Dass Beck's art traces an "invisible thread" across cultural boundaries--the human need to discover, contemplate, and communicate via art. Part I focuses on non-Indian content, e.g. American and African, Part II on comparable Indian arts.
By recognizing a kinship with the personified oaks, homeless groundhogs, or discarded milk cans of Phil Howerton's Ozarks world, readers may discover who they were or might become. Photographs and essays enhance the wordsmith's crafty work.
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