Böcker utgivna av GINGKO

This book gathers together leading scholars in the field to examine the impact of the First World War on the Middle East, so crucial to understanding the conflicts unfolding in the region today.

An analysis of the 1923 Treaty of Lausanne from multiple historical, economic, and social perspectives. The last of the post-World War One peace settlements, the 1923 Treaty of Lausanne departed from methods used in the Treaty of Versailles and took on a new peace-making initiative: a forced population exchange that affected one and a half million people. Like its German and Austro-Hungarian allies, the defeated Ottoman Empire had initially been presented with a dictated peace in 1920. In just two years, however, the Kemalist insurgency enabled Turkey to become the first sovereign state in the Middle East, while the Greeks, Armenians, Arabs, Egyptians, Kurds, and other communities previously under the Ottoman Empire sought their own forms of sovereignty. Featuring historical analysis from multiple perspectives, They All Made Peace, What is Peace? considers the Lausanne Treaty and its legacy. Chapters investigate British, Turkish, and Soviet designs in the post-Ottoman world, situate the population exchanges relative to other peacemaking efforts, and discuss the economic factors behind the reallocation of Ottoman debt and the management of refugee flows. Further chapters examine Kurdish, Arab, Iranian, Armenian, and other communities that were refused formal accreditation at Lausanne, but which were still forced to live with the consequences, consequences that are still emerging, one hundred years on.

A historical account of the development of nationalism in Iranian architecture between 1905 and 2015. Nationalism in Architecture of Modern Iran is the first comprehensive book on modern architecture in Iran to be published in English. It addresses the relationship between nationalism and architecture in Iran and discusses the role Western architects played in the development of modern architecture in the country while introducing some of the most significant and recent projects in Iran. It investigates what it means to design a building that bears an Iranian or Islamic-Iranian identity and how to construct a conceptual platform for critically assessing representations of national identity in contemporary architecture. This book will directly help practicing architects and policymakers of the built environment, especially in Iran, as well as give a comprehensive understanding of the modern history of architecture in Iran to art historians and a broader audience. It introduces some of the most significant and recent projects in Iran for the first time.

This book explores the histories of urban communities in the three cities of Ajmer, Nagaur and Pushkar in Rajasthan, between the sixteenth and eighteenth centuries

Abd alAziz alBabtain and the Formation of Modern Kuwait.

In this groundbreaking study, Muna Tatari and Klaus von Stosch painstakingly reconstruct the picture of Mary that is presented in the Qur'an and show how veneration of the Blessed Virgin Mary in the Roman Catholic Church intersects and interacts withthe testimony of the Qur'an.

This book presents the history of Amman's development under the rule of the British mandate from 1921-46 and illustrates how the growth of the Anglo-Hashemite state imbued the city with physical, political, and symbolic significance.

In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world's great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe's Divan. In order to preserve the work's original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe's own commentary, the "Notes and Essays for a Better Understanding of the West-Eastern Divan." This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.

Part visual history, part memoir, You Can Crush the Flowers is the celebrated Egyptian-Lebanese artist Bahia Shehab's chronicle of the Egyptian Revolution of 2011 and its aftermath, as it manifested itself not only in the art on the streets of Cairo but also through the wider visual culture that emerged during the Revolution.

The Great Mosque of Damascus is an iconic monument of world architecture, and the oldest mosque still standing in something close to its original state. This book is the first in-depth study of its foundation by the Umayyad dynasty, just as the first Islamic century was drawing to a close.

This boxset consists of a collection of newspaper articles and earlier essays, presented in four volumes. Each volume is introduced by Professor Rasheed El-Enany (University of Exeter).

A culinary history of the Middle East and beyond, revealing the origins of the region's many dishes and delicacies we enjoy today.

By going back to basics, the holy Word, this book offers a detailed analysis of the original texts in both the New Testament and the Qur'an which proves to be both revealing and thought provoking.

The aim of this volume is to adopt an original analytical approach in explaining various dynamics at work behind the Arab Spring, through giving voice to local dynamics and legacies rather than concentrating on debates about paradigms.

This series of essays form a selection of El Saadawi's most recent musings, memories and reflections, considering the role of women in Egyptian and wider Islamic society, the inextricability of imperialism from the patriarchy, the meeting point of East and West, and the image and body politic of the woman in the intersections of those cultures.

In these essays Mahfouz comments on Egyptian politics, the role of Parliament and the institutional changes that took place in Egypt after Honsi Mubarak became President in 1981.

In these essays Naguib Mahfouz comments on Egyptian politics, the role of Parliament, and the institutional changes that took place in Egypt after Honsi Mubarak became President in 1981.

This exhibition catalogue documents not only Shehab's striking artwork itself, but also the stories of the people she meets along the way, and her observations from the streets of each new city she visits. It is her artists manifesto, a cry for freedom and dignity, and a call to never stop dreaming.

Unique study of Jesus in the Qur'an by a Christian and a Muslim scholar writing together. The Qur'an identifies Jesus as a sign of God, and he holds a place as one of the most important prophets in Islam. Looking at Jesus in Islam also reveals both deep differences from and rich connections to the view of Jesus in Christianity. In The Other Prophet, Mouhanad Khorchide and Klaus von Stosch explore and explain the position of the Qur'anic Jesus, with one scholar working from the Muslim and the other from the Christian theological perspective. Their combined research presents a history of Jesus' presence in the Qur'an and provides astute observations to deepen the understanding of both Christians and Muslims. Here we find that a common view of Jesus from the Muslim and Christian sides is not only possible but also expands our understanding of Jesus and his message.

The Image Debate: Figural Representation in Islam and Across the World is a collection of thirteen essays which examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen.