, his Dark Lady. Their Italian idyll, though, cannot last. Will gains fame and fortune for their plays back in London and years later publishes the sonnets mocking his former muse. Not one to stand by in humiliation, Aemilia takes up her own pen in her defense, and in defense of all women."The idea of a smart, beautiful, artistic woman telling Shakespeare, 'We shall write comedies, you and I' is as heady as the elderflower wine Aemilia's household staff brews."--Washington Post "Atmospheric, well-researched, carefully plotted...and, like Shakespeare's plays, chock-full of equal parts mirth and pith to please all."--Minneapolis Star Tribune

  • av Frances H Kennedy
    299

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