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Facing the monumental issues of our time.In a 2012 performance piece, Rebecca Belmore transformed an oak tree surrounded by monuments to colonialism in Toronto's Queens Park into a temporary "non-monument" to the Earth.For more than 30 years, she has given voice in her art to social and political issues, making her one of the most important contemporary artists working today. Employing a language that is both poetic and provocative, Belmore's art has tackled subjects such as water and land rights, women's lives and dignity, and state violence against Indigenous people. Writes Wanda Nanibush, "by capturing the universal truths of empathy, hope and transformation, her work positions the viewer as a witness and encourages us all to face what is monumental."Rebecca Belmore: Facing the Monumental presents 28 of her most famous works, including Fountain, her entry to the 2005 Venice Biennale, and At Pelican Falls, her moving tribute to residential school survivors, as well as numerous new and in-progress works. The book also includes an essay by Wanda Nanibush, Curator of Indigenous Art at the AGO, that examines the intersection of art and politics. It will accompany an exhibition at the Art Gallery of Ontario scheduled from 12 July to 21 October 2018.Rebecca Belmore is one of Canada's most distinguished artists. She has won the Hnatyshyn Award (2009), the Governor General's Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). A member of Lac Seul First Nation, she was the first Aboriginal woman to represent Canada at the Venice Biennale. She has also participated in more than 60 one-person and group exhibitions around the world.

In the year after Halifax was devastated by the Explosion, Harold Gilman and Arthur Lismer were working in the city as war artists. Commissioned by the Canadian War Memorials Fund to record the war activity on the home front, the two men struck up a friendship and sketched side-by-side on occasion.With the effects of the Explosion still clearly visible, Gilman and Lismer turned their attention to the busy harbour. Gilman wiped clean the desolation, ignoring the site of a human-made disaster in favour of a serene landscape. His large-scale painting, Halifax Harbour, was his most ambitious canvas and his last undertaking before his early death in 1919. In contrast, Lismer, a founding member of the Group of Seven, recorded the lively activity of the busy naval hub, producing dynamic paintings, prints, and drawings of camouflaged battleships cruising through the Maritime seascape.Halifax Harbour 1918 examines the genesis of Gilman and Lismer's evocative and powerful responses to the First World War.C'est un an après l'explosion qui a provoqué la dévastation d'Halifax qu'Harold Gilman et Arthur Lismer deviennent artistes de guerre dans la ville. Les deux hommes se lient d'amitié en faisant ensemble des esquisses à l'occasion pour le Fonds de souvenirs de guerre canadiens, qui leur a demandé d'immortaliser les activités militaires sur le front intérieur.Les effets de l'explosion encore visibles, l'attention de Gilman et de Lismer se dirige toutefois sur le port animé. Gilman ignore la désolation, car il choisit de représenter ce site dans un paysage lumineux et non comme un lieu marqué par une catastrophe humaine. Sa très grande toile Le port d'Halifax est l'une de ses plus ambitieuses et la dernière réalisée avant sa mort prématurée en 1919. Quant à Lismer, qui figure parmi les fondateurs du Groupe des Sept, il rend compte des activités portuaires florissantes, en réalisant une série dynamique de tableaux, de dessins et d'estampes intégrant les navires en camouflage aux paysages marins des Maritimes.Le port d'Halifax 1918 examine la manière évocatrice et puissante avec laquelle Gilman et Lismer ont dépeint la Première Guerre mondiale et l'origine de cette réponse.

"Published in conjunction with the exhibition 'Ned Pratt: One Wave', organized by The Rooms, St. John's, NL, September 22, 2018 to January 20, 2019, and touring nationally 2019-22" -- Publisher.

The lyrical memoir of an ever-moving river and those who answer its call.

"Throughout ... Everything Remains Raw, the photographs of the live performances capture the precise moment when hip hop"s essence gets unleashed. On stage, gripping a mic, beads of sweat indiscriminately decorating foreheads, veins animating a pumping voicebox, improvised call-and-response -- this is the uncontainable essence of hip hop music." -- Mark V. Campbell (aka DJ Grumps)

The complex choreography of family, the anxiety of individuality, and the ambiguous histories of stories erased, forgotten, and suppressed.

Shortlisted, Dorothy Livesay Poetry PrizeStanding in the granite of his own voice.Remembering your gathering body.Hello, My Forever Ago, don't worry, >You will have already returned>fashionably, only ever one second old.Yes, Darling, it's me, it says as proof that in space>fleeting isn't the oppositeof infinite, but its perfect match.Four years ago, Ali Blythe arrived with Twoism, a remarkable debut collection, every line shimmering with life and shivering with erotically charged glimpses of completeness. Now in Hymnswitch, Blythe takes up the themes of identity and the body once again, this time casting an eye backwards and forwards, visiting places of recovery and wrestling with the transition into one's own skin. Readers will find themselves holding their breath at the risk and beauty and difficulty of the balance Blythe strikes in the midst of ineffable complexity.Combining a stark, tensile precision with musicality that lulls and surprises, Blythe, a surreal engineer of language, has once again created an unusually memorable collection. Imbued with emotional awareness, these stunning poems will imprint readers with startling images and silences as potent as words.

"In this intimate investigation of the artistic process, Lezli Rubin-Kunda explores the nuanced path of creative work and the way artists make sense of home and place within their art practice and their lives. Rubin-Kunda is a multidisciplinary artist who examines these issues in her own work. But in this book, she expands her horizons, travelling across Canada to talk to more than fifty practicing artists, including Amalie Atkins, Aganetha Dyck, Francois Morelli, Simon Frank, and Sharon Alward, about their work, their creative process, and the place of "home" in their work. What emerges from these thoughtful conversations are fascinating and unexpected orientations to place, ranging from deep connections to a specific childhood home, to more conscious adoptions of place, to somewhat fluid approaches in which the very concept of "home" seems to dissolve. Moving from physical landscapes to the geography of memories and recorded histories, from territories of emotion to social environments that condition and contribute to the idea of home, Rubin-Kunda touches on indigenous approaches to ancestral homelands, the land as physical place and emotional territory, the historic role of women in creating and taking care of "home," ideas of home disconnected from place, and liberating concepts of "homelessness." Woven through these encounters with other artists are Rubin-Kunda's reflections on her own artistic path. Candid, empathetic, and insightful, At Home explores the creative process and the ways that artists find and create meaning within a fragmented contemporary landscape."--

First published in 1974, Mourir à Scoudouc emerged out of a period of cultural awakening. Chiasson's poems denounced the narrow limitations of the past and traced the lines of a fresh collective vision. The poems were lyrical, referentially modern, and steeped in the rhythms and forms that had emerged from the Americas, Europe, and India.Now, more than 40 years later, Herménégilde Chiasson is considered to be the father of Acadian modernism, and Mourir à Scoudouc is widely regarded as one of the foundational works of modern Acadian literature. Several of the poems, including the oft-anthologized long poem, "Eugénie Melanson," have now achieved iconic status, appearing frequently in books, magazines, and films -- in French and in English.To Live and Die in Scoudouc is the first English edition of this seminal collection. It replicates Chiasson's design of the 2017 edition and features his own photographs as well as his new introductory essay.Although several of the poems have been previously translated, To Live and Die in Scoudouc features fresh renditions by Jo-Anne Elder, who worked closely with Chiasson on the translations.

From humble beginnings in 1818 as "the little college by the sea," Dalhousie University has grown to be an influential Canadian thought leader, global educator, research powerhouse, and economic driver.Dalhousie University: A 200th Anniversary Portrait explores the story of this historic university. Opening with an epic poem by celebrated poet and alumnus George Elliott Clarke, this image-rich book highlights the contributions of students, faculty, staff, and the larger community that make up the university known simply as Dal.

An Atlantic BestsellerNova Scotia is blessed with numerous must-see waterfalls, and this volume from self-described "waterfall addict" Benoit Lalonde brings together 100 of the province's best.Conveniently categorized by the government of Nova Scotia scenic route system, this rich compendium includes famous waterfalls such as Garden of Eden Fall, Wentworth Falls, Cuties Hollow, Annandale Falls and Butcher Hill Falls, as well as lesser-known but easy to locate gems. In addition to providing useful information on the height, type, and hiking distance of each waterfall, their degree of difficulty to reach is also assessed for the convenience of both novice and advanced hikers alike.Featuring gorgeous colour photographs and individual maps of each location, Waterfalls of Nova Scotia offers an invaluable reference as well as a tribute to the beauty of the falls and the natural splendour waiting to be discovered.

This is the untold story of AIDS in Africa.We thought we knew what was happening in Africa when the AIDS pandemic raged across the continent, sweeping away 35 million lives. But we never knew it the way this book reveals it, in the shockingly intimate voices of the grandmothers who save their orphaned grandchildren when no one else was left alive.A dynamic movement of grandmothers rallied in response. Starting in Canada and spreading across the globe, it now encompasses thousands of grandmothers on several continents. Together, resolute grandmothers in Africa and around the world are reclaiming hope and courageously saving lives. Their voices will leap straight into your heart. Their unguarded faces, in portraits that glow with character, pain and humour, will captivate you. Powered by Love is their story.

"Absorbed in the small, everyday rituals of existence, this remarkable collection of poems tears open the fruit of life and scoops out beauty and joy, pain and suffering, in equal measure. Ritual Lights takes the reader on a journey through an underworld that is both familiar and uncanny, a space between death and life where one nourishes the other. Shadowed by the aftermath of sexual assault, Joelle Barron places candles in the darkest alcoves, illuminates mysteries, and rises again to an abundant Earth where the darkness is transformed into rich loam. These poems follow the speaker through grieving and loss, heartbreak, repression, and discovery, seeking, never finding an answer, but finding meaning in the work of continuing. A meditation on trauma and identity, deeply vulnerable and reserved, funny and full of rage, Ritual Lights explores the sometimes messy and ugly, but always necessary, nature of survival" -- Provided by publisher.

Longlisted, Raymond Souster AwardAn on-the-scene report of a childhood abroad. A child's vision of real-world events made real (and unreal) by the presence of his father.Memories of snow falling on Quebec City's copper roofs; scientists tracking the location of a sinking submarine near the Russian Coast. Children flipping bright kopeks at a dancing bear outside a flea market; a translator awaking from a suicide bombing with ears ringing, surrounded by destruction. A young boy watching his father report the news on TV as hostages hold wet handkerchiefs to their mouths, trying not to breathe too much.Across the street, a red sun sets the windows of the Hotel Ukraina on fire. The tallest of Stalin's seven sisters. We huddle on the couch in our pyjamas. My mother holding a remote in her lap. Static sky, bad reception. The TV clearing its throat. My father's body, cut in half, moving up and down the screen.This remarkably confident debut collection offers three long prose poems, each divided into 19 sections, fusing images of bucolic coastal summers, a father fixed by a television broadcast, and the colours of a Moscow winter with vividly depicted scenes of gunfire, media scrums, and live reporting. In this unusual hybrid of the personal and the historical, Dominque Bernier-Cormier tenders alternating perspectives on what is said, what is seen, and where the silence begins.

"Originating as a 19th century militia, the New Brunswick Rangers were placed on active service for the first time during the Second World War, serving first in the Maritimes and Newfoundland. In 1943, the Rangers were sent to Britain, where they were converted to a heavy weapons support unit, armed with machine guns and mortars in preparation for the invasion of Normandy. In this illuminating account, Matthew Douglass uncovers their participation in the war: their arrival in Normandy and their contributions to the battles in Belgium, the Netherlands, and Germany. Present at many of the critical moments of the campaign, the Rangers participated in the Battle of the Falaise Gap, which cleared the way for the advance on Paris and the German border; the Battle of the Scheldt, which secured the vital supply lines of the port of Antwerp; and the Battle of the Reichswald, when German resistance on the west bank of the Rhine was finally broken. Drawing on archival photographs and original source documents, Douglass's account of the Rangers' wartime experiences is a crucial piece in understanding the role of heavy weapons support units on the Western Front. The New Brunswick Rangers in the Second World War is volume 27 of the New Brunswick Military Heritage Series. Matthew Douglass holds degrees in history from the University of New Brunswick where he carried out fieldwork in France and Belgium. His publications, including articles in Canadian Military History, feature studies of the Royal Canadian Regiment's role in garrisoning Bermuda in the First World War and the Canadian campaigns in Sicily and the Netherlands in the Second World War. "--

30 routes. 900 km of trail. 6 provinces.Here at last: the essential guide to the eastern half of Canada's national trail.Beginning at Cape Spear and ending on the shores of Lake Huron, Michael Haynes follows The Great Trail through the remote interior of Newfoundland, the coastlines of the Maritimes, the Laurentian Mountains of Quebec, the lakes and farmlands of Southern Ontario, and the cities of Québec, Montréal, Ottawa, and Toronto. In this authoritative guide for adventurous hikers and cyclists, Michael Haynes uses beautiful colour photographs and detailed maps to punctuate his comprehensive trail notes, offering a connoisseur's sampling of the best of The Great Trail in eastern Canada.