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  • av Elliot Erwitt
    1 045,-

    Over 150 previously unseen images by photographer Elliott Erwitt will be published for thefirst time in Found, Not Lost. Spanning more than sixty years, the photographs inthe book, often taken during lulls or breaks between assignments in his prolific career, havebeen selected, edited and sequenced by Erwitt himself.

  • av Claire Beckett
    569,-

  • Spara 13%
    av Don McCullin
    945,-

  • av Merlin Daleman
    569,-

  • av Katerina Angelopoulou
    569,-

  • Spara 10%
    av Mark Power
    729

  • Spara 10%
    av Jim Krantz
    785,-

  • av Chris Donovan
    839,-

  • av Simone Rosenbauer
    649,-

    Small Museum by Simone Rosenbauer documents forty-one unique small museums across everystate and territory of Australia.

  • av Ayda Gragossian
    649,-

    Ayda Gragossian made the photographs in North North South by walking 'rather aimlessly' andtaking pictures in different neighbourhoods to create a narrative of Los Angeles that reflectsthe socioeconomic marginalisation she encountered on a daily basis.

  • av Mandy Barker
    729

    Photographs of British Algae: Cyanotype Imperfections by British Photographer Mandy Barkeraims to raise awareness of fast fashion, synthetic clothes, and the harmful effect of microfibres inthe oceans.

  • av Mark Cohen
    715,-

    Photographs taken in New York over 50 years ago by Mark Cohen will be published for the firsttime in Tall Socks.

  •  
    605

  • av Don McCullin
    1 105,-

  • av Larry Towell
    1 045,-

  • av William Green
    605

    Death and Other Belongings is a story about a personal journey at home.

  • av Joshua Dudley Greer
    669,-

    The Makeshift City is compiled of photographsmade in and around Atlanta, Georgia.The city ofAtlanta is currently in the midst of a seismic shift ofpopulation growth, real estate development andeconomic disparity that follows decades of systemicracism and Jim Crow policies that have plagued theAmerican South since the Civil War. Atlanta is a citythat has been built and destroyed several times over, leaving behind comparatively few traces of its ownpast despite its status as the cradle of the Civil RightsMovement and a progressive bubble amidst a ruraland mostly conservative part of the country. As thecity continues to struggle against the backdrop ofhistory, it seeks to rebrand itself as a global mecca fornew wealth, Hollywood production and opportunity.

  • av Sarah Mei Herman
    605

    Julian and Jonathan portray the relationship between Herman's father, Julian, and her half-brother, Jonathan.

  • av Sam Wright
    665,-

    Pillar to Post focuses on the vibrant and resilient Traveller and Gypsy communities across the UK and Ireland.

  • av Andrew McConnell
    855,-

    Every three months a space rocket carrying three astronauts and cosmonauts to the InternationalSpace Station launches from Kazakhstan. At around the same time, to the northeastin remote grasslands, three other astronauts fall back to earth. The photographs in Some Worlds HaveTwo Suns document these comings and goings.

  • av Richard Sharum
    669,-

    In Spina Americana (American Spine in Latin), Sharum attempts to determine what the people, and their land, of the Central US have to do with contributing towards what he considers to be the 'national character' of the US.In this current political climate, where seclusion and division have gained the upper hand in the national psyche, it is Sharum's aim to find the unifying elements not only as Americans, but as a people.He wantedto see if this region could hold the key to other Americans having a better understanding of who America is as a country and what remains of the collective hope they still have as a nation. Sharum felt this could only be accomplished using a spectrum of long-term documentation, highlighting the overall complexityof what is generally assumed about this area.

  • av Daniel Stephen Homer
    605

    Shot across four continents, Route de la Belle Etoile (Route of the Beautiful Star) is the first photobook to document the world of amateur astronomers who have an outsized impact on professional astronomical research.

  • av Mitchell Moreno
    855,-

    Body Copy is a photo-text series exploring the performance of queer masculinities in digital culture.

  • av Jeanette Spicer
    669,-

    To the Ends of The Earth, is a twelve year photographic project that depicts the underrepresented and often unseen dynamics of the relationships between a lesbian, her straight mother, and her girlfriend.

  • av Adam Ferguson
    729

    Through an exploration of iconic Australian events, small towns and his own extended family, Big Sky byAustralian photographer Adam Ferguson, attempts to capture a personal vision of Australia that commentson a way of life that is in decline.

  • av Joseph Michael Lopez
    665,-

    The photographs in JML NYC 02-23 were made over two decades as Joseph Michael Lopeztraversed the streets of the boroughs of New York by foot. Devoid of the visual tropes associatedwith the city, the images instead present a vision of New York as it was experienced.

  • av Joao Pina
    919

    João Pina draws upon his family history to tell the story of the Portuguese concentration campat Tarrafal, Cape Verde which operated between 1936 and 1974.

  • av John Volynchook
    589,-

    Faultlines (2015-20) locates fragments of contested landscapes within the UK Oil and Gas Authority onshore licence blocks under threat from shale gas extraction.

  • av Pierpaolo Mittica
    729

    Chernobyl by photographer Pierpaolo Mittica is a document of the communities who inhabit andpass through the exclusion zone-an area covering approximately 2600 km2 around the site of theChernobyl nuclear reactor disaster of 1986.

  • av Dr. Greg Gulbransen
    665,-

    Over the course of three years, Greg Gulbransen photographed Malik, a set leader of the violentstreet gang, the Crips. Malik was shot and paralysed in 2018 by the bullet from a rival gang, and as aresult his world now centres around his small Bronx apartment in New York.

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