2022 PROSE Awards Category Winner - Biography & AutobiographyThe fascinating biography of Eunice Hunton Carter, a social justice and civil rights trailblazer and the only woman prosecutor on the Luciano trial Eunice Hunton Carter rose to public prominence in 1936 as both the only woman and the only person of color on Thomas Dewey's famous gangbuster team that prosecuted mobster Lucky Luciano. But her life before and after the trial remains relatively unknown. In this definitive biography on this trailblazing social justice activist, authors Marilyn S. Greenwald and Yun Li tell the story of this unknown but critical pioneer in the struggle for racial and gender equality in the twentieth century.Carter worked harder than most men because of her race and gender, and Greenwald and Li reflect on her lifelong commitment to her adopted home of Harlem, where she was viewed as a role model, arts patron, community organizer, and, later, as a legal advisor to the United Nations, the National Council of Negro Women, and several other national and global organizations.Carter was both a witness to and a participant in many pivotal events of the early and mid- twentieth century, including the Harlem riot of 1935 and the social scene during the Harlem Renaissance.Using transcripts, letters, and other primary and secondary sources from several archives in the United States and Canada, the authors paint a colorful portrait of how Eunice continued the legacy of the Carter family, which valued education, perseverance, and hard work: a grandfather who was a slave who bought his freedom and became a successful businessman in a small colony of former slaves in Ontario, Canada; a father who nearly single-handedly integrated the nation's YMCAs in the Jim Crow South; and a mother who provided aid to Black soldiers in France during World War I and who became a leader in several global and domestic racial equality causes.Carter's inspirational multi-decade career working in an environment of bias, segregation, and patriarchy in Depression-era America helped pave the way for those who came after her.
The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts.
Against traditional approaches that view German Idealism as a secularizing movement, this volume revisits it as the first fundamentally philosophical articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity.
Against traditional approaches that view German Idealism as a secularizing movement, this volume revisits it as the first fundamentally philosophical articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity.
Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated CategoryA significant contribution on the development and aftermath of post¿World War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country¿s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today¿namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated CategoryA significant contribution on the development and aftermath of post¿World War II Concretism in BrazilForm and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country¿s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today¿namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Who is a Muslim? destabilizes traditional constructions of postcolonial literary histories through the specific example of Urdu by suggesting that this North-India vernacular, far from secular or progressive, has been shaped as the authority designate around the intertwined questions of piety, national identity, and citizenship.
This book argues that in the seventeenth century the ancient hope for the physical resurrection of the body and its flesh began an unexpected second life as critical theory, challenging the notion of an autonomous self and driving early modern avant-garde poetry.
This book deconstructs the whole lineage of political philosophy, showing the ways democracy abuts and regularly undermines the sovereignist tradition across a range of texts from the Iliad to contemporary philosophy.
In an age that prizes political and personal transparency, In Defense of the Secret champions the secret as what permits relation and ensures our humanity.
Through the figure of Medea, shows how important violence was for seventeenth-century French tragedy and contextualizes that violence in a longer literary and philosophical history from Ovid to Pasolini.
Living with Tiny Aliens imagines in theological terms how an individuals' meaningful existence persists within a cosmos pregnant with living-possibilities. In doing so, it works to articulate an astrobiological humanities.
This book makes a case for infrapolitics as an enactment of intellectual responsibility in the face of a tumultuous world of war and of technological value extraction on a planetary scale.
Working from the Bible to contemporary art, Shibboleth surveys the politics of border crossings, the policing of identities, and the linguistic performances on which such actions depend.
An utterly original and illuminating work that meets at the crossroads of autobiography and ethnography to reexamine violence and memory through the eyes of a child.
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature.
This volume, the first sustained critical work on the French political philosopher Etienne Balibar, collects essays by sixteen prominent philosophers, psychoanalysts, anthropologists, sociologists, and literary critics who each identify, define, and explore a central concept in Balibar's thought.
This volume, the first sustained critical work on the French political philosopher Etienne Balibar, collects essays by sixteen prominent philosophers, psychoanalysts, anthropologists, sociologists, and literary critics who each identify, define, and explore a central concept in Balibar's thought.
Diano's Form and Event has long been known in Europe as a major work not only for classical studies but even more for contemporary philosophy, anticipating the work of Deleuze, Badiou, Esposito, and Agamben. It now appears in English for the first time, with a substantial Introduction that situates the book in the genealogy of modern political philosophy.
NAMED THE BEST POETRY OF 2020 BY THE NEW YORK TIMESMy Daily Actions, or The Meteorites is the result of a daily investigative writing practice, in which I was worried that a poem invested in the particulars of my life would be uninteresting¿that the "ordinary" would be mundane. Instead memory, dreams, and the associative power of the imagination filled each moment with meaning, each tv show I watched or friend I spoke with, each outfit I wore or nail polish color I chose. In these poems, a combination of dread (for something approaching) and anxiety (for what might be approaching but isn't yet known) undid a sense of the present separate from climate change, global racial capitalism, whiteness, and gender-based violence, especially as I wrote as I tried to find out how my own gender fit into the world. The prose poem is the vehicle by which a recording practice ("journaling") meets the associative power of the poem.
After a detailed analysis of just what radical theology means, as a concept and in its relationship to traditional theology, this volume offers a selection of essays written for both academic and wider audiences which show aim at catching radical theology in action, in the church and in the culture at large.
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