Böcker utgivna av Fourth Estate

From the clamour of P. T. Barnum's circus rushing through the dusty plains of Missouri to the packed theatres of New York, The Snake-Oil Dickens Man is the moving, witty story of a young man's loss of innocence in the search for his father.It is 1867 and Billy Talbot has been told that he is the illegitimate son of the great author, Charles Dickens. Billy's journey is thick with tricks, disguises and chance meetings that lead him to Hope Scattergood, a consumptive charlatan with his own interest in the great writer. Together Scattergood and Billy devise the 'Dickens Lay', a con that may lead Billy to a meeting with his father, the real Charles Dickens ...

Those who believe Europe to be weak and ineffectual are wrong. Turning conventional wisdom on its head Why Europe Will Run the 21st Century sets out a vision for a century in which Europe will dominate, not America. This is the book that will make your mind up about Europe. Those who believe Europe is weak and ineffectual are wrong. Turning conventional wisdom on its head, Mark Leonard, one of the UK's most visionary thinkers, argues that Europe is remaking the world in its own image. Europe only looks dead because it is seen through American eyes. But America's reach is shallow and narrow. It can bribe, bully or impose its will anywhere in the world, but when its back is turned its potency wanes. Europe's reach is broad and deep, spreading its values from Albania to Zambia. It brings other countries into its orbit rather than defining itself against them, and once countries come under the influence of its laws and customs they are changed for ever. This book sets up a challenge: to regard Europe not as a tangle of bureaucracy and regulation, but as a revolutionary model for the future. We cannot afford to forget that Europe was founded to protect us against war and that it is now key to the spread of democracy. 'Why Europe Will Run the 21st Century' addresses Europe's place in the world, looks to the past and the future and argues, provocatively, that it can and will shape a new and better world order.

Oscar Wilde had one of literary history's mostexplosive love affairs with Lord Alfred "Bosie"Douglas. In 1895, Bosie's father, the Marquessof Queensberry, delivered a note to the Albemarle Clubaddressed to "Oscar Wilde posing as sodomite." WithBosie's encouragement, Wilde sued the Marquess forlibel. He not only lost but he was tried twice for "grossindecency" and sent to prison with two years' hard labor.With this publication of the uncensored trial transcripts,readers can for the first time in more than a century hearWilde at his most articulate and brilliant. The Real Trialof Oscar Wilde documents an alarmingly swift fall fromgrace; it is also a supremely moving testament to the rightto live, work, and love as one's heart dictates.

A gripping story of obsession, adventure and the search for our oldest surviving ancestor ? 400 million years old ? a four-limbed dinofish! In 1938, Marjorie Courtenay-Latimer, a young South African museum curator, caught sight of a specimen among a fisherman's trawl that she knew was special. With limb-like protuberances culminating in fins the strange fish was unlike anything she had ever seen. The museum board members dismissed it as a common lungfish, but when Marjorie eventually contacted Professor JLB Smith, he immediately identified her fish as a coelacanth ? a species known to have lived 400 million years ago, and believed by many scientists to be the evolutionary missing link ? the first creature to crawl out of the sea. Marjorie Courtenay-Latimer had thus made the century's greatest zoological discovery. But Smith needed a live or frozen specimen to verify the discovery, so began his search for another coelacanth, to which he devoted his life.

The sequel to Jane Austen's best-loved novel, Emma, by the author of the international best-seller 'Pemberley'. This is the story of Emma two years after she has married Mr Knightley. There may be harmony between them but Emma is frankly bored. Mr Knightley is affectionate; but he is in reality an old friend, who has, in his own words, 'lectured and blamed' Emma, sixteen years younger than he, all her life. Knightley is no Mr Darcy. To amuse herself, Emma decides to take up matchmaking again, whether her husband will have it or no. But this time Emma is playing for dangerously high stakes. John Knightley ? her brother-in-law, poor widowed John ? is in need of a wife and stepmother to his numerous family. So when a fascinating young woman enters Highbury society, Emma sees at last a golden opportunity. Eliza d'Arblay is of French birth. Her parents, the Comte and Comtesse d'Arblay, fled the French Revolution in 1795. It is now 1815, and Eliza is 20 years old. She is intriguing and romantic as only a beautiful young Frenchwoman can be. Her dresses are more elegant; her accomplishments far superior to anything Highbury has ever seen. John Knightley is introduced and begins to fall in love. But Eliza is not all she seems. Just as a marriage is announced, strange evidence of a very different past begins to emerge. And, most disconcertingly of all, we are led to ponder the meaning of Mr Knightley's statement, early on in Emma, that he would like to 'see Emma in love'. Perhaps, disastrously, she is; but the object of her desires cannot be said to be suitable to Highbury ? or to Mr Knightley ? at all..