Böcker utgivna av Fordham University Press

An incendiary literary work more relevant now than ever. "if anger were an ax/it would split me open/and if this is a sermon/let it be my granddaddy's sermon/my grandmother's foottapping/steady rocking/choir singing" -from "It Is Not a New Age"First published in 1998, Imagine Being More Afraid of Freedom than Slavery is the debut collection by acclaimed poet and performer Pamela Sneed. Provocative and potent, it tackles the political and personal issues of enslavement, sexuality, emotional trauma, and abuse. These poems chart the journey of an artist trying to escape cycles of dependency and reclaim lost self and identity. Drawing parallels to Harriet Tubman's journey on the Underground Railroad, Sneed's explorations of the woods are a metaphor and emotional path one must explore to attain self-ownership. Sneed's poems are bound by the search for love, freedom, and justice-from images of lesbian love to Emmet Till's bloated body, they offer a raging cry and a roadmap for those interested in transforming the personal into social justice and abolitionist practices.

"A passionate exhortation to expand the ways we talk about human sex, sexuality, and gender Twenty-five years ago, Mark D. Jordan published his landmark book on the invention and early history of the category "sodomy", one that helped to decriminalize certain sexual acts in the United States and to remove the word "sodomy" from the updated version of a standard English translation of the Christian Bible. In Queer Callings, Jordan extends the same kind of illuminating critical analysis to present uses of "identity" with regard to sexual difference. While the stakes might not seem as high, he acknowledges, his newest history of sexuality is just as vital to a better present and future. Shaking up current conversations that focus on "identity language", this essential new book seeks to restore queer languages of desire by inviting readers to consider how understandings of "sexual identity" have shifted-and continue to shift-over time. Queer Callings re-reads texts in various genres-literary and political, religious and autobiographical-that have been preoccupied with naming sex/gender diversity beyond a scheme of LGBTQ+ identities. Engaging a wide range of literary and critical works concerned with sex/gender self-understanding in relation to "spirituality", Jordan takes up the writings of Oscar Wilde, Marcel Proust, Djuna Barnes, Samuel R. Delany, Audre Lorde, Geoff Mains, Eve Kosofsky Sedgwick, Gloria Anzaldâua, Maggie Nelson, and others. Before it's possible to perceive sexual identities differently, Jordan argues, current habits for classifying them have to be disrupted. In this way, Queer Callings asks us to reach beyond identity language and invites us to re-perform a selection of alternate languages-some from before the invention of phrases like "sexual identity," others more recent. Tracing a partial genealogy for "sexual identity" and allied phrases, Jordan reveals that the terms are newer than we might imagine. Many queer folk now counted as literary or political ancestors didn't claim a sexual or gender identity: they didn't know they were supposed to have one. Finally, Queer Callings joins the writers it has evoked to resist any remaining confidence that it's possible to give neatly contained accounts of human desire. Reaching into the past to open our eyes to extraordinary opportunities in our present and future, Queer Callings is a generatively destabilizing and essential read"--

WINNER, AMERICAN BOOK AWARDChronicles a Black Puerto Rican man's odyssey and transformation from an incarcerated gang member to the Co-Founder of the Young Lords Party.Growing up fatherless and poor, Felipe Luciano didn't yearn for wealth or dream of becoming a famous actor or athlete. He was tired of being poor and ached to be a man, to reach that point of sagacity, courage, and independence that would signal to the world that he was now a warrior, ready to fight the battle for truth and justice, to slay the dragon of evil, whatever that might be. In Flesh and Spirit, Luciano paints a vivid portrait of his life in New York City as a member of the city's Latino community as well as his pivotal role in the Young Lords and The Last Poets.Luciano's memoir begins when as a teenage Brooklyn gang member he is convicted of manslaughter. This pivotal moment changes the trajectory of his life. The American kid raised on Davy Crockett and Superman TV tales emerged from the womb of prison into a harsh, new monochromatic black/white world without the benefit of rose-colored glasses. It was a painful shattering of all his childhood beliefs and the realization that he was a poor Black Puerto Rican in white America clutching onto values that didn't work. The only flotsam in this churning sea of '60s social turmoil was college, poetry, revolutionary activity, and sometimes God. After getting an education, Luciano went on to become an acclaimed poet and political activist who advocates for the Latino population of New York City, for the kids growing up in the same circumstances he did.Sparing no one-not the revolutionaries, the Revolution, nor the author himself-Flesh and Spirit is written with honesty and humility to help guide young people of color and other Americans through the labyrinths of ideology, organization, missteps, false paths, and phony societal promises.Featuring archival photographs by Michael Abramson reproduced from Palante: Voices and Photographs of the Young Lords, 1969-1971 (c) 2011 Haymarket Books.

"Winner, The David R. Coffin Publication Grant. A vibrant exploration of the everyday life of one of the most diverse places in the world: Queens, NY Remade by decades of immigration, Queens, NY, has emerged as an emblematic space of social mixing and encounters across multiple lines of difference. With its expansive subdivisions, tangled highways, and centerless form, it is also New York's most enigmatic borough. It can feel alternately like a big city, a tight-knit village, a featureless industrial zone, or a sprawling suburban community. Through over two hundred contemporary photographs, Joseph Heathcott captures this multifaceted borough and one of the most diverse places in the United States. Drawn from over a decade of roaming around Queens and snapping photos, Heathcott conveys the juxtaposition of the ordinary and extraordinary, the mundane and the surprising, and the staggering social diversity that best characterizes Queens. At the heart of the story are two separate but entwined histories: the rapid expansion of the borough's built environment through the twentieth century, and the millions of people who have traveled from near and far to call Queens home. Newcomers have had to confront discrimination, White racial hostility, legal challenges, and language barriers. They have had to struggle to find adequate housing, places to worship, and jobs that pay enough to survive. And they have done all of this in the borough's jumbled collection of neighborhoods, housing types, civic and religious institutions, factories and warehouses, commercial streets, and strip malls. Heathcott makes primary use of documentary photography to bring these social and spatial realities of everyday life into relief. He also draws on demographic data, archival sources, planning documents, news stories, and reports. The result is a visual meditation on Queens that provides clues about an urban future where notions of citizenship and belonging are negotiated across multiple lines of difference, but where a sense of "getting along"-however roughly textured and unfinished-has taken hold in the everyday life of the streets"--

Photographer Barbara Mensch's rediscovered photo archives and interview tapes capture symbolic transformations of Lower Manhattan.Many of these images are published here for the first time. The photographs evoke the passage of time by dividing the images into three parts: the 1980s, the 1990s, and the new millennium (2000 and beyond). The photographer shares with the viewer:"I would shoot ruins of buildings, the demolition of famous waterfront saloons, ancient alleyways, and, in some cases, nineteenth-century buildings destroyed by mysterious fires. There were images of floods and other calamities/catastrophes in Lower Manhattan, culminating with 9/11.These photos captured what had been, what no longer exists. They served as my visual timeline. What did the passage of the many decades reveal to me? What dynamics were in my images of the same streets I repeatedly walked for years?"The author's images from the Fulton Fish Market in the 1980s document the generations of immigrants and their children pursuing a gritty American Dream next to the Brooklyn Bridge.Photos from the 1990s present images of floods and fires that paralyzed the area, juxtaposed with continued bulldozing to clear the way for luxury housing. Politics reshaped Manhattan's skyline by encouraging new commercial shopping, food, and restaurant destinations. This restructuring marked the beginning of the end of downtown's blue-collar origins and white-collar replacements, challenging us to ask, "What was lost?" The seminal event of the 2000s, September 11, 2001, reinforced downtown's rebirth as the global economic engine with no room for the past. Also included in this section is an interview with an insider privy to the Mafia leadership of the Fulton Fish Market during Mayor Rudolph Giuliani's opportunistic crusade against them in the 1980s.Dan Barry, Pulitzer Prize-winning journalist, offers a poetic and insightful tribute to the artist and photographer."Definitions: 'falling off' suggests a decline in quality or quantity, 'falling off' suggests the passage of time or changes over time, 'falling off' suggests a detachment, an alternative path to a questionable destination, 'falling off' suggests a separation, 'falling off' suggests something that comes to pass."