Music + Revolution: Greenwich Village in the 1960s brings to life the songs, singers, and songwriters who made history and changed everything with a strum heard 'round the world.
Spanning more than fifty years of modern music history, Peter Asher: A Life in Music highlights every turn in Peter Asher''s amazing career. Over a dozen years of research has gone into telling his story, with numerous interviews conducted with Asher, along with first-hand observations of him at work in various recording studios around Los Angeles. The author also had access to Asher''s archives, which offered rare photographs and other career memorabilia to help illustrate this biography.Over one hundred artists, friends, and colleagues agreed to be interviewed, and they help to provide insight into Asher''s personality and working methodology. Included are singers Jackson Browne, David Crosby, Marianne Faithfull, Carole King, Kenny Loggins, Graham Nash, Aaron Neville, Randy Newman, Bonnie Raitt, Linda Ronstadt, JD Souther, and James Taylor; producers Lou Adler, Mike Curb, Richard Perry, Al Schmitt, and Sir George Martin; musicians Hal Blaine, Andrew Gold, Danny Kortchmar, Paul Shaffer, and Waddy Wachtel; and actors Kevin Kline and Robin Williams. Many of these participants also provided previously unseen photographs. Asher was also one of the first producers to list the musicians that played on his sessions, realizing how important they were to the success of each project. These mini-portraits not only contribute to the telling of his story, they ultimately give the reader a history lesson on the last fifty years of popular music. Of course, Asher''s life and work did not occur in a vacuum, and David Jacks places his progress in context with what was occurring in the culture that surrounded him, from the pervasive doldrums that America was experiencing right before the Beatles (and Peter and Gordon) exploded upon its shores to the civil rights tensions that surrounded the interracial tour Dick Clark sent through the Southern US in 1965, to the end of the 1960s and the public''s need for a soothing confessional tone in their music after a decade of turmoil, which artists like James Taylor provided.Asher has also had a unique insider''s view into the changing world of the music businessΓÇöfrom the mid-1960s explosion of British artists to the 1970s corporate takeovers of independent labels, from the MTV era of the mid-1980s to the modern era of 360 degree deals and digital streaming. He is practically alone in his success as a hit-making artist, a hit-making producer, and a manager for hit-making talent. His ability to produce projects with such a broad rangeΓÇörock, pop, folk, country, rhythm and blues, jazz, dance, Latin, classical, comedy, and Broadway and movie soundtracksΓÇöis almost unheard of. And in a business rife with shady characters, his intelligence, honesty, and business sense has earned the respect of all he''s worked with. Still producing exciting work in the entertainment industry, Peter Asher has quite a story to tell.
About the influential and philosophical comedy of George Carlin, Outside Looking In traces his evolving ideas from street humor to larger questions about the meaning of life.
Four Scores and Seven Reels Ago: The U.S. Presidency Through Hollywood, Real and Unreal investigates the numerous ways Hollywood has portrayed the presidency of the United States, both through biographical portraits of those who served and fictional presidents for dramatic and fantastical movies.
Infused with a raw and energetic sound that stripped rock ''n'' roll to the bone, punk rock transformed rock''s landscape in the 1970s, deconstructing bloated arena rock and leaving a lasting influence on the music and cultural scene in the United States and overseas. Punk was all about extending a middle finger to the status quo while pushing boundaries in uncharted directions. According to punk poet laureate Patti Smith, "To me, punk rock is the freedom to create, freedom to be successful, freedom to be not successful, freedom to be who you are. It''s freedom." Punk: The Definitive Guide to the Blank Generation and Beyond focuses on the origins of punk, ranging from disparate influences such as Dadaism, the Beat Generation, the garage bands of the 1960s, the Paris-based Situationist International movement, Jamaican ska bands, Stanley Kubrick''s dystopian masterpiece A Clockwork Orange, and the glam rock of the early 1970s. Rich Weidman highlights the best and worst punk bands, the greatest punk songs and albums, the most notorious concerts, and the rise of American hardcore punk. Legendary venues such as CBGB and classic punk films and documentaries like The Decline of Western Civilization propelled the rise of pop punk bands into the mainstream and every other aspect of punk subculture, including its lasting impact on rock ''n'' roll and society as a whole.
Hamlet calls death "that undiscovered country from whose bourn no traveler returns."But he''s wrong. Some do return.Each night after the applause dies, the curtain falls, the audience vanishes, the cleaners dust, and the lights are killed, great theatres become dark and silent places. But not always quite empty. That''s when the theatre ghosts make their entrance and strut and fret their hour upon the shadowed boards, illuminated only by the ghost light, the solitary lamp that is required to burn through the night on every Broadway stage.Many of Broadway''s busiest theatres continue to be just as busily haunted by spirits, some with well-known names and histories. Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway''s ghosts) is about the ghosts that haunt theatres in New York and around the world.Broadway is the playground of stars, so it''s probably not surprising to learn that even its ghosts are stars. Meet some of Broadway''s best known—and most active—celebrity ghosts. Don''t worry: like Casper, they tend to be friendly. For the most part. There''s something special about theatres, something especially conducive and welcoming to ghosts. Charles J. Adams III wrote, "By its very nature, a theatre is a vault within which every human emotion is at once imprisoned, impersonated, imitated, and elicited. Tangles of cords and ropes…tall curtains and backdrops which fade into high darkness…cubicles and trap doors and passageways."Good Morning, Olive takes readers on a tour of that world.
While Paul Dooley was the on-screen dad to Julia Roberts, Molly Ringwald, Toni Collette, Robin Wright, and Helen Hunt, his personal life held a painful secret.
Many of the worldΓÇÖs biggest bands have imploded amid bitter and violent grudges over money, publishing, ego-driven power plays, relationships, drugs, and that famous old bromide, ΓÇ£musical differences.ΓÇ¥ Iconic bands like The Beach Boys, Fleetwood Mac, Pink Floyd, The Supremes, The Clash, The Eagles, The Band, The Police, Cream, and Guns ΓÇÿnΓÇÖ Roses all suffered rancorous break-ups that have cast long shadows over their legacies.MusicalΓÇöand realΓÇöbrotherhoods such as The Everly Brothers, Jagger-Richards, Ray and Dave Davies, Simon and Garfunkel, and Lennon-McCartney fractured as private brawls transitioned into toxic, public blame games. Yet, as music lovers, we canΓÇÖt help but be strangely captivated by the internecine warfare that is part of their shared antiquity, no matter the era you belong toΓÇöalong with the timeless music they left behind. Ken McNabΓÇÖs You Started It charts these tales of rock ΓÇÿnΓÇÖ roll excess and internal strife. He captures unique accounts from eye-witnesses of these legendary bands and their legendary breakups, bringing to life the divisions that produced domino effects of animus that followed them through the decades. McNab provides fresh takes on the human stories behind the in-fighting that saw a stairway to heaven become a highway to hell for the biggest bands of this or any other time.
Roman Polanski: Behind the Scenes of His Classic Early Films is a rare portrait of the artist in the act of creation.
John Pearce's promotion means that he is free to follow his own wishes. While Pearce is indulging himself in London, his trio of friends are shipped off to the Mediterranean. Pearce vows to liberate them from the brutal tyrant they are serving under. But Pearce is obliged to embark on a dangerous mission before he can free his friends.
Set to the formative years of the U.S. economy, Captain Richard Cutler commands the American steam vessel Suwannee to the distant land of New Zealand to establish a secure trade route to fruitful oversea markets and protection from opposing naval forces.
1794. Lieutenant John Pearce is caught between a feuding trio of admirals. One puts him in a position of danger while another asks him to undertake a hazardous commission in order to protect his friends, the Pelicans. Meanwhile, Pearce is also trying to construct a perjury case against Admiral Ralph Barclay. Barclay''s own wife has turned against him, but by law she cannot testify against her husband. Her cowardly nephew has become a pawn in the Admiral''s game, the objective of which is to finally silence Pearce.
Boat Troop are sent upriver into Sierra Leone on a mission to secure a vital ore mine. While the men battle their way past vicious hippos and poisonous snakes, political events are rapidly overtaking the city-based HQ. As the balance of power swings between government and rebels, HMG wavers in its intentions. Soon after Boat Troop arrive at the mine, they discover they are on their own and now have the extra burden of civilians to hamper their task.
Lieutenant John Pearce must undertake an urgent commission from Lord Hood, track down midshipman Toby Burns, and placate Emily Barclay. He can only hope that his troubles will end along with his mission, but are they only just beginning?
Free from jail, John Pearce must undertake a dangerous mission in support of a massive revolt in the Vendée region of France. As high rebellious ambition turns to bloody disaster, Pearce faces real peril, climaxing in one of the greatest battles of the French Revolutionary Wars: the Glorious First of June.
Offstage Observations: Inside Tales of the Not-So-Legitimate Theatre follows a stage-struck teenager as he crashes the gates of Broadway and forges a career, keenly observing hits and flops while rubbing shoulders with celebrities famous (and infamous), as well as the people who fueled the industry.
Susan Fleming appeared in three Broadway shows and twenty-eight films before she turned her back on a show business career she never really enjoyed or wanted. The role of her lifetime came when she married Harpo Marx in 1936. Together, they raised four adopted children and enjoyed one of Hollywood's happiest and most successful unions. But their twenty-year age difference made Susan a young widow in 1964.On her path to Hollywood, Susan worked in Broadway musicals produced by Florenz Ziegfeld and George White and befriended a young dancer who would later be known as Paulette Goddard. In Hollywood, she appeared in films with stars like John Wayne, W.C. Fields, and Katharine Hepburn and worked at all the major studios. But it wasn't until she fell in love with a confirmed bachelor, twenty years older than her, that she found her purpose. Her story is the counterpoint to the beloved and acclaimed Harpo Marx autobiography, Harpo Speaks! Susan's frank, opinionated perspective provides a true look behind the curtain and details Harpo's last years, following the publication of his own book.Susan's account of her more than thirty-year adventure with Harpo includes encounters with people like Charlie Chaplin, William Randolph Hearst, Salvador Dalí, Somerset Maugham, Joan Crawford, Howard Hughes, George S. Kaufman, Helen Keller, Oscar Levant, Jean Harlow, Bugsy Siegel, Samuel Goldwyn, Menachem Begin, Ginger Rogers, Alexander Woollcott, and of course, the Marx Brothers. Susan provides an inside look at the family and pulls no punches when discussing her brothers-in-law, who weren't always her favorite comedians.
An updated paperback reprint of Ted Chapin's classic, Everything Was Possible, featuring a new afterword reflecting on the show's 50th anniversary.
Songwriting guru Rikky Rooksby surveys Springsteen's rich catalogue and uses common techniques as a starting point for a masterclass in the art of writing powerful songs.
In her wry, entertaining, and astute style, master of her craft Beatrice Manley dispenses wide-ranging insights and nuanced wisdom accumulated from a lifetime on the stage.
You can't have a big blockbuster of failure, it seems, without the participation of Broadway's biggest talents.
Being Gerry Mulligan: My Life in Music is Gerry Mulligan in his own words. This autobiography tells the story of the iconic American jazz saxophonist, clarinettist, composer, and arranger.
Fugitive Billy Houston, keen to bring about a Nazi-run Britain, needs money. Intent on burglary, his victim has in his possession the entire anti-invasion plans for Southern Britain. Billy must get the plans to the German delegation. Will he succeed? If he does, Hitler will lead Britain to a German invasion.
John Pearce finds himself working aboard HMS Griffin sailing the Channel in search of the numerous French privateers preying on English merchant ships. He must find a way off the ship in order to rescue his ailing father from the dangers of revolutionary Paris. But when traveling to France, he discovers that his worst fears have become reality.
John Pearce is entrusted with the task of escorting 5,000 radical French sailors to a port on the Atlantic coast where they are to be set free. But when the assignment goes awry, it is up to Pearce and his trio of friends, the Pelicans, to prevent judicial murder.
Lieutenant John Pearce is seeking protection for his friends from a reluctant Admiralty. Lacking the evidence of perjury, his prospects are not promising. Ralph Barclay's wife has the means to get her own way: the evidence Pearce believes was lost at sea. His friends join Pear...
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