Böcker utgivna av Harvard University, Asia Center

A reference work from one of the world's preeminent linguists, A Comprehensive Manchu-English Dictionary substantially enlarges and revises Jerry Norman's 1978 Concise Manchu-English Lexicon. With hundreds of new entries and a new introduction on pronunciation and script, it will become the standard English-language resource on the Manchu language.

During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions, and the historical context, Murck shows that certain paintings expressed strong political opinions-some transparent, others deliberately concealed.

Includes chapters which treat men as well as women, theories of sexuality as well as gender prescriptions, and same-sex as well as heterosexual relations. This book examines how Japanese have (en) gendered their ideas, institutions, and society.

A house is a site, the bounds and focus of a community. It is also an artifact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artifact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era.

This volume seeks to shed new light on the nationalist paradigm of Japanese repression and exploitation that has dominated the study of Korea's colonial period (1910-1945). The authors adopt a more inclusive, pluralistic approach that stresses the complex relations among colonialism, modernity, and nationalism.

Ezra F. Vogel, one of Americäs foremost experts on China and Japan, had a dramatic global impact through his scholarship, mentoring, public policy advice, and institution building. Remembering Ezra Vogel contains fond reminiscences from 155 diverse contributors, conveying what was so extraordinary about his character and life.

This dual-language compilation of seven complete major works and many shorter pieces from the Confucian period through the Ch'ing dynasty will be indispensable to students of Chinese literature as well as theorists and scholars of other languages.

The first book of its kind in any Western language, Wang Anshi and Song Poetic Culture brings into focus a cluster of issues that are central to the understanding of both the poet and his cultural milieu. Together, the chapters form a varied mosaic of Wang Anshi's work and its critical reception in the larger context of Song poetic culture.

Uncertain Powers presents a nuanced study of female leadership in medieval Japan. Sachiko Kawai explores the important political and economic roles of 12th- and 13th-century Japanese royal women who, confronted with social factors and gender disparities, transformed authority into power by means of cooperation, persuasion, compromise and coercion.

A groundbreaking study of prison religion, Karma and Punishment introduces a form of chaplaincy rooted in the Buddhist concept of doctrinal admonition. Through research and fieldwork, Adam Lyons uncovers a dimension of Buddhist modernism that developed as Japan's religious organizations carved out a niche as defenders of society by fighting crime.

Grace C. Huang reconsiders Chiang Kai-shek's leadership and legacy in an intriguing new portrait of this twentieth-century leader. Comparing his response to imperialism to those of Mao, Yuan Shikai, and Mahatma Gandhi, Huang widens the implications of her findings to explore alternatives to Western expressions of nationalism and modernity.

Lucas Bender considers Du Fu's pivotal role in the transformation of Chinese poetic understanding over the last millennium. Du Fu anticipated important philosophical transitions from the late-medieval into the early-modern period and laid the template for a new and perduring paradigm of poetry's relationship to ethics.

In Opportunity in Crisis, an exploration of the late Qing Cantonese migration along the West River, Steven B. Miles situates the Cantonese upriver and overseas migration within the same framework, thus reconceiving the late Qing as an age of Cantonese diasporic expansion rather than one of state decline.

This work provides a history of the Rinzai Zen monastic institution in Medieval Japan.

The political fragmentation and constant warfare of medieval Japan did not necessarily inhibit economic growth. Rather, as this book shows, these conditions created opportunities for a wider spectrum of society to participate in trade, markets, and monetization, laying the groundwork for Japan's transformation into an early modern society.

The central argument of this study of the development of a communications network linking the far-flung parts of the Japanese imperium is that modern telecommunications not only served to connect these territories but, more important, made it possible for the Japanese to envision an integrated empire in Asia.

The Chinese Dreamscape, 300 BCE-800 CE investigates what dreams meant in late classical and early medieval China. Mapping a common dreamscape that underlies manuals of dream interpretation, scriptural instructions, and other texts, Robert Ford Campany sheds light on how people in a distant age wrestled with-and celebrated-the strangeness of dreams.

One Belt One Road argues that the largest global infrastructure development program in history is not the centralized and systematic project that many assume. Rather, Eyck Freymann suggests, the campaign aims to build the cult of Chinese President Xi Jinping while exporting an ancient model of patronage and tribute.

Spanning the fields of book history, travel literature, map history, and visual culture, Printing Landmarks provides a new perspective on Tokugawa-period culture. Robert Goree draws on diverse archival and scholarly sources to explore why meisho zue enjoyed widespread and enduring popularity.

Earthquake Children is the first book to examine the origins of modern Japan's infrastructure of resilience. Janet Borland vividly demonstrates that Japan's contemporary culture of disaster preparedness-and its people's ability to respond calmly in times of emergency-are the results of learned and practiced behaviors inspired by earlier tragedies.

In Wings for the Rising Sun, scholar and former airline pilot Jurgen Melzer tells the history of Japanese aviation as a story of international cooperation, competition, and conflict. He details how Japan absorbed technologies from abroad, fostered public enthusiasm for aviation at home, and eventually crafted boldly original flying machines.

Chinese Ways of Seeing and Open-Air Painting chronicles the life of a modern art form. In the late 1910s Chinese painters began working outdoors. They also adopted linear perspective and Cartesian optics. Yi Gu reflects on the complex interaction of local and Western aesthetics within the new form and on the nature of visual modernity in China.

With the ascension of a new emperor and the dawn of the Reiwa Era, Kenneth J. Ruoff expands upon and updates The People's Emperor, his study of the monarchy's role as a political, societal, and cultural institution in contemporary Japan.

Adam Kern offers a close reading of the vibrant popular imagination through kibyoshi, a genre of sophisticated pictorial fiction from late-eighteenth-century Japan. Illustrated with rare prints from Japanese archival collections, these entertaining works will appeal to the general reader as well as to the student of Japanese cultural history.

Regional Literature and the Transmission of Culture provides a textured picture of cultural transmission in the Qing and early Republican eras. Study of drum ballads opens up new perspectives in Chinese literature and history and offers a new paradigm that will interest scholars of cultural history, literature, legal history, and popular culture.

In this groundbreaking study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.

Powers of the Real analyzes the cultural politics of cinema's persuasive sensory realism in interwar Japan. Examining cultural criticism, art, news media, literature, and film, Lewis offers new perspectives on media history, the commodification of intimacy and emotion, film realism, and gender politics in the "age of the mass society" in Japan.

Imaginative Mapping analyzes how intellectuals of the Tokugawa and Meiji eras used specific features and aspects of the landscape to represent their idea of Japan and produce a narrative of Japan as a cultural community. Nobuko Toyosawa argues that the circulation spatial narratives allowed readers to imagine the broader conceptual space of Japan.

Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers' memories during the Ming-Qing cataclysm. Sight, sound, taste, and touch configured ordinary experiences next to traumatic events. This embodied experience reveals literature's mission of remembrance as a moral endeavor in cultural continuity.